Rock springs academy apopka fl
/r/PopPunkers: discussion, news, songs, videos, reviews & everything else Pop Punk!
2011.02.01 19:41 cranberry-smoothie /r/PopPunkers: discussion, news, songs, videos, reviews & everything else Pop Punk!
The front page for all Pop Punk related content!
2023.06.05 02:58 PayasoPikorete Payaso Pikorete Celebrando el Cumpleaños y Bautizo de Noé en Apopka Fl
 | submitted by PayasoPikorete to u/PayasoPikorete [link] [comments] https://preview.redd.it/wv6o3fv7l34b1.jpg?width=1024&format=pjpg&auto=webp&s=1864e5868f82da8722e2cf12061832373b727137 El Payaso Pikorete se fue para Apopka Florida a celebrar doble ocasión, los 10 añitos y el bautismo de nuestro amiguito Noé. Le queremos agradecer a mamá Ingrid por invitarnos a ser parte de esta bonita fiesta de cumpleaños. Este amiguito me hizo la noche. Es muy carismático, gracioso y súper talentoso. Ya es todo un Super Star en todas las fiestas donde lo invitan. Estuvo bailando, cantando y hasta haciendo comedia. En uno de los juegos con los niños me trajeron una correa de pantalón que parecía una cadena de oro y me la puse en el cuello creyendo que era un Blin Blin 🤣 En otra parte de la fiesta, hubo un niño que le pregunté si me entendía y me decía que si con la cabeza mientras me decía que no con la boca al estilo Chavo del Ocho. Estuvimos vacilando con los adultos bailando el Culikitaka y haciendo un terremoto y todos se lo gozaron. Le preguntamos a Noé, el niño estrella cumpleañero, cómo estuvo el show de Pikorete y él nos dijo que estuvo bien, que le encantó, le y le gustó la fiesta. Lo más que le gustó fue al Payaso Pikorete. Le tuve que dar un tanto por la emoción. La mamá de Noé nos dijo que el show de Pikorete es muy bien servicio, buena motivación para los niños, mucha diversión para los niños tanto como para los adultos, se gozaron mucho, definitivamente 100% recomendado y contratado para la siguiente fiesta. Si estás buscando un payaso que sea recomendado por toda su pasada clientela, comunícate ahora mismo al 321-222-7764. Nos puedes buscar por las redes sociales y escríbenos por ahí si es más fácil para usted. Pero no lo dejes para mañana porque las fechas se están ocupando rápidamente. https://payasopikorete.com/payaso-pikorete-celebrando-el-cumpleanos-y-bautizo-de-noe-en-apopka-fl Correa... Cabulla de Perro o Cadena de Oro???https://reddit.com/link/140wwfq/video/211ak9fdl34b1/player https://www.youtube.com/watch?v=7fXD0Sm71T8 El Terremoto del Culikita con los Adultoshttps://reddit.com/link/140wwfq/video/wk5yi74el34b1/player https://www.youtube.com/watch?v=HQydqPKOfSE Ay!!! Amiguito Que No Me Entiendehttps://reddit.com/link/140wwfq/video/42k1ddwel34b1/player https://www.youtube.com/watch?v=Uwtk2g7KEg4 Testimonio Review del Payaso en Apopka en el Cumpleaños de Noéhttps://reddit.com/link/140wwfq/video/z5bmyiifl34b1/player https://www.youtube.com/watch?v=eQJuwH5Dr0M Apopka, Florida Payaso Pikorete,show de payaso,show de payasos,Payaso en Apopka Fl,Payasos en Apopka FL,Payasos en Apopka,Payaso en Apopka,payaso picorete,payaso en florida,payasos en florida,animador infantil,animacion infantil,cumpleaños, |
2023.06.05 02:10 AutoModerator [Download Course] Csaba Borzasi – Breakthrough Conversions Academy (Genkicourses.site)
![[Download Course] Csaba Borzasi – Breakthrough Conversions Academy (Genkicourses.site)](https://external-preview.redd.it/BxW8s1YqP7HP49yN4wm_hQHXV7TZEGiZcjiFVrk0JwU.jpg?width=640&crop=smart&auto=webp&s=1a86845c4c577464ecbf9c835daa91153a21fded "[Download Course] Csaba Borzasi – Breakthrough Conversions Academy (Genkicourses.site)") | submitted by AutoModerator to HQCoursesGenki [link] [comments] Get the course here: [Download Course] Csaba Borzasi – Breakthrough Conversions Academy (Genkicourses.site) Our website: https://www.genkicourses.site/product/csaba-borzasi-breakthrough-conversions-academy/ What You Get:Module 1The Fundamental Principles of Direct Response CopywritingIn this foundational module, you’ll discover:
The Psychology Behind Persuasive Copywriting & Copy-ThinkingI promise you’ve never seen a more advanced masterclass in emotional response marketing before.In this module, you’ll discover:
The “No-Nonsense” 80/20 Marketing Research ProcessYes, yes – I know research isn’t the sexiest of topics out there…But it’s an absolutely essential aspect of creating winning marketing campaigns. So… To make this important topic as painless and swift as possible, I scoured through thousands of pages of my notes… Revisited scores of past projects I did with various clients… And analyzed how the best of the best copywriters did their own research… To come up with a totally UNIQUE blueprint for doing marketing research FAST, in a no-nonsense way. That’s why, in this module, you’ll discover:
The “Sacred Trinity”: Big Ideas, Headlines, LeadsThis is where the “rubber meets the road”…Because Module 4 is all about the highest-impact copywriting elements out there: Big Ideas, Headlines, and Leads… PLUS, how they actually relate to each other. So in this module, you’ll discover:
The “Golden Thread” That Connects Your Big Idea With Your OfferOnce you know the secrets of the “Sacred Trinity”, it’s time to connect these elements with your Offer.How? Module 5 reveals everything. Inside this game-changing masterclass, you’ll discover:
How to Make Your Competition Irrelevant by Using a Unique MechanismOur next topic is about Unique Mechanisms…Which are essential in today’s world of “high-market sophistication” audiences. During this module, you’ll discover:
Once Upon a Time, There Was a “StorySelling Masterclass” That RockedNext up, Storytelling on STEROIDS! (which I like to call “StorySelling”)In this module, you’ll discover:
How To Create An Offer So Irresistible… Only a LUNATIC Would Ignore ItOnce you have your “Big Idea”, Headline, Lead, Golden Thread, Unique Mechanism, and Stories…It’s time to finally create an offer they can’t refuse! So in Module 8, you’ll discover:
From “Master Structure” to Breakthrough CopyIn this strategic overview session, we’ll revisit the most important 80/20 principles of key topics like:
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@ If you're wondering why our courses are priced lower than the original prices and are feeling a bit suspicious (which is understandable), we can provide proof of the course's contents. We can provide a screenshot of the course's contents or send you a freebie, such as an introduction video or another video from the course, to prove that we do have the course. Should you wish to request proof, we kindly ask you to reach out to us. Please be aware that our courses do not include community access. This is due to the fact that we do not have the authority to manage this feature. Despite our desire to incorporate this aspect, it is, unfortunately, unfeasible. Explore affordable learning at Genkicourses.site 🎓! Dive into a world of quality courses handpicked just for you. Download, watch, and achieve more without breaking your budget. |
2023.06.05 01:59 Brianhare333 Landscaping noob, diy fool here needs input.
So I have a home project I want to complete this spring/ summer, but need some guidance. I have a small garden area I want to remove the grass from and replace with rock and stepping stones. From what I have researched, I need to dig out the grass about 4 inches down, weed barrier, border and then fill with rock and stones. The problem I'm facing is the soil is so rocky! I've read to not use a sod cutter on rocky soil as this could damage the machine, which I don't own and would have to rent, so that's out. I could use a rear-tine tiller, but I would still need to dig the space out to make room for the rocks. Does anyone have any ideas or words of wisdom? I think I, and my back, already know the answer. Thanks in advance!
submitted by Brianhare333 to landscaping [link] [comments]
2023.06.05 01:54 Kindly_Size_5742 First time to Oregon and spending a week! Have spots picked out but want to know which direction to go!
Thank you dear Oregonians and Oregon experts. My Oregon expertise up until this point is limited to internet research, google maps, and of course reaching the Willamette Valley in 1840 with my occupation as "artist" for the maximum and record setting number of OTII points. 6 in my party and none got cholera...when bacon was .02$ a pound you could load up and really stretch that dollar - what a time to be alive,,, I digress:
This will be in September btw and we're Floridians who are no strangers to stretching days out and packing as much as possible in. ..
Option 1:
1) Land Portland 4PM go straight to Mt Hood Area for a few hikes/waterfalls and get that in before sunset, stay around there
2) To Bend and do smith rock state park and cascade lakes scenic byway
3) To Crater Lake and explore heavily
4) samuel boardman state scenic coridor, natural bridges, cape kiwanda,
5) to cannon beach
6) back to portland
Option 2:
1) land in portland
2) mount hood
3) bend
4) crater lake
5) eugene
6) canon beach/other coastal areas
7) back to portland
Option 3:
1) Portland
2) canon beach
3) eugene
4) crater lake
5) bend
6) mount hood
7) back to portland
Alternate suggestions for points of interest or trip routes are greatly welcomed and appreciated!
I will return the favor with any deep FL knowledge anyone needs. Everglades, Keys, and most FL wilderness areas Expert (in that order)!
submitted by Kindly_Size_5742 to oregon [link] [comments]
This will be in September btw and we're Floridians who are no strangers to stretching days out and packing as much as possible in. ..
Option 1:
1) Land Portland 4PM go straight to Mt Hood Area for a few hikes/waterfalls and get that in before sunset, stay around there
2) To Bend and do smith rock state park and cascade lakes scenic byway
3) To Crater Lake and explore heavily
4) samuel boardman state scenic coridor, natural bridges, cape kiwanda,
5) to cannon beach
6) back to portland
Option 2:
1) land in portland
2) mount hood
3) bend
4) crater lake
5) eugene
6) canon beach/other coastal areas
7) back to portland
Option 3:
1) Portland
2) canon beach
3) eugene
4) crater lake
5) bend
6) mount hood
7) back to portland
Alternate suggestions for points of interest or trip routes are greatly welcomed and appreciated!
I will return the favor with any deep FL knowledge anyone needs. Everglades, Keys, and most FL wilderness areas Expert (in that order)!
2023.06.05 01:53 JoshAsdvgi THE MAN-EATER AND HIS YOUNGER BROTHER
 | submitted by JoshAsdvgi to Native_Stories [link] [comments] THE MAN-EATER AND HIS YOUNGER BROTHER Two brothers went on a hunting expedition. After they had been quite a while in the woods and had good luck in finding game, they built a bark house. At first they had everything in common, but one day the elder said to the younger, "We must live apart for the future. We will make a partition in the middle of the house and have a door at each end. You will always go out of the door in your part of the house and I will go out of the one in my part." The younger brother agreed, and they made the partition, then the elder brother said, "Now each one will live by himself. I will not go to your part of the house and you will not come to mine. When we want to say anything we will talk through the partition. You can hunt birds and animals, but I will hunt men and kill them. Neither of us will marry or bring a woman to the house. If I marry, you will kill me if you can. If you marry, I will try to kill you." Both agreed to this arrangement, and for a long time lived according to it, but one day, when the brothers were out hunting, a woman came to the younger brother's part of the house. The elder brother tracked her, caught her at the door, dragged her into his part of the house, killed and ate her. When the younger brother came home the elder said, "I had good luck to-day, near home." The younger knew what his brother had done, but all he said was, "It is well to have good luck." A second time the elder brother tracked a woman to his brother's part of the house. This time he knocked at the door and called out, "Give me a couple of arrows; there is an elk out here." The woman carried him the arrows and the minute she opened the door he killed her. He dragged the body into his part of the house and ate it up. When the younger brother came, he talked through the partition as before, but said nothing about the woman, The next woman who came to him he warned against opening the door, told her not to open it for anyone, even for him; he would come in himself. The elder brother ran to the door, knocked and called out, "Give me a couple of arrows; there is a bear out here." The woman sat by the fire, didn't move. Again he called, "Give me the arrows; the bear will get away." She didn't stir, and after a while he went into his own part of the house. When the younger brother came the woman told him what had happened. While they were whispering, the elder brother called out, "Brother, you are whispering to someone. Who is it? Haven't you a woman in there?" "I am counting my game," answered the young man. There was silence for a time, then the young man began whispering cautiously to the woman. He said, "In the morning my brother and I will have a life and death struggle. You must help me, but it will be difficult for he will make himself like me in form and voice, but strike him if you can." The woman took a small squash shell and tied it in the young man's hair so she might distinguish him. The brother again called out, "You have a woman in there. You are whispering to her," but he got no answer. In the morning the brothers met and began to fight with clubs and flint knives. When their weapons broke, they clinched. Soon both were on the ground. Sometimes one was under, sometimes the other. The elder brother was exactly like the younger and repeated his words. Whenever the younger called to the woman, "Strike him!" the elder cried out, "Strike him!" The woman couldn't tell which one to strike. At last she caught sight of the squash shell. Then she struck a heavy blow and killed the elder brother. They put the body on a pile of wood and burned it up, then scattered the ashes. But the young man knew his brother would come to life. He put the woman in a cattail, put the cattail on the point of his arrow and shot it far away to the West. Then he ran through the heart of the post of the house, sprang after the arrow and coming to the ground ran with great speed till he found where the arrow had struck and the cattail burst open. Then he soon overtook the woman and they traveled on together. He said, "We must travel fast, for my brother will come to life and follow us." The next morning they heard somebody whoop. The young man said, "That is my brother; he will destroy us if he can." He changed the woman into a half-decayed stump; hid himself a short distance away, and, taking off his moccasins, told them to run on ahead; to go quickly through swamps and thickets and over hills and mountains and come back to him by a round-about way. When the elder brother reached the rotten stump, he looked at it and was suspicious but he followed the moccasins and went on swiftly all day and all night, then he turned back. When he came to the place where he had seen the stump, and it wasn't there, he was awfully angry, for he knew he had been fooled. He found his brother's tracks and followed them. When they heard him whoop, the young man took out of his pouch the jaw of a beaver, stuck the teeth in the ground, and said, "Let beavers come and build a dam across the world so water may rise to my brother's neck, and let the beavers bite him when he tries to cross the dam." When the elder brother came up, the dam was built, and the water was neck high; his brother's tracks disappeared at the edge of the water, and he said, "If they have gone through, I can." When the water reached his breast, beavers began to bite him. He was forced to turn back and look for another crossing. He ran all day, but could find no end to the dam. Then he cried out, "I have never heard that there was a beaver dam across the world," and turning he ran back to the place he had started from. The dam was gone, all that remained was a beaver's jaw with two teeth in it. The man-eater hurried along as fast as he could and again the man and woman heard his whoop. The man took a pigeon-feather from his pouch, placed it on the ground, and said, "Let all the pigeons in the world come and leave droppings here." All the pigeons in the world came and soon there was a ridge six feet high, made of droppings. When the elder brother came to the ridge, he said, "Their tracks are here; if they have gone through, I can." He tried, and when he couldn't get through he turned back and ran eastward to look for an opening, ran all day. The ridge was everywhere. He went back to the place that he had started from and slept till morning. When he wakened, the ridge was gone; all he found was a pigeon feather sticking in the ground. After dropping the feather, the younger brother and the woman ran till they came to where an old man sat mending a fish net. The old man said, "I will delay the man-eater as long as I can. You have an aunt living west of here, beyond her house the trail passes between two rocks that move backward and forward so quickly that whoever tries to go between them is crushed, but beg of your aunt and she will stop them." The two hurried on, came to the woman and begged her to help them. She stopped the rocks long enough for them to spring through, then she said, "You will soon reach a river. On the other side of the river you will see a man with a canoe, beckon to him and he will come and take you across. Beyond the river are the Frost people (SHAGODYOWEQ GOWA) but they will not harm you. A little animal will come to meet you. Follow it and it will lead you to an opening. In the opening you will find your mother's house." When the elder brother came to the old man, who was mending a fish net, he pushed him, and called out, "Did anyone pass here?" The old man didn't answer. He struck him a blow on the head and asked again, "Did anyone pass here?" The fisherman threw his net over the man, entangled him and he fell, but after struggling a time he freed himself and hurried on. When he came to the woman who guarded the rocks he begged her to stop them and let him pass. She refused and he watched for a chance to spring through. At last, when he thought the rocks were moving slowly, he jumped. He was caught and half his body was crushed; but he rubbed it with saliva and cured it. Then he hurried on. When he came to the river and saw the man on the opposite bank he shouted to him to come with his canoe and take him across, but the man didn't look up. He shouted again and got no answer, then he swam across. On that side of the river was a forest where all of the trees had been stripped of bark and killed by the hammering of mud-turtle rattles. The hammering had been done by the Frost people in keeping time while they danced. These people turned upon the man-eater, killed him, hammered all the flesh off of his body, then hammered his bones till there wasn't a bit of them left. When the mother saw her son and his wife she was happy, and said, "I am glad that you have come. I was afraid that your brother, who stole you away from me, would kill you. Now you will stay with me always." They lived happily ever after. |
2023.06.05 01:31 UNUCU Hard Rock Live - Hollywood, FL
Venue says no smoking. Anyone know if this is enforced?
submitted by UNUCU to Rebelution [link] [comments]
2023.06.05 01:10 AutoModerator [Download Course] Csaba Borzasi – Breakthrough Conversions Academy (Genkicourses.site)
| | submitted by AutoModerator to HQCoursesGenki [link] [comments] Get the course here: [Download Course] Csaba Borzasi – Breakthrough Conversions Academy (Genkicourses.site) Our website: https://www.genkicourses.site/product/csaba-borzasi-breakthrough-conversions-academy/ What You Get:Module 1The Fundamental Principles of Direct Response CopywritingIn this foundational module, you’ll discover:
The Psychology Behind Persuasive Copywriting & Copy-ThinkingI promise you’ve never seen a more advanced masterclass in emotional response marketing before.In this module, you’ll discover:
The “No-Nonsense” 80/20 Marketing Research ProcessYes, yes – I know research isn’t the sexiest of topics out there…But it’s an absolutely essential aspect of creating winning marketing campaigns. So… To make this important topic as painless and swift as possible, I scoured through thousands of pages of my notes… Revisited scores of past projects I did with various clients… And analyzed how the best of the best copywriters did their own research… To come up with a totally UNIQUE blueprint for doing marketing research FAST, in a no-nonsense way. That’s why, in this module, you’ll discover:
The “Sacred Trinity”: Big Ideas, Headlines, LeadsThis is where the “rubber meets the road”…Because Module 4 is all about the highest-impact copywriting elements out there: Big Ideas, Headlines, and Leads… PLUS, how they actually relate to each other. So in this module, you’ll discover:
The “Golden Thread” That Connects Your Big Idea With Your OfferOnce you know the secrets of the “Sacred Trinity”, it’s time to connect these elements with your Offer.How? Module 5 reveals everything. Inside this game-changing masterclass, you’ll discover:
How to Make Your Competition Irrelevant by Using a Unique MechanismOur next topic is about Unique Mechanisms…Which are essential in today’s world of “high-market sophistication” audiences. During this module, you’ll discover:
Once Upon a Time, There Was a “StorySelling Masterclass” That RockedNext up, Storytelling on STEROIDS! (which I like to call “StorySelling”)In this module, you’ll discover:
How To Create An Offer So Irresistible… Only a LUNATIC Would Ignore ItOnce you have your “Big Idea”, Headline, Lead, Golden Thread, Unique Mechanism, and Stories…It’s time to finally create an offer they can’t refuse! So in Module 8, you’ll discover:
From “Master Structure” to Breakthrough CopyIn this strategic overview session, we’ll revisit the most important 80/20 principles of key topics like:
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@ If you're wondering why our courses are priced lower than the original prices and are feeling a bit suspicious (which is understandable), we can provide proof of the course's contents. We can provide a screenshot of the course's contents or send you a freebie, such as an introduction video or another video from the course, to prove that we do have the course. Should you wish to request proof, we kindly ask you to reach out to us. Please be aware that our courses do not include community access. This is due to the fact that we do not have the authority to manage this feature. Despite our desire to incorporate this aspect, it is, unfortunately, unfeasible. Explore affordable learning at Genkicourses.site 🎓! Dive into a world of quality courses handpicked just for you. Download, watch, and achieve more without breaking your budget. |
2023.06.05 00:14 ZipperDude Eminem's last four live performances. Has anybody ever performed consecutively at such iconic occasions before?
 | submitted by ZipperDude to Eminem [link] [comments] |
2023.06.05 00:10 AutoModerator [Download Course] Csaba Borzasi – Breakthrough Conversions Academy (Genkicourses.site)
| | submitted by AutoModerator to HQCoursesGenki [link] [comments] Get the course here: [Download Course] Csaba Borzasi – Breakthrough Conversions Academy (Genkicourses.site) Our website: https://www.genkicourses.site/product/csaba-borzasi-breakthrough-conversions-academy/ What You Get:Module 1The Fundamental Principles of Direct Response CopywritingIn this foundational module, you’ll discover:
The Psychology Behind Persuasive Copywriting & Copy-ThinkingI promise you’ve never seen a more advanced masterclass in emotional response marketing before.In this module, you’ll discover:
The “No-Nonsense” 80/20 Marketing Research ProcessYes, yes – I know research isn’t the sexiest of topics out there…But it’s an absolutely essential aspect of creating winning marketing campaigns. So… To make this important topic as painless and swift as possible, I scoured through thousands of pages of my notes… Revisited scores of past projects I did with various clients… And analyzed how the best of the best copywriters did their own research… To come up with a totally UNIQUE blueprint for doing marketing research FAST, in a no-nonsense way. That’s why, in this module, you’ll discover:
The “Sacred Trinity”: Big Ideas, Headlines, LeadsThis is where the “rubber meets the road”…Because Module 4 is all about the highest-impact copywriting elements out there: Big Ideas, Headlines, and Leads… PLUS, how they actually relate to each other. So in this module, you’ll discover:
The “Golden Thread” That Connects Your Big Idea With Your OfferOnce you know the secrets of the “Sacred Trinity”, it’s time to connect these elements with your Offer.How? Module 5 reveals everything. Inside this game-changing masterclass, you’ll discover:
How to Make Your Competition Irrelevant by Using a Unique MechanismOur next topic is about Unique Mechanisms…Which are essential in today’s world of “high-market sophistication” audiences. During this module, you’ll discover:
Once Upon a Time, There Was a “StorySelling Masterclass” That RockedNext up, Storytelling on STEROIDS! (which I like to call “StorySelling”)In this module, you’ll discover:
How To Create An Offer So Irresistible… Only a LUNATIC Would Ignore ItOnce you have your “Big Idea”, Headline, Lead, Golden Thread, Unique Mechanism, and Stories…It’s time to finally create an offer they can’t refuse! So in Module 8, you’ll discover:
From “Master Structure” to Breakthrough CopyIn this strategic overview session, we’ll revisit the most important 80/20 principles of key topics like:
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@ If you're wondering why our courses are priced lower than the original prices and are feeling a bit suspicious (which is understandable), we can provide proof of the course's contents. We can provide a screenshot of the course's contents or send you a freebie, such as an introduction video or another video from the course, to prove that we do have the course. Should you wish to request proof, we kindly ask you to reach out to us. Please be aware that our courses do not include community access. This is due to the fact that we do not have the authority to manage this feature. Despite our desire to incorporate this aspect, it is, unfortunately, unfeasible. Explore affordable learning at Genkicourses.site 🎓! Dive into a world of quality courses handpicked just for you. Download, watch, and achieve more without breaking your budget. |
2023.06.05 00:10 LookingForTheGirl25 30 [M4F] Florida/USA - Looking to make a special connection with my person out there!
Hey there everyone, I never know how to start these, so I am just going to jump right into it! My name is Austin, I am 30 years old and I live in Orlando, FL!
I am trying to find my person! I want to be able to create a safe emotional space for the two of us in the relationship and to be able to have so much fun together. From being vulnerable and open by talking about our feelings to silly and fun watching YouTube or sharing memes! I want to have a family and kids so if that isn’t for you no problem, it isn’t for everyone!
A quick breakdown of things I like:
Cooking
Video Games
TV/Anime/Movies
Going to the gym or Batting Cages (I used to play baseball)
Playing with my cat and dog (Licorice and Wade)
Playing my trumpet (recently started again from high school)
Music is a huge part of my life and always will be. If it could be considered a love language it would be my number one! I love sharing playlists or being excited to talk about artists we both love etc. My favorite genres would include (but are not limited to); Rock, Metal, EDM, Punk, Musicals. What are some of your favorites? Top 3 artists?
We are two humans spinning on this rock we call "Earth" looking for our person, don't waste your time nor mine with simple responses or not reading my post please. I cannot handle those that just respond with "Hey" and expect me to do the heavy lifting in conversation.
Here is me! https://imgur.com/a/fWbSRr4
submitted by LookingForTheGirl25 to r4r [link] [comments]
I am trying to find my person! I want to be able to create a safe emotional space for the two of us in the relationship and to be able to have so much fun together. From being vulnerable and open by talking about our feelings to silly and fun watching YouTube or sharing memes! I want to have a family and kids so if that isn’t for you no problem, it isn’t for everyone!
A quick breakdown of things I like:
Cooking
Video Games
TV/Anime/Movies
Going to the gym or Batting Cages (I used to play baseball)
Playing with my cat and dog (Licorice and Wade)
Playing my trumpet (recently started again from high school)
Music is a huge part of my life and always will be. If it could be considered a love language it would be my number one! I love sharing playlists or being excited to talk about artists we both love etc. My favorite genres would include (but are not limited to); Rock, Metal, EDM, Punk, Musicals. What are some of your favorites? Top 3 artists?
We are two humans spinning on this rock we call "Earth" looking for our person, don't waste your time nor mine with simple responses or not reading my post please. I cannot handle those that just respond with "Hey" and expect me to do the heavy lifting in conversation.
Here is me! https://imgur.com/a/fWbSRr4
2023.06.04 23:30 khoafraelich789 Driven: 2023 Chevrolet Colorado Proves Mid-Size Trucks Don’t Have To Suck
 | submitted by khoafraelich789 to CarInformationNews [link] [comments] https://preview.redd.it/nnacw9ecny2b1.png?width=1024&format=png&auto=webp&s=09591c58da67e45c700456841de4978e9c700d84 The redesigned Colorado combines a good ride with a nicer interior as well as an all-new turbo engine Trucks are as American as apple pie, but most of the attention has been focused on the full-size segment. It’s been that way for decades, but smaller trucks have finally stepped into the spotlight. The Ford Maverick and Hyundai Santa Cruz revived the long dormant compact segment, while 2023 is shaping up to be the year of the mid-size truck thanks to new entries from Chevrolet, GMC, Ford, and Toyota. That’s a ton of new blood and we haven’t even mentioned the Jeep Gladiator and Nissan Frontier, which are still relatively fresh. We’re kicking the year off with the 2023 Chevrolet Colorado, which features a fantastic new design, an upgraded interior, and an all-new turbocharged 2.7-liter four-cylinder engine. However, the biggest news might be value as the truck starts at $29,200 and you can get one with four-wheel drive, adaptive cruise control, a bed liner, and a ton of safety features for under $37,000. A Sporty And Stylish Design While there’s a lot going on, there’s no better place to start than styling because designers knocked it out of the park. The model has “big truck energy” and sports an all-new design that echoes the Silverado. However, this is no scaled down copy as the Colorado has a more youthful and athletic appearance, which combines sharp lines with subtle curves. The resulting design is great and the Colorado is arguably better looking than its larger counterpart. That’s high praise and each trim has a slightly different aesthetic. The entry-level WT is the most basic of the bunch as it sports black components and 17-inch steel wheels. This look is shared with the all-new Colorado Trail Boss, which builds on the WT but adopts a 2-inch (51 mm) lift, a wider front track, and 18-inch aluminum wheels wrapped in 32-inch all-terrain tires. The Colorado LT is more traditional as it wears body-color components and 17-inch aluminum wheels, while the Z71 combines creature comforts with moderate amounts of off-road capability. The news isn’t all good as the Colorado is offered exclusively in a crew cab configuration with a 5’ 2” bed. This is a bit of a disappointment as the outgoing model offered extended and crew cab configurations as well as a larger 6’2” bed. That being said, the redesigned Colorado has a few tricks up its sleeve and one of the most interesting ideas is a lockable, watertight compartment that is integrated into the tailgate. With the tailgate down, you push two levers aside to gain access to a compartment that measures 45 inches (1,143 mm) wide and 4 inches (102 mm) deep. It can be a bit tricky to open, but there’s a decent amount of space and owners could easily stash tow straps and other off-road equipment there. While the compartment is a little gimmicky, it’s hard to argue with eight standard tie-downs, integrated motorcycle tire grooves, and an available 110-volt power outlet in the bed. The tailgate can also be positioned midway down to aid in transporting longer items, while a dampened EZ-lift and lower tailgate is also available. An Interior That Doesn’t Scream Cheap Mid-size trucks are far more affordable than their larger counterparts and this cut-rate pricing is often reflected in the interior. However, the Colorado bucks this trend as drivers will find a significantly improved cabin with better equipment. The changes are immediately apparent as driver sit behind a chunky steering wheel and find themselves looking at an all-new 8-inch digital instrument cluster. It comes standard and features an assortment of informative displays including an off-road focused setup, which shows pitch and roll as well as the steering angle and current transfer case setting. Speaking of screens, there’s an 11.3-inch infotainment system with Google integration as well as wireless Android Auto and Apple CarPlay. It’s a massive improvement over the old 7- and 8-inch displays, and the system is fast, responsive, and largely intuitive. That being said, we did experience a few hiccups including an instance where music was blasting at startup and the system initially refused to respond to attempts to lower the volume or mute. Putting the screens aside, the cabin sports a modern design with classy switchgear, gloss black trim, and metallic accents. The amenities vary by trim and things are pretty basic in the WT and Trail Boss. It’s not bad by any stretch of the imagination, but the models eschew a lot of the bright work, padding, and details that make higher-end variants look and feel special. It’s also worth mentioning that, regardless of which trim you get, black plastic is abound and it’s of the hard variety. Despite being a rough and tumble pickup, the Colorado can dust off its cowboy boots for a night on the town. In particular, the model can be equipped with two-tone heated and ventilated leather front seats as well as a heated steering wheel. While it’s not as fancy as the upcoming GMC Canyon Denali, it’s pretty darn nice for a mid-size truck. Speaking of the seats, the front chairs are perfectly comfortable and spacious while also offering a good amount of support. Furthermore, the entry-level WT doesn’t cheapen out too much, although a front center console is an optional extra. The rear seats are less impressive as they’re not terribly spacious. While there’s a good amount of headroom, legroom is limited as occupants will find a mere 34.7 inches (881 mm) of space and that’s 1.1 inches (28 mm) less than last year’s crew cab pickup. The experience reminded me of the compact Maverick and Santa Cruz, which actually have more rear seat legroom on paper. That being said, the seats seem to be competitive for the segment, although not as generous as those found in the Gladiator. A Turbo Four With V8 Levels Of Torque The streamlining continues under the hood as the Colorado’s engine lineup shrinks from three to one. As a result, every single model is equipped with a turbocharged 2.7-liter four-cylinder. The engine has been powering the Silverado for years and it’s available in three different outputs. The entry-level variant produces 237 hp (177 kW / 240 PS) and 259 lb-ft (351 Nm) of torque, which is a sizable improvement over the old 2.5-liter four-cylinder that developed 200 hp (149 kW / 203 PS) and 191 lb-ft (258 Nm). The entry-level engine comes standard in the WT and LT, and offers respectable performance. There’s plenty of power for cruising around town, although we wished for a little extra oomph when it came to merging onto the highway. The mid-level engine comes standard in the Trail Boss and Z71, where it produces 310 hp (231 kW / 314 PS) and 390 lb-ft (528 Nm) of torque. Customers can also opt for a high-output version that develops 310 hp (231 kW / 314 PS) and 430 lb-ft (582 Nm) of torque. The latter figure is insane as the engine has more torque than the 5.0-liter V8 in the Ford F-150. It also bests the Silverado’s 5.3-liter V8 by 47 lb-ft (64 Nm), despite having half the number of cylinders. The high-output engine comes standard in the range-topping Colorado ZR2, but Trail Boss and Z71 customers can order a high-output calibration for an additional $395. That seems pretty reasonable as it delivers an extra 40 lb-ft (54 Nm) of torque, which will be appreciated if you tow on a regular basis. While the base engine is fine, the upgraded versions transform the truck from good to great. As you’d expect, responsiveness improves significantly and there’s plenty of power throughout the band. Chevrolet hasn’t released detailed performance specifications, but officials we spoke to said all three versions of the engine enable the truck to accelerate from 0-60 mph (0-96 km/h) in less than seven seconds. Speaking of the engine, it seems relatively refined and engineers told us it was “designed like a diesel.” As a result, it sports a rigid cylinder block casting, a fully forged bottom end, and a stiff crankshaft – among other things. While that’s just scratching the surface, the engine has been subjected to countless torture tests and was designed to withstand years of heavy use. The engine is connected to a capable eight-speed automatic transmission, which worked well on- and off-road as shifts were perfectly timed and well executed. Rear-wheel drive comes standard on the WT and LT, but the rest of the lineup has four-wheel drive. EPA ratings haven’t been released, but the Colorado has an engine start/stop system and active fuel management technology. As a result, we can expect the truck to surpass the Silverado’s rating of 19 mpg city, 22 mpg highway, and 20 mpg combined. It’s also worth mentioning that all of the engines run on regular gasoline, even the high-output variant. A Capable Truck That Doesn’t Ride Rough One of the most surprising things about the 2023 Colorado is how well it drives. Body-on-frame trucks aren’t typically known for their refinement, but Chevy’s entry exceeded our expectations. While the ride can get a little bumpy on rough roads, it’s not uncomfortable and can best be described as truck-like. However, those incidents were few and far between as things settle down significantly on smooth roads and the Colorado proved to be a comfortable highway cruiser, despite having a solid rear axle and leaf springs. The good news doesn’t end there as handling is good for a body-on-frame pickup. Cornering was secure and predictable without any hints of drama until the truck was pushed hard. The experience can also be somewhat entertaining on the right road, although you’ll want to keep your expectations in check. Given this is a truck, it’s not surprising to learn the steering is a little heavy and slow. We didn’t have any problems with the heft, but we wish the truck offered a sport mode with a more direct response as traversing twisty mountain roads required an almost comical amount of turning. Speaking of driving modes, the Colorado offers Normal, Tow/Haul, Off-Road, Terrain, and Baja settings. Terrain mode might be the most notable as it was designed for low-speed rock crawling and it enables you to travel at a leisurely pace with subtle throttle responses. The truck also offers a cool off-road performance display as well as up to 10 different camera views including underneath the truck. Speaking of off-road goodies, the Z71 and Trail Boss come standard with a limited-slip differential and hill descent control. The Trail Boss is also notable for featuring the aforementioned lift and wider stance. Back on pavement, wind noise can be pronounced at highway speed, but otherwise the truck is fairly quiet. The model also sports an impressive amount of standard safety equipment including Automatic Emergency Braking, Forward Collision Alert, Front Pedestrian Braking, Lane Keep Assist with Lane Departure Warning, and IntelliBeam automatic high-beams. Customers looking for more safety tech will find an assortment of affordable packages that offer Adaptive Cruise Control, Rear Park Assist, and Rear-Cross Traffic Braking. They’re joined by Blind Zone Steering Assist, Rear Pedestrian Alert, and an HD Surround Vision system. Colorado owners like to tow and most versions of the truck have a maximum towing capacity of 7,700 lbs (3,493 kg). This bests the Frontier, Ranger, and Tacoma while also matching the mightiest Gladiator. Sticking with towing, customers can get a package that adds a receiver as well as an automatic locking rear differential, an integrated trailer brake controller, and a trailering app on the infotainment system. We’d also be remiss to mention the truck has a maximum payload capacity of up to 1,684 lbs (764 kg). Mid-Size No Longer Means Half As Good Mid-size trucks have often felt like half-hearted efforts, but that’s clearly not the case with the 2023 Chevrolet Colorado. Designers and engineers poured blood, sweat, and tears into the model and the end result is truly impressive as it looks great, drives well, and features an impressive new engine. On top of that, the Colorado boasts a significantly improved interior, more upscale equipment, and a new Trail Boss trim that should appeal to off-roaders on a budget. Speaking of which, Chevy managed to keep pricing affordable and this means you can get a nice truck for around $42,000. While there are a few tradeoffs, the Colorado is a solid pickup and the one to beat. Of course, there’s no shortage of challengers on the horizon and we’ll learn more about them in the coming months. Source: carscoops |
2023.06.04 23:24 Puzzleheaded_Nail466 1949 Ford - " fashion car of the year "
 | submitted by Puzzleheaded_Nail466 to vintageads [link] [comments] |
2023.06.04 23:10 AutoModerator [Download Course] Csaba Borzasi – Breakthrough Conversions Academy (Genkicourses.site)
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2023.06.04 23:04 JoshAsdvgi THE MAN AND THE OAK
 | submitted by JoshAsdvgi to Native_Stories [link] [comments] THE MAN AND THE OAK There once lived a Sioux couple who had two children, a boy and a girl. Every fall this family would move away from the main camp and take up their winter quarters in a grove of timber some distance from the principal village. The reason they did this was that he was a great hunter and where a village was located for the winter the game was usually very scarce. Therefore, he always camped by himself in order to have an abundance of game adjacent to his camp. All summer he had roamed around following the tribe to wherever their fancy might take them. During their travels this particular year there came to the village a strange girl who had no relatives there. No one seemed very anxious to take her into their family, so the great hunter's daughter, taking a fancy to the poor girl, took her to their home and kept her. She addressed her as sister, and the parents, on account of their daughter, addressed her as daughter. This strange girl became desperately in love with the young man of the family, but being addressed as daughter by the parents, she could not openly show her feelings as the young man was considered her brother. In the fall when the main village moved into a large belt of timber for their winter quarters, the hunter moved on to another place two days' travel from the main winter camp, where he would not be disturbed by any other hunters. The young man had a tent by himself, and it was always kept nice and clean by his sister, who was very much attached to him. After a long day's hunt in the woods, he would go into his tent and lie down to rest, and when his supper was ready his sister would say, "My brother is so tired. I will carry his supper to him." Her friend, whom she addressed as sister, would never go into the young man's tent. Along towards spring there came one night into the young man's tent a woman. She sat down by the door and kept her face covered so that it was hidden from view. She sat there a long time and finally arose and went away. The young man could not imagine who this could be. He knew that it was a long distance from the village and could not make out where the woman could have come from. The next night the woman came again and this time she came a little nearer to where the young man lay. She sat down and kept her face covered as before. Neither spoke a word. She sat there for a long time and then arose and departed. He was very much puzzled over the actions of this woman and decided to ascertain on her next visit who she was. He kindled a small fire in his tent and had some ash wood laid on it so as to keep fire a long time, as ash burns very slowly and holds fire a long time. The third night the woman came again and sat down still nearer his bed. She held her blanket open just a trifle, and he, catching up one of the embers, flashed it in her face; jumping up she ran hurriedly out of the tent. The next morning he noticed that his adopted sister kept her face hidden with her blanket. She chanced to drop her blanket while in the act of pouring out some soup, and when she did so he noticed a large burned spot on her cheek. He felt so sorry for what he had done that he could eat no breakfast, but went outside and lay down under an oak tree. All day long he lay there gazing up into the tree, and when he was called for supper he refused, saying that he was not hungry, and for them not to bother him, as he would soon get up and go to bed. Far into the night he lay thus, and when he tried to arise he could not, as a small oak tree grew through the center of his body and held him fast to the ground. In the morning when the family awoke they found the girl had disappeared, and on going outside the sister discovered her brother held fast to the earth by an oak tree which grew very rapidly. In vain were the best medicine men of the tribe sent for. Their medicine was of no avail. They said: "If the tree is cut down the young man will die." The sister was wild with grief, and extending her hands to the sun, she cried: "Great Spirit, relieve my suffering brother. Any one who releases him I will marry, be he young, old, homely or deformed." Several days after the young man had met with the mishap, there came to the tent a very tall man, who had a bright light encircling his body. "Where is the girl who promised to marry any one who would release her brother?" "I am the one," said the young man's sister. "I am the all-powerful lightning and thunder. I see all things and can kill at one stroke a whole tribe. When I make my voice heard the rocks shake loose and go rattling down the hillsides. The brave warriors cower shivering under some shelter at the sound of my voice. The girl whom you had adopted as your sister was a sorceress. She bewitched your brother because he would not let her make love to him. On my way here I met her traveling towards the west, and knowing what she had done, I struck her with one of my blazing swords, and she lies there now a heap of ashes. I will now release your brother." So saying he placed his hand on the tree and instantly it crumbled to ashes. The young man arose, and thanked his deliverer. Then they saw a great black cloud approaching, and the man said: "Make ready, we shall go home on that cloud." As the cloud approached near to the man who stood with his bride, it suddenly lowered and enveloped them and with a great roar and amidst flashes of lightning and loud peals of thunder the girl ascended and disappeared into the west with her Thunder and Lightning husband. |
2023.06.04 23:00 LifesOptimist Rodent Control- Something digging around deck footing/post
https://imgur.com/a/cqFYiiv
Hi Reddit
Last year I noticed a hole around my deck footing and two other small holes around the foundation of my house. I filled them with soil and seed but they were recurring. I set some traps and also threw moth balls in the holes and covered with more crusher dirt. I was just outside over seeding and noticed the hole it not only back 6-8months later BUT one of the moth balls I threw in the hole back then was dug/brought up beside it.
I’ve also tried a solution of dawn dish detergent and castor oil in a sprayer and sprayed in the hole and over my lawn.
To add, last year I noticed a visible trail in a section of grass from the hole to another part of my yard where I have a rock riverbed. Luckily after some new seeding and the new Spring season that seems to have diminished.
The issue is I’m not sure what’s digging at the footing and how to treat it. Does anyone have any recommendations?
Thank you!
submitted by LifesOptimist to pestcontrol [link] [comments]
Hi Reddit
Last year I noticed a hole around my deck footing and two other small holes around the foundation of my house. I filled them with soil and seed but they were recurring. I set some traps and also threw moth balls in the holes and covered with more crusher dirt. I was just outside over seeding and noticed the hole it not only back 6-8months later BUT one of the moth balls I threw in the hole back then was dug/brought up beside it.
I’ve also tried a solution of dawn dish detergent and castor oil in a sprayer and sprayed in the hole and over my lawn.
To add, last year I noticed a visible trail in a section of grass from the hole to another part of my yard where I have a rock riverbed. Luckily after some new seeding and the new Spring season that seems to have diminished.
The issue is I’m not sure what’s digging at the footing and how to treat it. Does anyone have any recommendations?
Thank you!
2023.06.04 22:39 Zlpv7672 Danganronpa: Despair Disaster Ep 4- Part 3
< Ep 4- Part 2
Based on the fourth round of the elimination contest and the results
Spoiler tag only for basic character spoilers.
[Cut to the stage with Chris and Chef sitting at a judges table]
Chris: Alright first up is the Narwhals with Ella, Dakota, and Staci.
Tsumugi: And assistance from Beth!
Chris: Yeah, yeah whatever. Begin ladies.
Sayaka: [to herself] Here goes nothing. Please don't let me die of embarrassment.
[Sayaka begins to sing one of most popular songs]
Makoto: Oh, I love this one.
Kaede: Makoto, focus on the piano keys please. We're still not ready yet.
[Sayaka starts to dance around the stage]
Chris: Yes, pretty good, though I have no idea what those words mean.
Chef: Seems to be a one woman show so far.
Miu: Don't you worry because this shows about to heat up thanks to me! [she aims her invention]
Chris: Dakota...what exactly is that going to do?
Miu: Don't blink! [She fires at Sayaka as her body erupts into light and smoke. She can still be heard singing. Her old clothes are blown away against the backdrop]
Chris: Flashy and impressive.
Chef: Um please tell me that isn't the girl's clothes over there.
Miu: Wait for it…
[The smoke clears. Sayaka can still be heard singing]
Himiko: Behold, the Ultimate Magician is here now!
Chef: Okay then where is the- Gaagh!
[Sayaka suddenly appears over Chef's shoulder singing to to both of them in a completely different outfit]
Miu: Yeah, sing it girl! [Miu aims again and fires]
Chris: Agh! Dakota, not in my eyes please! Ugh, Chef, give me something to clear my eyes.
Himiko: Here you go. [She's now in Sayaka's place next to them holding a handkerchief]
Chef: Are these the girl's other clothes now?! [Referring to the clothes blown into his face]
Miu: Look, I can't control where they go to alright. Just enjoy the show you two!
[Another burst of smoke and Sayaka's back on stage. This process repeats a few more times with Sayaka disappearing and reappearing all over the stage every time in a new outfit and Himiko in her place until Sayaka finally finishes her song]
Sayaka: *pant* *pant* So what did you think?
Miu: Yeah, pretty impressive right?
Chris: Well, while I couldn't understand any of the words being sung, I will say I did appreciate the theatrics of it all.
Chef: Though, I could've done without all the girl's clothes strewn everywhere.
Chris: We give it a 4 each so an 8/10 for the Narwhals. Not a bad start. Rhinos are up next with Sugar, Katie, and Geoff.
Gundham: Are you sure you can handle knives?
Peko: Of course, like he said they're just tiny swords right…
Hiyoko: You just better not hit me! *Deep breath* Let's do this.
[The music begins and Hiyoko begins dancing her traditional Japanese dance]
Chris: Again with the Japanese songs. You don't see us going around playing songs that scream we're Canadian.
Hiyoko: Just shut up and pay attention!
Chef: I'm a little curious what the hamster boy is doing over there.
Kazuichi: Okay Peko, you're up. Just aim for the spots Mukuro already hit in the backdrop.
Peko: Very well. [She throws the first knife. It flies past Hiyoko but not without her having to dodge a bit]
Hiyoko: I said watch it, you klutz!
Peko: I got this, okay…[throws three more all just barely hitting their mark and missing Hiyoko]
Chris: Okay extreme traditional dancing huh? Not bad…
Gundham: Go now my Dark Devas! [Maga-Z and San-D make it onto two of the knives and start posing. Cham-P slumps onto the lower knife as Jum-P springs off of him onto the higher one.]
Chef: Interesting use of the little rodents.
Kazuichi: Okay Peko, bring it home with a few more.
Peko: Wait, where do I throw them?
Kazuichi: Um…I don't know Mukuro was just going to throw them to give more platforms for Gundham's hamsters to dance around on but we didn't get that far in practice. Just anywhere I guess.
Peko: Alright….[to herself] just don't hit Hiyoko or the hamsters. Hgghh!! [She throws the next knife and it flies to much to the right, slicing the sleeve of Hiyoko's kimono]
Hiyoko: Ahh! My sleeve! [The knife sails passed and straight towards Cham-P. He tries to jump out of the way and ends up falling off the knife and sending it clattering to the ground. This sends the rest of the Devas in a panic as they leap off the backdrop and onto Hiyoko] AGGHHH! No, get off me you filthy rats!
Sonia: Hiyoko, be careful don't hurt them!
Hiyoko: No stop! Get out of there!!! [She tries to keep dancing but is convulsing around, continuing until the music finally stops] *pant* *pant* [Her kimono tattered and loose from flailing so much, the Devas climb their way out and run back to Gundham]
Gundham: Be still my Devas, everything is alright now.
Hiyoko: Uggghhhh!!! Your stupid hamsters ruined my performance!!
Chris: *ahem* Well it definitely wasn't good. What do you think, Chef?
Chef: I liked the part with the knife throwing around the little brat. But other than that it's a two for me.
Chris: A two for me as well. So that leaves the Rhinos with a final score of 4/10. Octopi you're up next.
Peko: I'm sorry, I guess I'm not the best at knife throwing.
Aoi: Don't worry, Peko, we don't blame you. When we lose we know exactly who to blame.
Byakuya: I wonder who you could be referring to.
Hiyoko: Can I vote Gundham's stupid hamsters off the island instead!?
Gundham: Over my mortal body.
[Cut to the Octopi backstage still trying to work out their instruments]
Chris: [off camera] Come on, Octopi. Hurry up, we don't have all day.
Kaede: No, we can't do this, they're not ready.
Akane: Look on the bright side we probably can't fail worse than the Rhinos.
Kaede: I know but it's still going to be pretty embarrassing. Byakuya's right it's impossible to expect anyone to match our talent this quickly.
Taka: Wait, Kaede, that's it. We just need to reverse that thinking. Instead of them matching you two, how about you two match them?
Ibuki: Um, Izzy's a little confused at what you mean about that, Topher.
Taka: Listen up you two [whispers to Kaede and Ibuki]
Kaede: Huh, oh…oh my that might actually work.
Ibuki: Absolutely, we can make this rock hard!
Makoto: Wait, you didn't tell us what you're even doing.
Taka: There's no need. You two just go up on stage and play like you normally do.
Nagito: So poorly?
Taka: The girls will handle the rest and let your luck carry us to victory. Now go, Chris is waiting!
[Cut back to Chris and Chef at the judge table]
Chris: Finally, it seems like the Octopi are ready. Looks like we have a musical performance by Sky, Cody, Harold, and Izzy. Should be interesting at least.
[Stage opens with Makoto on the piano and Nagito on the bass guitar. Both begin playing simple melodies still rather amateurly]
Chef: This is the best they can come up with when it comes to talent?
Chris: I know, I feel like I'm back at my middle school talent show.
[Suddenly Ibuki bursts onto the stage shredding her guitar to Nagito's melody but in a way where it blends in with hers.]
Chef: Huh, that doesn't sound half bad. Could do without the piano though.
[Then Kaede slides in next to Makoto and does a musical scale matching the simple keys Makoto's playing]
Chris: Woah, what the?
[The stage immediately erupts into a complete harmony of guitar and piano. It turns into a rock ballad as Ibuki's guitar takes center stage only giving a moment to breathe as Nagito plays his simple melody as a solo and Ibuki takes back over]
Akane: This is actually working!
[Next Kaede takes center stage as her fingers dance gracefully over the keys purposely missing the notes that Makoto's melody is satisfying and taking the moment final moments to play one of her favorite classical pieces]
Chef: *sniff* It's beautiful.
[The grand finale has Ibuki and Kaede do a musical showdown, each playfully hitting back at each other with their own song. At one point stopping their playing to let Nagito and Makoto play their tunes against each other before finally jumping back in and finishing the set off with a big loud cacophony of noise. Ending on a complete silence after Kaede does one final slam on the keys and Ibuki one final power chord.]
Ibuki: Oh yeah, how was that for you!
[Octopi burst into applause and cheers. The four performers take a bow.]
Chris: I've got to admit that was mighty impressive. To not only blend guitar and piano but also those two's terrible playing is, dare I say it, extremely talented. It's a five for me.
Chef: *sniff* Huh, what?! Oh yeah a five from me as well. Man, that piano song reminded me of my childhood with Mama. What was that again…Debut…no Daberry?
Kaede: That was Debussy. It's one of my favorites.
Chef: Yeah, that was it! Man, that brings back memories.
Chris: Well I have to say it looks like we have a clear winner with a perfect 10/10 the Octopi win this competition. Of course we still have the Lions left. While I doubt they can match that we'll see if they at least don't come in dead last. It can't be any worse than the Rhinos, am I right?
[Cut to Lions backstage]
Mahiru: Well, Chihiro, are you able to fix it?
Chihiro: Sorry, film cameras aren't really my specialty. I'm going to need more time and maybe some help from Miu.
Kaito: Great, then who's going to perform with Angie and Nekomaru now?
Mondo: We still have Kirumi, right? She said she’d be of assistance.
Angie: Never fear Tyler and Brick. For Atua has answered my calls for help and has determined that Mike shall be our new performer, Nyahahahah!
Hajime: What, me?!
Angie: But of course, Atua senses great power inside you, and so you'll be perfect. Plus you must have great trust in Atua. More So than Tyler.
Hajime: But I…what am I supposed to do?
Mondo: Don't look at me man, Angie's in charge here.
Angie: Just follow my lead and let the beauty of making art and Atua guide you.
Nekomaru: Also make sure to catch everything I throw at you.
Angie: Let's begin. Places everyone!
[Cut back to Chris]
Chris: Alright, last up we have the Lions with Angie, Lightning and Courtney.
Celeste: Actually a change in plans Chris, as Mike will be taking Courtney's spot.
Chef: Mike? Does that guy even have a talent?
Chris: Well, we'll see. It's showtime!
[The stage opens and Angie and Hajime are in front of a pile of mud. Hajime's staring awkwardly at the audience]
Chiaki: Go, Hajime.
[He waves at Chiaki, but is immediately cut off by Nekomaru jumping on stage]
Nekomaru: All right team, ready and….. create! [He immediately starts throwing artists' tools at the pair in a rhythm. Hajime attempts to catch each one and passes it to Angie who is busy forming the mud.]
Angie: Hi, hi, hi, keep it up Mike and Lightning. This mud dries quickly!
Hajime: Agh, I'm going as fast as I can! Woah, there.
Nekomaru: Time to speed things up then. OVERDRIVE!!!
Hajime: [to himself] Dear Atua, please no.
[The strange dance continues of tools being thrown and just as quickly discarded, as Angie works faster building up her mud creation until finally it looked to be completed]
Chris: Hold on a sec…….
Angie: Aaaaannnnd…Wah Lah! How do you like it, Chris? [Angie turns to reveal a life size sculpture of Chris smiling down at his human counterpart]
Chris: It's beautiful! That's an immediate five from me! This is going to make a fabulous camp centerpiece.
Hajime: *pant* *pant* Are-are we done?
Kaito: I think we actually won this.
Kokichi: Of course, haven't you seen any underdog story? You always come from behind and claim victory.
Angie: Hmmm….ah not quite yet. Atua has shown me one more improvement. Lightning, I need a pretty rock over there by the seashore. Hurry, before the sculpture hardens.
Nekomaru: You got it!!!
Hajime: *pant* W-wait, Angie. I think we've done enough, we really shouldn't push it.
Angie: Nonsense Mike, Atua has spoken that this masterpiece will not be complete without it.
Hajime: B-but-
Nekomaru: I GOT IT! HAJIME, HEADS UP!!! [He launches the rock straight at the stage]
Hajime: Oh no-HGGGHHH!! [He catches in straight in his gut]
Mondo: Wow, he actually caught it. Pretty good for a-
Mahiru: Hajime, look out behind you!
[Hajime stumbles backwards from the impact and bumps into the sculpture, ultimately knocking it over and smashing on the ground]
Kokichi: Ooooh, that's not how those stories go. Maybe they really are fictional lies.
Kaito: Go Kirumi. [He pushes her on stage as she calmly walks over and begins cleaning up the rumble]
Hajime: Ugghhh. I've *cough* got it.
Angie: Oh my! On second thought it probably wouldn't have helped anyway. Chris seems different now.
Chris:................
Kaito: So uh Chef. You heard Chris. He already gave us a five so how about you?
Chef: Well it is impressive but ultimately you didn't have coordination to work as a team but I'd still give a three. Mostly for the maid girl's diligence.
Mondo: So, that still gives us an eight tied with the Narwhals then?
Chris: Nope! Uh uh, I retract my rating! For building up my hopes and dreams, and firmly crushing it. You get a Zero! Lions I'll be seeing you at the campfire ceremony immediately! Actually…let me mourn my losses first.
Angie: Well, this is not how Atua saw this going at all, but a very impressive display, Mike.
Hajime: Uh, yeah sure.
[Cut to the campfire ceremony]
Chris: Lions, you know why you're here. So let's just get this over with! In fact you probably already know who the bottom three are so in order is Cameron, Tyler, Brick, Blaineley and Courtney. You're all safe. [The donuts are chucked at them]
Mondo: Woah, watch the hair, man!
Chris: Celeste, Max, and Trent are also safe with one vote each.
Ryoma: Wait, someone actually voted for me? [He looks over at Celeste]
Celeste: What? I told you I would. No need to stare at me like that.
Chris: And looky here, surprise surprise it's the final three dream smashing performing losers. The first one safe is…….Mike.
Hajime: Well, that's a relief.
Chris: And the last one to receive a jelly donut is…………..
………….. Lightning.
Nekomaru: Thank you, I promise not to let you down again, team!
Angie: Oh my…what is this?
Chris: This is you not getting a donut, Angie, which means you're out of the competition. Serves you right for getting my hopes up!
Angie: Atua definitely did not see this coming-woah!
Chef: Yeah, yeah, blame whatever God you want girly. Time to go.
Angie: Bye-yonara my friends. I hope we stay in touch. Visit my island someday!
[Confessional]
Mahiru: Look it wasn't because of Angie's reliance on Atua that we voted her off…..okay maybe it was. I mean seriously we could've won if her God didn't demand that final addition. Maybe it was for the best.
[End]
[Confessional]
Kaito: Finally! That's one incompetent leader off our team. Maybe these guys will start relying on others for a change. Like me!
[End]
Chris: Quite the shake up as we lose our first team leader. Will the Lions be able to work as a team without her. I mean who else are they going to listen to....Tyler?
Kaito: Hey, I heard that!
Chris: Find out next time on Total Drama Triple D of Danganronpa Despair Disaster.
submitted by Zlpv7672 to danganronpa [link] [comments]
Based on the fourth round of the elimination contest and the results
Spoiler tag only for basic character spoilers.
[Cut to the stage with Chris and Chef sitting at a judges table]
Chris: Alright first up is the Narwhals with Ella, Dakota, and Staci.
Tsumugi: And assistance from Beth!
Chris: Yeah, yeah whatever. Begin ladies.
Sayaka: [to herself] Here goes nothing. Please don't let me die of embarrassment.
[Sayaka begins to sing one of most popular songs]
Makoto: Oh, I love this one.
Kaede: Makoto, focus on the piano keys please. We're still not ready yet.
[Sayaka starts to dance around the stage]
Chris: Yes, pretty good, though I have no idea what those words mean.
Chef: Seems to be a one woman show so far.
Miu: Don't you worry because this shows about to heat up thanks to me! [she aims her invention]
Chris: Dakota...what exactly is that going to do?
Miu: Don't blink! [She fires at Sayaka as her body erupts into light and smoke. She can still be heard singing. Her old clothes are blown away against the backdrop]
Chris: Flashy and impressive.
Chef: Um please tell me that isn't the girl's clothes over there.
Miu: Wait for it…
[The smoke clears. Sayaka can still be heard singing]
Himiko: Behold, the Ultimate Magician is here now!
Chef: Okay then where is the- Gaagh!
[Sayaka suddenly appears over Chef's shoulder singing to to both of them in a completely different outfit]
Miu: Yeah, sing it girl! [Miu aims again and fires]
Chris: Agh! Dakota, not in my eyes please! Ugh, Chef, give me something to clear my eyes.
Himiko: Here you go. [She's now in Sayaka's place next to them holding a handkerchief]
Chef: Are these the girl's other clothes now?! [Referring to the clothes blown into his face]
Miu: Look, I can't control where they go to alright. Just enjoy the show you two!
[Another burst of smoke and Sayaka's back on stage. This process repeats a few more times with Sayaka disappearing and reappearing all over the stage every time in a new outfit and Himiko in her place until Sayaka finally finishes her song]
Sayaka: *pant* *pant* So what did you think?
Miu: Yeah, pretty impressive right?
Chris: Well, while I couldn't understand any of the words being sung, I will say I did appreciate the theatrics of it all.
Chef: Though, I could've done without all the girl's clothes strewn everywhere.
Chris: We give it a 4 each so an 8/10 for the Narwhals. Not a bad start. Rhinos are up next with Sugar, Katie, and Geoff.
Gundham: Are you sure you can handle knives?
Peko: Of course, like he said they're just tiny swords right…
Hiyoko: You just better not hit me! *Deep breath* Let's do this.
[The music begins and Hiyoko begins dancing her traditional Japanese dance]
Chris: Again with the Japanese songs. You don't see us going around playing songs that scream we're Canadian.
Hiyoko: Just shut up and pay attention!
Chef: I'm a little curious what the hamster boy is doing over there.
Kazuichi: Okay Peko, you're up. Just aim for the spots Mukuro already hit in the backdrop.
Peko: Very well. [She throws the first knife. It flies past Hiyoko but not without her having to dodge a bit]
Hiyoko: I said watch it, you klutz!
Peko: I got this, okay…[throws three more all just barely hitting their mark and missing Hiyoko]
Chris: Okay extreme traditional dancing huh? Not bad…
Gundham: Go now my Dark Devas! [Maga-Z and San-D make it onto two of the knives and start posing. Cham-P slumps onto the lower knife as Jum-P springs off of him onto the higher one.]
Chef: Interesting use of the little rodents.
Kazuichi: Okay Peko, bring it home with a few more.
Peko: Wait, where do I throw them?
Kazuichi: Um…I don't know Mukuro was just going to throw them to give more platforms for Gundham's hamsters to dance around on but we didn't get that far in practice. Just anywhere I guess.
Peko: Alright….[to herself] just don't hit Hiyoko or the hamsters. Hgghh!! [She throws the next knife and it flies to much to the right, slicing the sleeve of Hiyoko's kimono]
Hiyoko: Ahh! My sleeve! [The knife sails passed and straight towards Cham-P. He tries to jump out of the way and ends up falling off the knife and sending it clattering to the ground. This sends the rest of the Devas in a panic as they leap off the backdrop and onto Hiyoko] AGGHHH! No, get off me you filthy rats!
Sonia: Hiyoko, be careful don't hurt them!
Hiyoko: No stop! Get out of there!!! [She tries to keep dancing but is convulsing around, continuing until the music finally stops] *pant* *pant* [Her kimono tattered and loose from flailing so much, the Devas climb their way out and run back to Gundham]
Gundham: Be still my Devas, everything is alright now.
Hiyoko: Uggghhhh!!! Your stupid hamsters ruined my performance!!
Chris: *ahem* Well it definitely wasn't good. What do you think, Chef?
Chef: I liked the part with the knife throwing around the little brat. But other than that it's a two for me.
Chris: A two for me as well. So that leaves the Rhinos with a final score of 4/10. Octopi you're up next.
Peko: I'm sorry, I guess I'm not the best at knife throwing.
Aoi: Don't worry, Peko, we don't blame you. When we lose we know exactly who to blame.
Byakuya: I wonder who you could be referring to.
Hiyoko: Can I vote Gundham's stupid hamsters off the island instead!?
Gundham: Over my mortal body.
[Cut to the Octopi backstage still trying to work out their instruments]
Chris: [off camera] Come on, Octopi. Hurry up, we don't have all day.
Kaede: No, we can't do this, they're not ready.
Akane: Look on the bright side we probably can't fail worse than the Rhinos.
Kaede: I know but it's still going to be pretty embarrassing. Byakuya's right it's impossible to expect anyone to match our talent this quickly.
Taka: Wait, Kaede, that's it. We just need to reverse that thinking. Instead of them matching you two, how about you two match them?
Ibuki: Um, Izzy's a little confused at what you mean about that, Topher.
Taka: Listen up you two [whispers to Kaede and Ibuki]
Kaede: Huh, oh…oh my that might actually work.
Ibuki: Absolutely, we can make this rock hard!
Makoto: Wait, you didn't tell us what you're even doing.
Taka: There's no need. You two just go up on stage and play like you normally do.
Nagito: So poorly?
Taka: The girls will handle the rest and let your luck carry us to victory. Now go, Chris is waiting!
[Cut back to Chris and Chef at the judge table]
Chris: Finally, it seems like the Octopi are ready. Looks like we have a musical performance by Sky, Cody, Harold, and Izzy. Should be interesting at least.
[Stage opens with Makoto on the piano and Nagito on the bass guitar. Both begin playing simple melodies still rather amateurly]
Chef: This is the best they can come up with when it comes to talent?
Chris: I know, I feel like I'm back at my middle school talent show.
[Suddenly Ibuki bursts onto the stage shredding her guitar to Nagito's melody but in a way where it blends in with hers.]
Chef: Huh, that doesn't sound half bad. Could do without the piano though.
[Then Kaede slides in next to Makoto and does a musical scale matching the simple keys Makoto's playing]
Chris: Woah, what the?
[The stage immediately erupts into a complete harmony of guitar and piano. It turns into a rock ballad as Ibuki's guitar takes center stage only giving a moment to breathe as Nagito plays his simple melody as a solo and Ibuki takes back over]
Akane: This is actually working!
[Next Kaede takes center stage as her fingers dance gracefully over the keys purposely missing the notes that Makoto's melody is satisfying and taking the moment final moments to play one of her favorite classical pieces]
Chef: *sniff* It's beautiful.
[The grand finale has Ibuki and Kaede do a musical showdown, each playfully hitting back at each other with their own song. At one point stopping their playing to let Nagito and Makoto play their tunes against each other before finally jumping back in and finishing the set off with a big loud cacophony of noise. Ending on a complete silence after Kaede does one final slam on the keys and Ibuki one final power chord.]
Ibuki: Oh yeah, how was that for you!
[Octopi burst into applause and cheers. The four performers take a bow.]
Chris: I've got to admit that was mighty impressive. To not only blend guitar and piano but also those two's terrible playing is, dare I say it, extremely talented. It's a five for me.
Chef: *sniff* Huh, what?! Oh yeah a five from me as well. Man, that piano song reminded me of my childhood with Mama. What was that again…Debut…no Daberry?
Kaede: That was Debussy. It's one of my favorites.
Chef: Yeah, that was it! Man, that brings back memories.
Chris: Well I have to say it looks like we have a clear winner with a perfect 10/10 the Octopi win this competition. Of course we still have the Lions left. While I doubt they can match that we'll see if they at least don't come in dead last. It can't be any worse than the Rhinos, am I right?
[Cut to Lions backstage]
Mahiru: Well, Chihiro, are you able to fix it?
Chihiro: Sorry, film cameras aren't really my specialty. I'm going to need more time and maybe some help from Miu.
Kaito: Great, then who's going to perform with Angie and Nekomaru now?
Mondo: We still have Kirumi, right? She said she’d be of assistance.
Angie: Never fear Tyler and Brick. For Atua has answered my calls for help and has determined that Mike shall be our new performer, Nyahahahah!
Hajime: What, me?!
Angie: But of course, Atua senses great power inside you, and so you'll be perfect. Plus you must have great trust in Atua. More So than Tyler.
Hajime: But I…what am I supposed to do?
Mondo: Don't look at me man, Angie's in charge here.
Angie: Just follow my lead and let the beauty of making art and Atua guide you.
Nekomaru: Also make sure to catch everything I throw at you.
Angie: Let's begin. Places everyone!
[Cut back to Chris]
Chris: Alright, last up we have the Lions with Angie, Lightning and Courtney.
Celeste: Actually a change in plans Chris, as Mike will be taking Courtney's spot.
Chef: Mike? Does that guy even have a talent?
Chris: Well, we'll see. It's showtime!
[The stage opens and Angie and Hajime are in front of a pile of mud. Hajime's staring awkwardly at the audience]
Chiaki: Go, Hajime.
[He waves at Chiaki, but is immediately cut off by Nekomaru jumping on stage]
Nekomaru: All right team, ready and….. create! [He immediately starts throwing artists' tools at the pair in a rhythm. Hajime attempts to catch each one and passes it to Angie who is busy forming the mud.]
Angie: Hi, hi, hi, keep it up Mike and Lightning. This mud dries quickly!
Hajime: Agh, I'm going as fast as I can! Woah, there.
Nekomaru: Time to speed things up then. OVERDRIVE!!!
Hajime: [to himself] Dear Atua, please no.
[The strange dance continues of tools being thrown and just as quickly discarded, as Angie works faster building up her mud creation until finally it looked to be completed]
Chris: Hold on a sec…….
Angie: Aaaaannnnd…Wah Lah! How do you like it, Chris? [Angie turns to reveal a life size sculpture of Chris smiling down at his human counterpart]
Chris: It's beautiful! That's an immediate five from me! This is going to make a fabulous camp centerpiece.
Hajime: *pant* *pant* Are-are we done?
Kaito: I think we actually won this.
Kokichi: Of course, haven't you seen any underdog story? You always come from behind and claim victory.
Angie: Hmmm….ah not quite yet. Atua has shown me one more improvement. Lightning, I need a pretty rock over there by the seashore. Hurry, before the sculpture hardens.
Nekomaru: You got it!!!
Hajime: *pant* W-wait, Angie. I think we've done enough, we really shouldn't push it.
Angie: Nonsense Mike, Atua has spoken that this masterpiece will not be complete without it.
Hajime: B-but-
Nekomaru: I GOT IT! HAJIME, HEADS UP!!! [He launches the rock straight at the stage]
Hajime: Oh no-HGGGHHH!! [He catches in straight in his gut]
Mondo: Wow, he actually caught it. Pretty good for a-
Mahiru: Hajime, look out behind you!
[Hajime stumbles backwards from the impact and bumps into the sculpture, ultimately knocking it over and smashing on the ground]
Kokichi: Ooooh, that's not how those stories go. Maybe they really are fictional lies.
Kaito: Go Kirumi. [He pushes her on stage as she calmly walks over and begins cleaning up the rumble]
Hajime: Ugghhh. I've *cough* got it.
Angie: Oh my! On second thought it probably wouldn't have helped anyway. Chris seems different now.
Chris:................
Kaito: So uh Chef. You heard Chris. He already gave us a five so how about you?
Chef: Well it is impressive but ultimately you didn't have coordination to work as a team but I'd still give a three. Mostly for the maid girl's diligence.
Mondo: So, that still gives us an eight tied with the Narwhals then?
Chris: Nope! Uh uh, I retract my rating! For building up my hopes and dreams, and firmly crushing it. You get a Zero! Lions I'll be seeing you at the campfire ceremony immediately! Actually…let me mourn my losses first.
Angie: Well, this is not how Atua saw this going at all, but a very impressive display, Mike.
Hajime: Uh, yeah sure.
[Cut to the campfire ceremony]
Chris: Lions, you know why you're here. So let's just get this over with! In fact you probably already know who the bottom three are so in order is Cameron, Tyler, Brick, Blaineley and Courtney. You're all safe. [The donuts are chucked at them]
Mondo: Woah, watch the hair, man!
Chris: Celeste, Max, and Trent are also safe with one vote each.
Ryoma: Wait, someone actually voted for me? [He looks over at Celeste]
Celeste: What? I told you I would. No need to stare at me like that.
Chris: And looky here, surprise surprise it's the final three dream smashing performing losers. The first one safe is…….Mike.
Hajime: Well, that's a relief.
Chris: And the last one to receive a jelly donut is…………..
………….. Lightning.
Nekomaru: Thank you, I promise not to let you down again, team!
Angie: Oh my…what is this?
Chris: This is you not getting a donut, Angie, which means you're out of the competition. Serves you right for getting my hopes up!
Angie: Atua definitely did not see this coming-woah!
Chef: Yeah, yeah, blame whatever God you want girly. Time to go.
Angie: Bye-yonara my friends. I hope we stay in touch. Visit my island someday!
[Confessional]
Mahiru: Look it wasn't because of Angie's reliance on Atua that we voted her off…..okay maybe it was. I mean seriously we could've won if her God didn't demand that final addition. Maybe it was for the best.
[End]
[Confessional]
Kaito: Finally! That's one incompetent leader off our team. Maybe these guys will start relying on others for a change. Like me!
[End]
Chris: Quite the shake up as we lose our first team leader. Will the Lions be able to work as a team without her. I mean who else are they going to listen to....Tyler?
Kaito: Hey, I heard that!
Chris: Find out next time on Total Drama Triple D of Danganronpa Despair Disaster.
End of Episode
2023.06.04 22:18 M3dicin3Woman Three years of being abused and now I’m afraid I’m becoming an abuser….
My 30f boyfriend 30m is an emotionally and psychologically abusive alcoholic. We’re been together for 3 years and the relationship has been riddled with the extreme highs and lows of a typical trauma bond.
We hit a new low this past December and broke up, only to get back together when he went to rehab in January. January February and March we had some of the most peaceful pleasant months I’ve ever experienced with him. He and I both flirted with sobriety and managed to have more successful communication than ever as a result. In the spring time he started drinking again, and when he drinks I drink too, in order to cope. As you can imagine, things got ugly again from here.
For the last six weeks or so we’ve seemed to fall right back down to rock bottom, fighting every single weekend over the most petty things… more belittling and berating comments from him, more of the same gaslighting and manipulation… followed by love bombs. Once again I am suffocating.
This past weekend I made a humongous mistake. In the midst of an emotional breakdown I went out with a friend and drank to the eventual point of incoherence. I ended up making out with my neighbor… I don’t remember much of what happened before or after that, but he’s told me that I insisted on coming onto him while he tried to deny me multiple times. I don’t remember doing it, I just remember that it happened, and I honestly don’t even know why. I’m not attracted to this guy at all. And I know I was balling my eyes out confessing my woes to him the majority of the early part of the night. And then somehow my drunken damaged brain engaged in the ultimate form of self sabotage and I have potentially destroyed my already vulnerable relationship as a result.
I’m feeling extremely riddled with guilt and shame and I have no words to express how disgusted I am with myself. I’m afraid that I’ve taken a bad situation and made it much worse. I’ve responded to his abuse by abusing my abuser, and I’ve set myself up to be just as much of a villain as he is.
The fact of the matter is, no matter how much I love this man I know that our relationship is toxic at its core and I’ve been unhappy with that for a very long time. By no means does this justify what I’ve done, but I think it’s the true driving force behind my actions. My unhappiness in the relationship triggered me to throw myself at someone that I don’t even want, so that sparks would ignite and force something to change…
Has anyone experienced anything like this? Am I a total psychopath? I feel like a seriously damaged person at this point and I really don’t know what to do with myself or with him from here…
submitted by M3dicin3Woman to ToxicRelationships [link] [comments]
We hit a new low this past December and broke up, only to get back together when he went to rehab in January. January February and March we had some of the most peaceful pleasant months I’ve ever experienced with him. He and I both flirted with sobriety and managed to have more successful communication than ever as a result. In the spring time he started drinking again, and when he drinks I drink too, in order to cope. As you can imagine, things got ugly again from here.
For the last six weeks or so we’ve seemed to fall right back down to rock bottom, fighting every single weekend over the most petty things… more belittling and berating comments from him, more of the same gaslighting and manipulation… followed by love bombs. Once again I am suffocating.
This past weekend I made a humongous mistake. In the midst of an emotional breakdown I went out with a friend and drank to the eventual point of incoherence. I ended up making out with my neighbor… I don’t remember much of what happened before or after that, but he’s told me that I insisted on coming onto him while he tried to deny me multiple times. I don’t remember doing it, I just remember that it happened, and I honestly don’t even know why. I’m not attracted to this guy at all. And I know I was balling my eyes out confessing my woes to him the majority of the early part of the night. And then somehow my drunken damaged brain engaged in the ultimate form of self sabotage and I have potentially destroyed my already vulnerable relationship as a result.
I’m feeling extremely riddled with guilt and shame and I have no words to express how disgusted I am with myself. I’m afraid that I’ve taken a bad situation and made it much worse. I’ve responded to his abuse by abusing my abuser, and I’ve set myself up to be just as much of a villain as he is.
The fact of the matter is, no matter how much I love this man I know that our relationship is toxic at its core and I’ve been unhappy with that for a very long time. By no means does this justify what I’ve done, but I think it’s the true driving force behind my actions. My unhappiness in the relationship triggered me to throw myself at someone that I don’t even want, so that sparks would ignite and force something to change…
Has anyone experienced anything like this? Am I a total psychopath? I feel like a seriously damaged person at this point and I really don’t know what to do with myself or with him from here…
2023.06.04 22:11 chug-a-lug-donna grammy test
Hello, and welcome to Music’s Biggest Night!
That’s right, it’s the GRAMMYs. The year is 1994 and our category is Best Alternative Music Album. We’ll be rating each of the five nominees on Indieheads, but before we get to the nominees, a quick word about rates.
Hey, quick question, what are rates?
Obviously, if you're familiar with the process, skip this. But if you're new, I'll explain so this doesn't seem like a wild block of text!
Rates are a subreddit game in which a user scores a group of songs on a scale from 1-10, with each individual also given a single 11 and a single 0 to be used exactly once per rate. They will then message their ballot to the rate host, who will tally up all the points and then reveal the final results over a weekend, eliminating songs one by one until the last track remaining wins the rate and bragging rights forever. While there's just a bit more to know, I feel this is the basics of what you'll need to understand what's going on. I do recommend this video made by our popheads brethren to get a fuller picture; while some of the info applies specifically to the way popheads do their rates, the overall format is similar.
And now, let’s meet our nominees!
Belly co-produced most of their 1993 debut Star with Tracy Chisholm. Gil Norton, who’d previously produced Throwing Muses’ self-titled debut, produced four tracks, including singles "Gepetto," "Slow Dog," and "Feed the Tree." "Feed the Tree," one of the album’s highlights, would be the band’s highest charting hit, reaching 95th on the Billboard Hot 100 and topping the Modern Rock Chart. Star is an effective fusion of alternative rock with jangle pop, dream pop, "haunting" folk, and even some light country influences. At the 1994 GRAMMYs, Belly were also up for Best New Artist with Blind Melon, Digable Planets, and SWV, ultimately losing to R&B singer Toni Braxton. Belly released a sophomore album King in 1995 and Donelly released several solo albums before reuniting with the King lineup to release a third album in 2018. While Star may not have achieved the canonical stature of some of 1994’s other nominees, it is nevertheless a very enjoyable release from a strong songwriter who’d finally gotten the chance to make an album-length statement of her own.
Are Indieheads gonna feed the tree? Will this be an album to die for?
Tracklist:
Kurt Cobain (vocals and guitar) and Krist Novoselic (bass) met while attending Aberdeen High School in the late 1980s. They shuffled through various names, ultimately deciding on Nirvana because Cobain wanted a name that sounded beautiful and nice instead of mean and raunchy. In their early years, they worked with several different drummers, recording 1989’s Sub Pop debut Bleach with Chad Channing on drums. Channing left the band as they worked on their follow-up. Kurt and Krist met drummer Dave Grohl days after he’d moved to Seattle following the break up of his Washington DC band Scream. The addition of Dave solidified Nirvana’s classic lineup. The trio began seeking a major label to buy them out of their Sub Pop contract as they were dissatisfied with the label’s lack of promotion and distribution of their debut. They eventually signed with DGC Records per the recommendation of Sonic Youth’s Kim Gordon. Upon signing, they began work on their major label debut, Nevermind, with producer Butch Vig. 1991’s Nevermind was an unexpected success, bringing grunge and alternative rock to the mainstream and even surpassing Michael Jackson on the Billboard albums chart.
In the aftermath of Nevermind’s success, Cobain felt he needed to reclaim his punk ethic. Wanting to depart from Butch Vig’s slick production (don’t worry, we’ll still be hearing from Vig a little later), he sought to work with Steve Albini. Albini was famous in the underground for his work as frontman for Big Black and various production work, including PJ Harvey’s Dry. He sent a copy of Dry to Cobain to give him an idea of the acoustics in his studio. Albini dismissed Nirvana as "R.E.M. with a fuzzbox" (more on R.E.M. soon!) but decided to work with them because he felt bad for them, recognizing them as "the same sort of people as all the small-fry bands I deal with." The band pushed for minimal label oversight and recorded In Utero quickly, wrapping recording sessions in as little as 13 days. The album was noisier and more abrasive than Nevermind, resulting in much dispute between the band, Albini, and the label. Cobain sought to make the kind of record he’d enjoy owning as a fan but began having second thoughts about the sound when listening to it at home. The press picked up on conflict about the album’s sound. The band denied this and DGC president David Geffen called Newsweek to explain they would release whatever Nirvana recorded. Behind the scenes, the band tried to fix the album’s sound in the mastering process, which Albini was strongly against. He’d later supply an alternate mix for the album’s 20th anniversary re-release. R.E.M producer Scott Litt was brought on to remix "Heart Shaped Box" and "All Apologies" which were intended to be the album’s singles.
In Utero was released in September of 1993 following a low-key release strategy which sent "Heart Shaped Box" as a promo-only single to various rock station formats but not Top 40. Walmart and K-Mart initially refused to stock the album due to its back cover and the title of the song "Rape Me." (A content note on that song, while it is interpreted as commentary on the invasive music press, it was intended to be a lyrically literal anti-rape song from the perspective of a victim. As this is a rate, you can score this song however you see fit, but I hope it goes without saying that everyone should please be respectful of this subject matter in their comments.) Despite In Utero’s abrasive sound and reduced mainstream promotion, the album still debuted at number one on the Billboard album charts and was well-received by critics. The music often hits harder and faster than Nevermind, containing more of the "punk" feel that Cobain was aiming for compared to the grunge of their early work and their Seattle contemporaries. Check out this MTV clip if you’d like to see how college students in 1993 received the album at the time. The band toured America shortly after In Utero came out. Their European tour that was cut short as Cobain suffered from a drug overdose. A couple weeks later, Cobain died by suicide. As with the subject matter of "Rape Me," I want to request that everyone is respectful of this in their comments, I will ask for edits (or omit comments myself) if they are inappropriate. Despite the tragic ending, Nirvana is still seen as one of American and alternative rock’s most important bands and In Utero remains highly regarded to this day.
Will our comments be all apologies? Are the results of this rate gonna be, uhhh, dumb?
Tracklist:
At the start of the 90s, R.E.M. opted out of touring and became a studio band. The band recorded demos for the songs "Drive," "Try Not to Breathe," and "Nightswimming" at Prince’s Paisley Park Studios while mixing their 1991 album, Out of Time. Out of Time was a huge success, arriving as alternative rock was becoming mainstream. It spawned the massive single "Losing My Religion" and even ended up winning the GRAMMY award for Best Alternative Music Album in 1992. After concluding promotional duties in early 1991, the band returned to the studio to continue work on what would become Automatic for the People. It is the fourth of six records the band would produce with Scott Litt. The band traded off instruments in the studio, with Buck playing the mandolin famously featured on "Losing My Religion," Mills playing piano or organ, and Berry playing bass. Initial attempts to make a harder rocking follow-up did not pan out, as the band found they were writing better without drums. The material began to take on a more melancholic tone. The lush orchestration of Out of Time is rendered in a somber greyscale, with arrangements contributed by Led Zeppelin’s John Paul Jones. Lyrically, the album muses on loss and mourning, prompting rumors that balding Michael Stipe was dying of cancer or AIDs. Luckily, he was not but that is the lens through which some critics and listeners received this work. The album also finds room for political commentary, most noticeably in "Ignoreland" which pushes against Republican politics of the time, but also in opener "Drive" which calls back to the group’s work with the Rock to Vote movement, for which they added a petition on the longbox packaging of Out of Time.
Automatic for the People released on October 5, 1992 (gotta love the GRAMMYs odd eligibility window) debuting at number 2 on the Billboard 200. Unlike its predecessor, it never reached the top spot, thanks to Garth Brooks. Six of the album’s 12 tracks were released as singles including "Drive," "Everybody Hurts" which has unfortunately been diluted through years of ironic use in comedies, the cryptic, Andy Kaufman referencing "Man on the Moon," and "Nightswimming," an emotional piano ballad that has become a fan favorite. The album was critically acclaimed upon release and, while perhaps not as fun as their jangle material, this nocturnal bummer is regarded by many as one of the band’s masterpieces.
Will everybody hurt? Are R.E.M. going to get a raw deal?
Tracklist:
Siamese Dream, the group’s 1993 sophomore album, expands on their 1991 debut Gish in every possible way. The band switched from Virgin subsidiary Caroline Records to Virgin itself. Butch Vig, who produced Nirvana’s massive Nevermind right after finishing work on Gish, returned to produce the follow-up. Where Gish’s $20,000 budget and month of recording time was "unprecedented" for Vig, Corgan and Vig spent four months on Siamese Dream and went $250,000 over budget. This is what happens when you let Billy overdub everyone else’s guitar and bass parts (something the rest of the band wasn’t particularly happy about) to get as many as 100 guitar parts compressed into one song.
The meticulous studio process paid off, as Siamese Dream was a bigger hit than Gish, peaking at 10 on the Billboard 200. The band’s influences from metal, dreampop, and shoegaze give the album a layered and unique sound compared to the grungier alternative music of the time. Singles "Cherub Rock" and "Today" have been featured in the Guitar Hero and Rock Band videogame series. While never released as a single, "Mayonaise" has become a fan favorite and won a Rolling Stone poll for best Pumpkins song, beating out singles from Siamese Dream. Judging from some early discussion since this rate was announced, some of you seem pretty excited to rate "Mayonnaise." While the double album follow-up Mellon Collie and the Infinite Sadness took the band to the height of their popularity, Siamese Dream is often regarded as their masterpiece and one of the best rock albums of the 90s.
Will we be sweet sweet to the Pumpkins? The rater in me is the rater in you, I’ll send this ballot over to you
Tracklist:
Formed in Dublin, Ireland in 1976, U2 (Bono on vocals, The Edge on guitar, Adam Clayton on bass, and Larry Mullen Jr. on drums) have become the top-selling Irish musical act of all-time, with an estimated 170+ million records sold. Across the 80s, U2 evolved their early post-punk sound to the anthemic rock of The Joshua Tree. While touring America for that album, the band recorded Rattle and Hum, a hybrid live/studio record (and accompanying concert film) which documented the tour and the group’s fascination with American roots music. Despite the album’s commercial success, most consider it a misguided failure. Even Bono admitted at their final show for the album’s Lovetown Tour that "we have to go away and dream it all up again."
1993’s Zooropa catches U2 at their most adventurous. 1991’s Achtung Baby and its subsequent Zoo TV tour rebranded the band for the new decade. While they continued working with Unforgettable Fire and The Joshua Tree producers Brian Eno and Daniel Lanois, they updated their sound with influences from electronic, dance, and industrial music. On stage, they dabbled in irony to counter the sincerity of their 80s output with Bono playing characters such as The Fly and Macphisto. Emboldened by the critical and commercial success of this album and tour, they began working on a promotional EP during a break between Zoo TV tour legs. Despite working quickly in the studio, this EP expanded into a full-length album, requiring the band to travel between concerts and the studio in Dublin to finish working on the album during the first month of the Zooropa leg.
Zooropa finally arrived in July of 1993 and it shows the band doubling down on their early 90s ideas. The sound of the album, built from loops of soundcheck jamming and leftover sketches from Achtung Baby, ventures even further from traditional rock instrumentation and songwriting, bolstered by production from Brian Eno, Flood (moving from an engineering to production role), and The Edge, who received production credits for the first time. The fragmented nature of the album’s production is reflected in the eclectic tracklist which bounces between the multi-movement art-rock of the title track, dancefloor fillers like "Daddy’s Gonna Pay for Your Crashed Car," and ballads like "For the First Time" and "Stay (Faraway, So Close!)" Unique vocal choices like The Edge’s spoken-word rapping on lead-single "Numb," Bono’s falsetto on "Lemon," and a Johnny Cash feature on closer "The Wanderer" help the album feel more varied than U2’s previous material. The album’s lyrics often examine Zoo TV’s concepts of "sensory overload" and technology more explicitly than Achtung Baby.
While U2 are reluctant to acknowledge Zooropa now (likely influenced by the failure of 1997’s Pop, a rushed, mixed bag of an album that stretched audience’s tolerance for 90s U2 to a Rattle and Hum-like breaking point) the album was successful when it came out. Zooropa debuted at number one in several countries and finished ninth on 1993’s Pazz and Jop poll. It would also go on to win this GRAMMY award for Best Alternative Music album, with Bono shrugging on stage, shouting out Smashing Pumpkins, and promising to "the young people of America" that they will "continue to abuse our position and fuck up the mainstream" in his acceptance speech.
Will U2 stay the champions in our rate or will they be faraway so close to the top?
Tracklist:
Now, it’s time for the boring, but necessary parts:
Apple Music
Tidal Music
Rules - READ ALL OF THESE BEFORE SUBMITTING YOUR SCORES
This is correct (single space after the score, no colon):
If you want a reminder of what rates are coming up soon, here is the link to the announcement post for the current cycle, and if you want to learn about all the past rates we have done, here is the rate history spreadsheet.
submitted by chug-a-lug-donna to u/chug-a-lug-donna [link] [comments]
That’s right, it’s the GRAMMYs. The year is 1994 and our category is Best Alternative Music Album. We’ll be rating each of the five nominees on Indieheads, but before we get to the nominees, a quick word about rates.
Obviously, if you're familiar with the process, skip this. But if you're new, I'll explain so this doesn't seem like a wild block of text!
Rates are a subreddit game in which a user scores a group of songs on a scale from 1-10, with each individual also given a single 11 and a single 0 to be used exactly once per rate. They will then message their ballot to the rate host, who will tally up all the points and then reveal the final results over a weekend, eliminating songs one by one until the last track remaining wins the rate and bragging rights forever. While there's just a bit more to know, I feel this is the basics of what you'll need to understand what's going on. I do recommend this video made by our popheads brethren to get a fuller picture; while some of the info applies specifically to the way popheads do their rates, the overall format is similar.
Introduction
The GRAMMYs are awards presented by The Recording Academy of the United States to recognize outstanding achievements in the music industry. The name derives from the trophy, which is shaped like an old-fashioned gramophone. The awards celebrate a variety of categories, but we’re going to be looking at Best Alternative Music Album or, as it was called at the time, Best Alternative Music Performance. The question of what "alternative" really means can be debated forever, but the original intent of this award was to celebrate non-mainstream rock albums which were heavily played on college radio. The category first appeared in 1991, so in 1994 the award is still pretty new.And now, let’s meet our nominees!
Belly - Star
Belly are the act here that seem discussed least frequently on Indieheads, so I’m excited to see what everyone thinks of them. By the time of starting Belly, Tanya Donelly (lead vocals and rhythm guitar) had already been in two other classic indie rock bands. She was a co-founder of Throwing Muses with her step-sister Kristin Hersch, contributing vocals and guitar for the band’s first decade, though she’d only get a handful of songs per album. Donelly would later start The Breeders with Pixies bassist and vocalist Kim Deal. The Breeders’ debut, Pod, featured Deal as the primary songwriter because existing record contracts prohibited the two from sharing primary writing credits. While they originally intended to alternate albums, Tanya had begun to form Belly by the time it was her turn to do a Breeders album. She recruited Fred Abong (bass) and brothers Tom (guitar) and Chris (drums) Gorman as they’d all known each other while going to high school in Rhode Island.Belly co-produced most of their 1993 debut Star with Tracy Chisholm. Gil Norton, who’d previously produced Throwing Muses’ self-titled debut, produced four tracks, including singles "Gepetto," "Slow Dog," and "Feed the Tree." "Feed the Tree," one of the album’s highlights, would be the band’s highest charting hit, reaching 95th on the Billboard Hot 100 and topping the Modern Rock Chart. Star is an effective fusion of alternative rock with jangle pop, dream pop, "haunting" folk, and even some light country influences. At the 1994 GRAMMYs, Belly were also up for Best New Artist with Blind Melon, Digable Planets, and SWV, ultimately losing to R&B singer Toni Braxton. Belly released a sophomore album King in 1995 and Donelly released several solo albums before reuniting with the King lineup to release a third album in 2018. While Star may not have achieved the canonical stature of some of 1994’s other nominees, it is nevertheless a very enjoyable release from a strong songwriter who’d finally gotten the chance to make an album-length statement of her own.
Are Indieheads gonna feed the tree? Will this be an album to die for?
Tracklist:
- Someone to Die For
- Angel
- Dusted
- Every Word
- Gepetto
- Witch
- Slow Dog
- Low Red Moon
- Feed The Tree
- Full Moon, Empty Heart
- White Belly
- Untogether
- Star
- Sad Dress
- Stay
Nirvana - In Utero
If you were wondering where "Heart Shaped Box" was in the Guitar Hero Rate, well I’ve got a treat for you!Kurt Cobain (vocals and guitar) and Krist Novoselic (bass) met while attending Aberdeen High School in the late 1980s. They shuffled through various names, ultimately deciding on Nirvana because Cobain wanted a name that sounded beautiful and nice instead of mean and raunchy. In their early years, they worked with several different drummers, recording 1989’s Sub Pop debut Bleach with Chad Channing on drums. Channing left the band as they worked on their follow-up. Kurt and Krist met drummer Dave Grohl days after he’d moved to Seattle following the break up of his Washington DC band Scream. The addition of Dave solidified Nirvana’s classic lineup. The trio began seeking a major label to buy them out of their Sub Pop contract as they were dissatisfied with the label’s lack of promotion and distribution of their debut. They eventually signed with DGC Records per the recommendation of Sonic Youth’s Kim Gordon. Upon signing, they began work on their major label debut, Nevermind, with producer Butch Vig. 1991’s Nevermind was an unexpected success, bringing grunge and alternative rock to the mainstream and even surpassing Michael Jackson on the Billboard albums chart.
In the aftermath of Nevermind’s success, Cobain felt he needed to reclaim his punk ethic. Wanting to depart from Butch Vig’s slick production (don’t worry, we’ll still be hearing from Vig a little later), he sought to work with Steve Albini. Albini was famous in the underground for his work as frontman for Big Black and various production work, including PJ Harvey’s Dry. He sent a copy of Dry to Cobain to give him an idea of the acoustics in his studio. Albini dismissed Nirvana as "R.E.M. with a fuzzbox" (more on R.E.M. soon!) but decided to work with them because he felt bad for them, recognizing them as "the same sort of people as all the small-fry bands I deal with." The band pushed for minimal label oversight and recorded In Utero quickly, wrapping recording sessions in as little as 13 days. The album was noisier and more abrasive than Nevermind, resulting in much dispute between the band, Albini, and the label. Cobain sought to make the kind of record he’d enjoy owning as a fan but began having second thoughts about the sound when listening to it at home. The press picked up on conflict about the album’s sound. The band denied this and DGC president David Geffen called Newsweek to explain they would release whatever Nirvana recorded. Behind the scenes, the band tried to fix the album’s sound in the mastering process, which Albini was strongly against. He’d later supply an alternate mix for the album’s 20th anniversary re-release. R.E.M producer Scott Litt was brought on to remix "Heart Shaped Box" and "All Apologies" which were intended to be the album’s singles.
In Utero was released in September of 1993 following a low-key release strategy which sent "Heart Shaped Box" as a promo-only single to various rock station formats but not Top 40. Walmart and K-Mart initially refused to stock the album due to its back cover and the title of the song "Rape Me." (A content note on that song, while it is interpreted as commentary on the invasive music press, it was intended to be a lyrically literal anti-rape song from the perspective of a victim. As this is a rate, you can score this song however you see fit, but I hope it goes without saying that everyone should please be respectful of this subject matter in their comments.) Despite In Utero’s abrasive sound and reduced mainstream promotion, the album still debuted at number one on the Billboard album charts and was well-received by critics. The music often hits harder and faster than Nevermind, containing more of the "punk" feel that Cobain was aiming for compared to the grunge of their early work and their Seattle contemporaries. Check out this MTV clip if you’d like to see how college students in 1993 received the album at the time. The band toured America shortly after In Utero came out. Their European tour that was cut short as Cobain suffered from a drug overdose. A couple weeks later, Cobain died by suicide. As with the subject matter of "Rape Me," I want to request that everyone is respectful of this in their comments, I will ask for edits (or omit comments myself) if they are inappropriate. Despite the tragic ending, Nirvana is still seen as one of American and alternative rock’s most important bands and In Utero remains highly regarded to this day.
Will our comments be all apologies? Are the results of this rate gonna be, uhhh, dumb?
Tracklist:
- Serve the Servants
- Scentless Apprentice
- Heart-Shaped Box
- Rape Me
- Frances Farmer Will Have Her Revenge on Seattle
- Dumb
- Very Ape
- Milk It
- Pennyroyal Tea
- Radio Friendly Unit Shifter
- Tourette’s
- All Apologies
R.E.M. - Automatic for the People
If there’s a band who can rival Nirvana’s stature in the American alternative rock canon, it’s gotta be R.E.M. They are often cited as one of the first "alternative" rock bands and were important for the college radio format. Formed in Athens, Georgia in 1980, Michael Stipe (vocals), Peter Buck (guitar), Mike Mills (bass), and Bill Berry (drums) released 5 albums with independent label I.R.S. Records. This run of releases showed them evolving from a jangle rock sound to a louder, more anthemic sound on their final record for the label, Document. After "The One I Love" became their first mainstream hit, the band signed to Warner Brothers, kicking off a second act that resulted in yet another 5 album run of great music.At the start of the 90s, R.E.M. opted out of touring and became a studio band. The band recorded demos for the songs "Drive," "Try Not to Breathe," and "Nightswimming" at Prince’s Paisley Park Studios while mixing their 1991 album, Out of Time. Out of Time was a huge success, arriving as alternative rock was becoming mainstream. It spawned the massive single "Losing My Religion" and even ended up winning the GRAMMY award for Best Alternative Music Album in 1992. After concluding promotional duties in early 1991, the band returned to the studio to continue work on what would become Automatic for the People. It is the fourth of six records the band would produce with Scott Litt. The band traded off instruments in the studio, with Buck playing the mandolin famously featured on "Losing My Religion," Mills playing piano or organ, and Berry playing bass. Initial attempts to make a harder rocking follow-up did not pan out, as the band found they were writing better without drums. The material began to take on a more melancholic tone. The lush orchestration of Out of Time is rendered in a somber greyscale, with arrangements contributed by Led Zeppelin’s John Paul Jones. Lyrically, the album muses on loss and mourning, prompting rumors that balding Michael Stipe was dying of cancer or AIDs. Luckily, he was not but that is the lens through which some critics and listeners received this work. The album also finds room for political commentary, most noticeably in "Ignoreland" which pushes against Republican politics of the time, but also in opener "Drive" which calls back to the group’s work with the Rock to Vote movement, for which they added a petition on the longbox packaging of Out of Time.
Automatic for the People released on October 5, 1992 (gotta love the GRAMMYs odd eligibility window) debuting at number 2 on the Billboard 200. Unlike its predecessor, it never reached the top spot, thanks to Garth Brooks. Six of the album’s 12 tracks were released as singles including "Drive," "Everybody Hurts" which has unfortunately been diluted through years of ironic use in comedies, the cryptic, Andy Kaufman referencing "Man on the Moon," and "Nightswimming," an emotional piano ballad that has become a fan favorite. The album was critically acclaimed upon release and, while perhaps not as fun as their jangle material, this nocturnal bummer is regarded by many as one of the band’s masterpieces.
Will everybody hurt? Are R.E.M. going to get a raw deal?
Tracklist:
- Drive
- Try Not to Breathe
- The Sidewinder Sleeps Tonite
- Everybody Hurts
- New Orleans Instrumental No. 1
- Sweetness Follows
- Monty Got a Raw Deal
- Ignoreland
- Star Me Kitten
- Man on the Moon
- Nightswimming
- Find the River
The Smashing Pumpkins - Siamese Dream
The Smashing Pumpkins formed in 1988 when Billy Corgan (vocals and guitar, he prefers William Patrick Corgan now though) met James Iha (guitar) while working at a record store in Chicago, Illinois. They performed as a duo with a drum machine, eventually adding bassist D’arcy Wretzky after meeting her at a show by the Dan Reed Network. Jazz drummer Jimmy Chamberlain was recommended by a friend of Corgan’s after the trio were booked for a show under the condition that they’d play with a live drummer instead of their drum machine. With Chamberlain on board, the band’s classic lineup had been formed and their sound began to shift in a harder rock direction.Siamese Dream, the group’s 1993 sophomore album, expands on their 1991 debut Gish in every possible way. The band switched from Virgin subsidiary Caroline Records to Virgin itself. Butch Vig, who produced Nirvana’s massive Nevermind right after finishing work on Gish, returned to produce the follow-up. Where Gish’s $20,000 budget and month of recording time was "unprecedented" for Vig, Corgan and Vig spent four months on Siamese Dream and went $250,000 over budget. This is what happens when you let Billy overdub everyone else’s guitar and bass parts (something the rest of the band wasn’t particularly happy about) to get as many as 100 guitar parts compressed into one song.
The meticulous studio process paid off, as Siamese Dream was a bigger hit than Gish, peaking at 10 on the Billboard 200. The band’s influences from metal, dreampop, and shoegaze give the album a layered and unique sound compared to the grungier alternative music of the time. Singles "Cherub Rock" and "Today" have been featured in the Guitar Hero and Rock Band videogame series. While never released as a single, "Mayonaise" has become a fan favorite and won a Rolling Stone poll for best Pumpkins song, beating out singles from Siamese Dream. Judging from some early discussion since this rate was announced, some of you seem pretty excited to rate "Mayonnaise." While the double album follow-up Mellon Collie and the Infinite Sadness took the band to the height of their popularity, Siamese Dream is often regarded as their masterpiece and one of the best rock albums of the 90s.
Will we be sweet sweet to the Pumpkins? The rater in me is the rater in you, I’ll send this ballot over to you
Tracklist:
- Cherub Rock
- Quiet
- Today
- Hummer
- Rocket
- Disarm
- Soma
- Geek U.S.A.
- Mayonaise
- Spaceboy
- Silverfuck
- Sweet Sweet
- Luna
U2 - Zooropa
Whoa hey is it U2sday??Formed in Dublin, Ireland in 1976, U2 (Bono on vocals, The Edge on guitar, Adam Clayton on bass, and Larry Mullen Jr. on drums) have become the top-selling Irish musical act of all-time, with an estimated 170+ million records sold. Across the 80s, U2 evolved their early post-punk sound to the anthemic rock of The Joshua Tree. While touring America for that album, the band recorded Rattle and Hum, a hybrid live/studio record (and accompanying concert film) which documented the tour and the group’s fascination with American roots music. Despite the album’s commercial success, most consider it a misguided failure. Even Bono admitted at their final show for the album’s Lovetown Tour that "we have to go away and dream it all up again."
1993’s Zooropa catches U2 at their most adventurous. 1991’s Achtung Baby and its subsequent Zoo TV tour rebranded the band for the new decade. While they continued working with Unforgettable Fire and The Joshua Tree producers Brian Eno and Daniel Lanois, they updated their sound with influences from electronic, dance, and industrial music. On stage, they dabbled in irony to counter the sincerity of their 80s output with Bono playing characters such as The Fly and Macphisto. Emboldened by the critical and commercial success of this album and tour, they began working on a promotional EP during a break between Zoo TV tour legs. Despite working quickly in the studio, this EP expanded into a full-length album, requiring the band to travel between concerts and the studio in Dublin to finish working on the album during the first month of the Zooropa leg.
Zooropa finally arrived in July of 1993 and it shows the band doubling down on their early 90s ideas. The sound of the album, built from loops of soundcheck jamming and leftover sketches from Achtung Baby, ventures even further from traditional rock instrumentation and songwriting, bolstered by production from Brian Eno, Flood (moving from an engineering to production role), and The Edge, who received production credits for the first time. The fragmented nature of the album’s production is reflected in the eclectic tracklist which bounces between the multi-movement art-rock of the title track, dancefloor fillers like "Daddy’s Gonna Pay for Your Crashed Car," and ballads like "For the First Time" and "Stay (Faraway, So Close!)" Unique vocal choices like The Edge’s spoken-word rapping on lead-single "Numb," Bono’s falsetto on "Lemon," and a Johnny Cash feature on closer "The Wanderer" help the album feel more varied than U2’s previous material. The album’s lyrics often examine Zoo TV’s concepts of "sensory overload" and technology more explicitly than Achtung Baby.
While U2 are reluctant to acknowledge Zooropa now (likely influenced by the failure of 1997’s Pop, a rushed, mixed bag of an album that stretched audience’s tolerance for 90s U2 to a Rattle and Hum-like breaking point) the album was successful when it came out. Zooropa debuted at number one in several countries and finished ninth on 1993’s Pazz and Jop poll. It would also go on to win this GRAMMY award for Best Alternative Music album, with Bono shrugging on stage, shouting out Smashing Pumpkins, and promising to "the young people of America" that they will "continue to abuse our position and fuck up the mainstream" in his acceptance speech.
Will U2 stay the champions in our rate or will they be faraway so close to the top?
Tracklist:
- Zooropa
- Babyface
- Numb
- Lemon
- Stay (Faraway, So Close!)
- Daddy’s Gonna Pay for Your Crashed Car
- Some Days Are Better Than Others
- The First Time
- Dirty Day
- The Wanderer
Bonus Rate
While our rates often have a bonus, there is no bonus for the 1994 GRAMMYs since this rate is 5 albums instead of the usual 4.Where to listen:
SpotifyApple Music
Tidal Music
Rules - READ ALL OF THESE BEFORE SUBMITTING YOUR SCORES
- Listen to each song and assign each a score between 1 and 10. decimals are fine, but please refrain from giving decimal scores that have two decimal spots: giving a 7.2 is okay, but giving a 7.25 will give me a headache. This is because I'm using a computer program to parse the votes and print everything out (more on that later).
- Yes, you have to listen to every song. We're all in this together. I will not accept your ballot if you have a score missing, because it will crash the program (more on that later).
- Your scores should NOT be considered confidential. They aren’t. Feel free to shitpost about them in the general discussion threads whenever you feel like it - users over at popheads usually just talk about their averages of the albums and what 11 and 0 they gave (which I will explain on the next bullet point!)
- You may give ONE song a 0 and ONE song an 11. This is ONE song TOTAL. Please reserve these for your least favorite and most favorite tracks; excessive sabotage ruins rate results and generally makes things less fun.
- You can change your scores at any time! Feel free to PM me at any point after submission and I'll be happy to revise them for you.
- I am using a computer program that the great and wonderful letsallpoo designed in order to parse these votes! While this will make things a lot more efficient and reduces errors on my part, this does mean that scores need to be sent in a very specific way. The easiest way to make sure your scores follow the necessary format is to use the pre-prepared link at the top & bottom of this post. PLEASE USE THAT. You can copy and paste it to a notepad file or something and fill in your scores there, but PLEASE PLEASE PLEASE PLEASE use that format to send in your scores.
- Did a lot of copy and pasting here, so thank you thank you to all the raters of old, ily: roseisonlineagain; DolphLundgrensArms; R_E_S_I_G_N_E_D; stansymash; ClocktowerMaria; aerocom; themilkeyedmender; greencaptain; Crankeedoo; dirdbub; ThatParanoidPenguin; tedcruzcontrol; kappyko; FuckUpSomeCommasYeah; LazyDayLullaby; SRTViper; Whatsanillinois; NFLFreak98; freav; freeofblasphemy; RatesNorman; aPenumbra; idontreallycare4; p-u-n-k_girl; luigijon3; WaneLietoc; dream_fighter2018; darjeelingdarkroast; smuckles; PiperIBarelyKnowHer; welcome2thejam; imrlynotonreddit; kvothetyrion; thedoctordances1940; b_o_g_o; vapourlomo; and tons of people on popheads.
Formatting
Songs - This is correct:Man on the Moon: 10You may also and are generally encouraged to leave comments with your scores!
This is correct (single space after the score, no colon):
Man on the Moon: 10 Thankful Michael didn't get stuck doing the Elvis voiceAny of the following formats are incorrect:
Man on the Moon 10 Thankful Michael didn't get stuck doing the Elvis voiceAlbums - This is correct (add a colon after the album's title on your ballot if you're making a comment on the full album):
Man on the Moon: 10: Thankful Michael didn't get stuck doing the Elvis voice
Man on the Moon: (10) Thankful Michael didn't get stuck doing the Elvis voice
Man on the Moon: Thankful Michael didn't get stuck doing the Elvis voice 10
Man on the Moon - 10 Thankful Michael didn't get stuck doing the Elvis voice
Man on the Moon: 10/10 Thankful Michael didn't get stuck doing the Elvis voice
Album: Zooropa: Wow this rules, i wish they'd uploaded this album to my phone instead
Due Date: July 9
Reveal: July 14 - 16
Finally, here are the links you'll need to start rating again:SUBMISSION LINK
A Pastebin link of the ballot can be found hereIf you want a reminder of what rates are coming up soon, here is the link to the announcement post for the current cycle, and if you want to learn about all the past rates we have done, here is the rate history spreadsheet.
2023.06.04 22:10 AutoModerator [Download Course] Csaba Borzasi – Breakthrough Conversions Academy (Genkicourses.site)
| | submitted by AutoModerator to HQCoursesGenki [link] [comments] Get the course here: [Download Course] Csaba Borzasi – Breakthrough Conversions Academy (Genkicourses.site) Our website: https://www.genkicourses.site/product/csaba-borzasi-breakthrough-conversions-academy/ What You Get:Module 1The Fundamental Principles of Direct Response CopywritingIn this foundational module, you’ll discover:
The Psychology Behind Persuasive Copywriting & Copy-ThinkingI promise you’ve never seen a more advanced masterclass in emotional response marketing before.In this module, you’ll discover:
The “No-Nonsense” 80/20 Marketing Research ProcessYes, yes – I know research isn’t the sexiest of topics out there…But it’s an absolutely essential aspect of creating winning marketing campaigns. So… To make this important topic as painless and swift as possible, I scoured through thousands of pages of my notes… Revisited scores of past projects I did with various clients… And analyzed how the best of the best copywriters did their own research… To come up with a totally UNIQUE blueprint for doing marketing research FAST, in a no-nonsense way. That’s why, in this module, you’ll discover:
The “Sacred Trinity”: Big Ideas, Headlines, LeadsThis is where the “rubber meets the road”…Because Module 4 is all about the highest-impact copywriting elements out there: Big Ideas, Headlines, and Leads… PLUS, how they actually relate to each other. So in this module, you’ll discover:
The “Golden Thread” That Connects Your Big Idea With Your OfferOnce you know the secrets of the “Sacred Trinity”, it’s time to connect these elements with your Offer.How? Module 5 reveals everything. Inside this game-changing masterclass, you’ll discover:
How to Make Your Competition Irrelevant by Using a Unique MechanismOur next topic is about Unique Mechanisms…Which are essential in today’s world of “high-market sophistication” audiences. During this module, you’ll discover:
Once Upon a Time, There Was a “StorySelling Masterclass” That RockedNext up, Storytelling on STEROIDS! (which I like to call “StorySelling”)In this module, you’ll discover:
How To Create An Offer So Irresistible… Only a LUNATIC Would Ignore ItOnce you have your “Big Idea”, Headline, Lead, Golden Thread, Unique Mechanism, and Stories…It’s time to finally create an offer they can’t refuse! So in Module 8, you’ll discover:
From “Master Structure” to Breakthrough CopyIn this strategic overview session, we’ll revisit the most important 80/20 principles of key topics like:
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@ If you're wondering why our courses are priced lower than the original prices and are feeling a bit suspicious (which is understandable), we can provide proof of the course's contents. We can provide a screenshot of the course's contents or send you a freebie, such as an introduction video or another video from the course, to prove that we do have the course. Should you wish to request proof, we kindly ask you to reach out to us. Please be aware that our courses do not include community access. This is due to the fact that we do not have the authority to manage this feature. Despite our desire to incorporate this aspect, it is, unfortunately, unfeasible. Explore affordable learning at Genkicourses.site 🎓! Dive into a world of quality courses handpicked just for you. Download, watch, and achieve more without breaking your budget. |
2023.06.04 21:14 clankyclankimonatank Advice to current and potential cadets
Class of 2012 graduate here who is about to submit his REFRAD.
I’ve been reflecting a lot on both my time in the army but also the rock bound highland home since graduation recently took place and summer training will be bringing on the class of 2027 and wanted to share some regrets and hopefully use it as advice for you all. This is especially true if you are an introvert or straight up antisocial like I was.
I don’t know if the term “slug” is still a thing but I very much was a person who kept to himself and stuck around with a very small group of similar minded folks who spent almost every minute that we could away from the academy (to include blowing post 🤭). If I could do it all over again I would try to spend a year preparing for and walk on to a club or corp squad team, meet and get to know as many of my classmates as I could, and try and get on summer academic trips/ broadening experiences as possible. Those 4 years go fast and some days it almost feels like I never went there. I run into so many of my classmates but many don’t recognize me because I never put forth the effort to build relationships, even if it was just knowing one small fact about them while attending class or being in the same cadet company. I miss that place but I miss the people I wish I could’ve gotten to know more. For me personally I’m thinking about being more proactive with the AOG regional groups and attending social gatherings when they come up just to make up for meeting more of my classmates, but I’ll never get to do it while spending every day at the academy from summer of 2008 to may of 2012. Don’t be like me. Challenge yourself, make the most of every opportunity, get in the best shape of your life, shoot your shot with that classmate you like, but most of all have fun!
submitted by clankyclankimonatank to westpoint [link] [comments]
I’ve been reflecting a lot on both my time in the army but also the rock bound highland home since graduation recently took place and summer training will be bringing on the class of 2027 and wanted to share some regrets and hopefully use it as advice for you all. This is especially true if you are an introvert or straight up antisocial like I was.
I don’t know if the term “slug” is still a thing but I very much was a person who kept to himself and stuck around with a very small group of similar minded folks who spent almost every minute that we could away from the academy (to include blowing post 🤭). If I could do it all over again I would try to spend a year preparing for and walk on to a club or corp squad team, meet and get to know as many of my classmates as I could, and try and get on summer academic trips/ broadening experiences as possible. Those 4 years go fast and some days it almost feels like I never went there. I run into so many of my classmates but many don’t recognize me because I never put forth the effort to build relationships, even if it was just knowing one small fact about them while attending class or being in the same cadet company. I miss that place but I miss the people I wish I could’ve gotten to know more. For me personally I’m thinking about being more proactive with the AOG regional groups and attending social gatherings when they come up just to make up for meeting more of my classmates, but I’ll never get to do it while spending every day at the academy from summer of 2008 to may of 2012. Don’t be like me. Challenge yourself, make the most of every opportunity, get in the best shape of your life, shoot your shot with that classmate you like, but most of all have fun!
2023.06.04 21:10 AutoModerator [Download Course] Csaba Borzasi – Breakthrough Conversions Academy (Genkicourses.site)
| | submitted by AutoModerator to HQCoursesGenki [link] [comments] Get the course here: [Download Course] Csaba Borzasi – Breakthrough Conversions Academy (Genkicourses.site) Our website: https://www.genkicourses.site/product/csaba-borzasi-breakthrough-conversions-academy/ What You Get:Module 1The Fundamental Principles of Direct Response CopywritingIn this foundational module, you’ll discover:
The Psychology Behind Persuasive Copywriting & Copy-ThinkingI promise you’ve never seen a more advanced masterclass in emotional response marketing before.In this module, you’ll discover:
The “No-Nonsense” 80/20 Marketing Research ProcessYes, yes – I know research isn’t the sexiest of topics out there…But it’s an absolutely essential aspect of creating winning marketing campaigns. So… To make this important topic as painless and swift as possible, I scoured through thousands of pages of my notes… Revisited scores of past projects I did with various clients… And analyzed how the best of the best copywriters did their own research… To come up with a totally UNIQUE blueprint for doing marketing research FAST, in a no-nonsense way. That’s why, in this module, you’ll discover:
The “Sacred Trinity”: Big Ideas, Headlines, LeadsThis is where the “rubber meets the road”…Because Module 4 is all about the highest-impact copywriting elements out there: Big Ideas, Headlines, and Leads… PLUS, how they actually relate to each other. So in this module, you’ll discover:
The “Golden Thread” That Connects Your Big Idea With Your OfferOnce you know the secrets of the “Sacred Trinity”, it’s time to connect these elements with your Offer.How? Module 5 reveals everything. Inside this game-changing masterclass, you’ll discover:
How to Make Your Competition Irrelevant by Using a Unique MechanismOur next topic is about Unique Mechanisms…Which are essential in today’s world of “high-market sophistication” audiences. During this module, you’ll discover:
Once Upon a Time, There Was a “StorySelling Masterclass” That RockedNext up, Storytelling on STEROIDS! (which I like to call “StorySelling”)In this module, you’ll discover:
How To Create An Offer So Irresistible… Only a LUNATIC Would Ignore ItOnce you have your “Big Idea”, Headline, Lead, Golden Thread, Unique Mechanism, and Stories…It’s time to finally create an offer they can’t refuse! So in Module 8, you’ll discover:
From “Master Structure” to Breakthrough CopyIn this strategic overview session, we’ll revisit the most important 80/20 principles of key topics like:
@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@ If you're wondering why our courses are priced lower than the original prices and are feeling a bit suspicious (which is understandable), we can provide proof of the course's contents. We can provide a screenshot of the course's contents or send you a freebie, such as an introduction video or another video from the course, to prove that we do have the course. Should you wish to request proof, we kindly ask you to reach out to us. Please be aware that our courses do not include community access. This is due to the fact that we do not have the authority to manage this feature. Despite our desire to incorporate this aspect, it is, unfortunately, unfeasible. Explore affordable learning at Genkicourses.site 🎓! Dive into a world of quality courses handpicked just for you. Download, watch, and achieve more without breaking your budget. |
2023.06.04 21:09 Boris_the_brexit Challenge #74 - 1965 Shelby Cobra 427 S/C
1965 Shelby Cobra 427 S/C - A 800
Orogrande A-class - 02:15.507| Stats | |
|---|---|
| Weight | 917 kg |
| Balance | 49% |
| HP | 625 |
| Torque | 771 nm |
Build
| Conversions | |
|---|---|
| Engine | 6.2L V8 |
| Drivetrain | Stock |
| Aspiration | Centrifugal Supercharger |
| Engine | |
|---|---|
| Centrifugal Supercharger | Sport |
| Platform And Handling | |
|---|---|
| Brakes | Street |
| Springs | Rally |
| Front Arb | Race |
| Rear Arb | Race |
| Chassis Reinforcement | Race |
| Weight Reduction | Race |
| Drivetrain | |
|---|---|
| Transmission | Street |
| Driveline | Race |
| Differential | Offroad |
| Tires And Rims | |
|---|---|
| Compound | Offroad |
| Tire Width | Front 235 mm, Rear 345 mm |
| Rim Style | Specialized Asanti AF 118 |
| Rim Size | Front 15 in, Rear 15 in |
| Track Width | Front Third, Rear Third |
| Profile Size | Front Stock, Rear Stock |
| Aero and Appearance | |
|---|---|
| Front Bumper | Forza race |
| Rear Wing | Forza race |
Tune
| Tires | bar | psi |
|---|---|---|
| Front | 1.20 | 17.4 |
| Rear | 1.00 | 14.5 |
| Gears | Ratio |
|---|---|
| Not Applicable |
| Alignment | Camber | Toe | Caster |
|---|---|---|---|
| Front | 0.0° | 0.0° | 7.0° |
| Rear | -0.5° | -0.2° |
| ARBs | |
|---|---|
| Front | 4.0 |
| Rear | 40.0 |
| Springs | kgf/mm | lbs/in | n/mm |
|---|---|---|---|
| Front | 40.0 | 224.0 | 392.3 |
| Rear | 37.3 | 208.9 | 365.8 |
| Ride Height | cm | in |
|---|---|---|
| Front | 15.2 | 6.0 |
| Rear | 13.3 | 5.2 |
| Damping | Rebound | Bump |
|---|---|---|
| Front | 6.0 | 4.8 |
| Rear | 6.6 | 5.2 |
| Aero | kgf | lb |
|---|---|---|
| Front | 64.0 | 141.1 |
| Rear | 136.0 | 299.8 |
| Brakes | % |
|---|---|
| Balance | 50% |
| Pressure | 100% |
| Differential | Accel | Decel |
|---|---|---|
| Rear | 55% | 65% |
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