Lost your Snapchat account and missing the fun? Knowing how to recuperate Snapchat records enables you to once more start snapping.
Losing the snapchat account can specifically be frustrating for the teenagers. They use this simple, however awesome social networking, for sharing their moments being everyday. It pains really when you you will need to sign in in order to find that you will be rejected access. These could be as a result of reasons which can be numerous.
Maybe you have forgotten the password or became a sufferer of hacking. Whatever may be the cause one must know the real approaches to recuperate lost Snapchat account. This short article aims to provide you with insights on that together with making your bank account better.

Initial thing first

It is crucial, necessary, and vital to know the root cause associated with problem before you start to recuperate lost Snapchat account. Just then you can do something this is certainly proper regaining access. Let’s observe this is done.

• Just how to recuperate lost Snapchat account when the code is lost
• When you have forgotten the password and struggling to sign in, you’ll be able to restore usage of your Snapchat account by resetting the code through the measures which can be after.
• Launch the Snapchat account app on your click and smartphone login. Next, enter your username or mouse click and email regarding the ‘Forgot your password’.
• A box ‘Please this is certainly asking the manner in which you would you like to reset your code’ will pop up. Then enter your email ID from the next web page and click the ‘Submit’ button in the event that you choose e-mail.
• Snapchat shall give you an email containing a link for resetting the code. Click the link and enter the brand new code that is secure. If pressing just isn’t possible you may copy and paste that to the web browser.
• Just in case you choose for recovery by phone option, you have to enter your contact number and choose any person through the call and message choice. The message can be simpler to use.
• You shall get an OTP. Go into the OTP and your brand-new code that is secure complete the method.

You can also contact Snapchat for help

How exactly to recover lost Snapchat account for forgotten e-mail and login name ID

There is no denying that many of us have several records that are e-mail we also fiddle with usernames while starting a merchant account. This routine makes one prone to your investment details. Therefore, once we haven’t made use of Snapchat for a long time and trying to take the overall game, it becomes hard to access whenever we don’t remember the login name. The way in which is easy restore access is by using your email ID instead of the username.
Here is a solution how you can test to recover:
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IDs you have utilized for starting the account if you are not able to keep in mind which associated with mail. You must jot down all the mail IDs you have.
Next launch the application that is snapchat your Smartphone follow the data recovery through email process. Carry on entering all your valuable email IDs one after another. If the e-mail you joined just isn’t related to your Snapchat account, it’ll display an error ‘email this is certainly saying is invalid’.
Continue the procedure unless you find the email that’s right and then reset your code to recover your lost account.

How exactly to recover a snapchat account which is certainly hacked?

Maybe you have observed junk e-mail is delivered from your account or got an aware about logging from various unit or internet protocol address you ought to be apprehensive about your Snapchat account. You may require re-logging that is continuous or come across the addition of unknown associates, or observe an unauthorized improvement in the cellular number and/or current email address.
It could were affected in the event that you notice such dubious behavior along with your Snapchat account. As well as this valid reason, you have to know to recuperate lost Snapchat records when it is hacked. Recovering a snapchat that is hacked may not be simple. It all depends on just what changes the hacker designed to your account. You must replace the code at the earliest opportunity if you discover that your bank account info is released.
You then must follow the password reset approach to manage your bank account if the hacker has recently changed the code. The point that is worst takes place when the hacker changes your data recovery email address and phone number. In such cases, you ought to contact Snapchat support.

How to Secure Snapchat Account?

Snapchat displays an image for a seconds being few then it vanishes. However, it’s at risk of security threats. Understanding how to recoup lost Snapchat account doesn’t secure the account. It just allows you to cope with the situation if the tragedy hits. So, the way in which is the best to secure your Snapchat account will be remain one step forward. This can be done into the ways that are after.
Proceed with the code techniques being best: Although everybody knows the significance of passwords, few men and women make use of powerful passwords because of their Snapchat reports. The code must certainly be unique.It should contain at least 8 figures incorporating a combination that is random of, signs, and upper & lower case letters. Never use your individual information like name, day of beginning, mobile quantity, etc in passwords.
The password ought not to be used for just about any various other service. Validate your mail ID and telephone number: developing a account this is certainly snapchat effortless. You must enter your name, time of birth, cellular number, or email ID. This could also be done by making use of information this is certainly artificial.
But this turns devastating as soon as the details are forgot by you or the account is hacked. So, constantly available proper information to your snapchat account. Also, start the Snapchat options and confirm those every right time you utilize it. Use Two-Factor Authentication: allowing a two-factor identification to your snapchat account helps it be safe.
You can do this by starting the settings and clicking on ‘Two-factor Identification’ and checking out the process. You are able to make the assistance of Snapchat with this.
Conclusion
Now you understand how you could drop your Snapchat account and just how to recoup lost Snapchat account. Understand that making it safe is often a better way to have control over your Snapchat account.

Hire a Hacker to Recover lost Snapchat Account

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Previously on Hell’s Kitchen…
The final 10 participated in a game of craps, and it would be Natalie’s dish, that scored yet another win for the blue team, but just barely. At dinner service, things got chaotic with Dante’s raw ribeye, followed by miscommunication from Natalie, for causing a small fire, burning her fish. Over on the red team, Claire and Matt had issues of their own on the meat station, with raw ribeye, as well as undercooked and overcooked fish. Which made matters worse was that Claire used a thermometer to check the meat. Neither team did a great impression, and the red team nominated Matt and Claire, while the blue team nominated Dante and Natalie, but ultimately it was Claire that said goodbye to her dream of becoming Head Chef at the Hell’s Kitchen restaraunt in Glasgow. And now, the continuation of Hell’s Kitchen.
Intro
As both teams went back to the dorms, Ramsay urged them to come back strong. Dante thought the blue team held a grudge against him, but he did not care as their performances were superior to his. Larissa was concerned about the blue team’s fate at the patio as she did not want any more drama. Caleb chimed in that he was not the source of the drama but said it was Dante causing it. While the blue team waited for Dante to come to the patio to join them, Dante decided to take a break from his team, and rest in the bedroom. Larissa saw that the blue team’s performance was going on a high horse, and felt that Dante would go, and make them strong next service.
Challenge
The following day, the dining room was set up with a wrestling match between Chef Ramsay, and Marino. Dante was too thrilled about the wrestling match, as he wanted to join, as he used to wrestle back in the day. Most of the chefs were surprised of watching the wrestling match, especially, Jeff, and felt that Marino would not be comfortable to wrestle, and neither could chef Ramsay. Michelle found it a good experience to watch, and rooted for Chef Ramsay, and felt that he could be a pro at wrestling, and cooking. As the match was called, a scoring sign shown saying “Blind Taste Test” as the next challenge, exciting many of the chefs, especially Hope, as she was a fan favourite. Chef Ramsay announced that each chef will be blindfolded, with wearing earphones, and then tasting and guessing what they just ate. The team with the most points wins the challenge. And because the blue team had an extra person, they had to sit someone out. They agreed on sitting out Dante, as many of the chefs found his palate to be the weakest. Chef Ramsay also announced that he was bringing curry blasters as their consequences. He then announced if their chef got 2 wrong, they get blasted with Rice. If they get 3 wrong, they get blasted with chicken, and if they get them all wrong, they will get blasted with curry sauce. This made Natalie look nervous as she had perfect hair, and didn’t want to get it ruined. Although Dante was excited to not get blasted, he was upset he didn’t participate in the challenge.
Scoring
1st Round >> Natalie vs. Ty (Larissa and Michelle sitting in blaster chairs)
>>Turkey<<
Natalie - Chicken
Ty- Chicken
>>Sour Cream<<
Natalie - Sour Cream
Ty - Greek Yogurt (Michelle gets hit with rice)
>>Mango<<
Natalie - Peach (Larissa gets hit with rice)
Ty - Cantaloupe (Michelle gets hit with chicken)
>>Cashews<<
Natalie - Almonds (Larissa gets hit with chicken)
Ty - Peanuts (Michelle gets curry sauce dumped)
The score is 1 - 0, blue team in the lead.
2nd Round >> Hope vs. Caleb (Natalie and Ty sitting in Blaster chairs)
>>Prunes<<
Hope - Plums
Caleb - Pears
>>Clams<<
Hope - Muscles (Ty gets hit with rice)
Caleb - Shrimp (Natalie gets hit with rice)
>>Cheddar Cheese<<
Hope - Cheddar Cheese
Caleb - Cheddar Cheese
>>Mushroom<<
Hope - Mushrooms
Caleb - Mushrooms
Score is 3 - 2. Blue team up by 1
3rd Round>> Jeff vs. Matt (Hope and Caleb sitting in Blaster chairs)
>>Red beans<<
Jeff - black beans
Matt - kidney beans
>>Coconut<<
Jeff - coconut
Matt - potato (Hope gets hit with rice)
>>Chick Peas<<
Jeff - Peas (Caleb gets hit with rice)
Matt - Figs (Hope gets hit with chicken)
>>Lobster<<
Jeff - Crab (Caleb gets hit with chicken)
Matt - Scallops (Hope gets curry sauce dumped)
The score is 4 - 2. Blue team up by 2.
4th Round>> Larissa vs. Michelle (Jeff and Matt sitting in blasted chairs)
>>Filet Mignon<<
Larissa - ribeye
Michelle - filet Mignon
>>Beets<<
Larissa - kiwi (Jeff gets hit with rice)
Michelle - papaya
>>Potato<<
Larissa - potato
Michelle - potato
>>Strawberries<<
Larissa - strawberries
Michelle - strawberries
The blue team wins the challenge 6 - 5.
Reward
Chef Ramsay congratulates the blue team on winning their 4th straight challenge, and declares that they were one of the unstoppable blue teams in Hell’s Kitchen history. For their reward, they will be flying to Costa Rica. They will be heading to the Arenal Volcano, where they will take a dip in the thermal waters, and then enjoy a massage. After that, they will enjoy lunch with a view of the volcano. Natalie said it would be an amazing reward, as she liked a massage.
As the blue team arrive at the waterfall, Jeff said that it was very fun for the blue team to get out, and take a splash in the Costa Rican water, and then get a massage. Natalie mentioned that a massage makes her day, while Caleb called it a relaxing tension. Caleb enjoyed beautiful Costa Rica and he wished he could be there the whole time. However, Dante had trouble enjoying the reward, as his team cut him from the blind taste test challenge. While they were enjoying their lunch, the blue team excluding Dante, had a chance to make the black jackets, and then Jeff and Caleb formed an alliance of themselves making the final 2.
Punishment
While the blue team head off to Sunny Costa Rica, the red team are going to be stuck together, because they will be cleaning up the mess they made during the Blind Taste Test. chef Ramsay also expects that dining area to be spotless, as he was opening up for Dinner Service. Ty was disappointed, as he missed the opportunity to go swimming in a waterfall, and that he had to clean up a curry terrorized dining room. As the red team starting cleaning, Michelle said that it would be nice to see a volcano, as she never seen one, and felt that she shouldn’t have used her punishment pass on the London reward. While cleaning, Chef Meghan tells the chefs to take a break as she prepared food for them. On the table was an arrangement of offal, which disgusted Hope, as she vomited. Ty also almost threw up, but knew it was a punishment, and if he took the loss, he would pay the price that came with it. Matt also got annoyed by Hope throwing up, and felt that the team needed her during dinner service.
Before-service
Later that evening, both teams were ready for service. Ramsay told the blue team that they were responsible for their own station while telling the red team to shine as individuals as they worked together. Chef Ramsay also expected a good service, and wanted both teams to work together. Then, Ramsay asked Marino to open Hell’s Kitchen.
Dinner Service
As the blue team began appetizers, Jeff led the order as he knew they had to get through their internal problems. Jeff wanted it done and got his scallops accepted. The blue team worked on their first order. In the red kitchen, Hope served a bland carbonara, leaving Sous Chef Meghan to come to appetizers and gave her a reminder. Ramsay told Hope that he needed a rich carbonara while Ty did not want a horrible start. Hope got her refire accepted.
As appetizers left both kitchens, Ramsay began firing entrées in the blue kitchen. Dante knew that he received one last chance to bounce back, and he refused to let Ramsay down. Still, Natalie compared Dante as one of their sloppiest members and feared that her performance on garnish could back them up. While Jeff and Natalie got their proteins accepted, Ramsay was waiting on Dante’s garnishes. However, Dante cooked the wrong garnishes, and he was berated for the salmon garnish and forced to cook the wellington garnish. Ramsay reminded the blue team that it was their first order and was confused about how Dante worked on firing the salmon garnish instead of the wellington. Dante admitted to his mistake. In the red kitchen, Michelle got her wellington accepted, but Matt was slow on the garnish. Then, Matt forgot the mashed garnish to go with the order, making Michelle deem him disorganized and a hot mess. Ty chided Matt for being a turtle with the garnish, but the latter got it accepted. In the blue kitchen, Dante got the couscous accepted, and blue diners enjoyed their entrées. On their next order, Dante was determined to bounce back and denied Jeff’s assistance. Still, Caleb feared they would be scrambled if Dante did not keep up. Dante sent up over portioned garnish for the lamb as he thought it was two instead of one. Ramsay brought Dante and Caleb to the pass and asked them for their cooperation. Dante admitted that it was 1000% his fault he sent up over portioned garnishes as Ramsay was confused by the major mistakes.
One and a half hours into dinner service, the red team worked on the chef’s table as Ramsay informed them about the latter’s show. While most of the red team worked hard, Hope called out the wrong order. Seeing that, Ramsay took Hope to the pantry room for a one-on-one talk. Ramsay did not know what was wrong with Hope as one of the most talented and accurate chef in the red team was not calling the right order. Ramsay told Hope that he needed more vigor from her before warning her over an ejection. Inspired by Ramsay’s comment, Hope said he wanted it and knew the former wanted more from her. Refusing to let that day define her, Hope went back to the kitchen and started communicating with the red team. Michelle rose as the leader for the red team and got her New York strip loin accepted with Ty’s halibut accepted not long after. The red chef table received their order, and both teams hustled to get all their entrées out. No other mistakes were made as the customers enjoyed their entrées. As the red team cleared down, Ramsay praised Ty and Michelle for their spot-on performances.
Post mortem
After both teams lined up, Ramsay deemed it a solid service from both teams. Still, he reminded them that he wanted people to start popping out more as they moved forward in the competition. Ramsay said two did, praising Michelle for leading the red team to success thanks to her vocalness and sounding like a leader. Then, Ramsay turned to Jeff and praised him for his immaculate wellingtons. Both were named “Best of the Best,” and they were asked to name one person from their teams for elimination.
During deliberation, Michelle told Ty that the only two people he was considering were Hope and Matt. Michelle saw that Hope was not vocal that night, and didn’t have the right calls and felt that Matt was not ready for the Head Chef position. Ty considered Hope due to her lack of effort that night but reminded Michelle that it was her decision at the end of the day. Meanwhile, Jeff told Natalie that she and Larissa were not at risk of being nominated thanks to their performance on appetizers. Jeff knew Dante was his nominee and told the women that. In the red bedroom, Michelle and Matt chatted about the latter’s disorganization. Matt said that he might have a few mistakes, but felt that he could do a lot more, but he was nervous that Michelle could nominate him. Back at the blue bedroom, Jeff told Caleb that he was nominating Dante as she knew Ramsay did not want a sloppily clumsy person as his protégée. When Jeff spoke with Dante, he reminded the latter how he struggled on garnish. Dante tried to argue he did not know they could fire garnishes at the same time, but Jeff called it an out of time excuse. Meanwhile, Hope told Michelle to weigh her options carefully as she wanted her to think about the team. Still, Hope was ready to fight for her life, while Michelle admitted Hope was a strong but memory loss chef. Michelle struggled to make her decision.
Elimination
Michelle announced Hope as the red team’s nominee, while Jeff announced Dante as the blue team’s nominee. During their pleas, Hope said that she was not done with her dreams, and she was still running for the opportunity to become a Head Chef at a restaurant in Glasgow, and felt that she had the composure to be his head chef, while Dante said that his team might have given up on him, but he wasn’t ready to go yet, and also asked if he can join the red team, as he trusted them more. In the end, Chef Ramsay eliminated Dante for his cluelessness, lack of support, and miscommunication on garnish. During his exit interview, Dante was disappointed about not making it further into the competition, as he was ready for a black jacket, and felt that it was his team’s fault for backing him up.
As Dante left, Chef Ramsay told Hope that she was lucky to dodge her first bullet. Hope said that there was still nothing in her way, and she wasn’t ready to leave yet. As the teams left. Michelle said that the blue team may have been backstabbed, but their performances just gets worse, and felt that the red team could have a chance. Jeff said that there are no excuses made during service, and thinks that the blue team can work a lot more powerful, and thinks he had the guts to stay in the competition, while Caleb said that there were only 8 chefs left in the competition, and he was ready to get his game face on.
Ramsay’s comment: “After watching Dante cooking the wrong garnish. His team dropped the bag, and after many major change, his chance was shot”
18th: Camilo (Individual Challenge)
17th: Derek
16th: Josh
15th: Trish
14th: Rosemary
13th: Kristian
12th: Jamila
11th: Ashley
10th: Claire
9th: Dante

[←Chapter 60] [Cover Art] [My Links] [Index] [Discord] [Subreddit] [Chapter 61→]
“One of the cornerstones of understanding the nature of Nieth and Hebeen is understanding their strange religion, or religions, as the case may be. In that previous phrase, we touch upon the issue at question. Does Nieth even have a religion, as we, the followers of the Lost, blessed be them, would understand it? Already, the initial impression is strange - rather than worshipping a pantheon of gods, as is wide-spread throughout the continent, they worship one, yet all.
It might help to touch upon some relevant history, as well as some examples to illustrate the roots of such a foreign concept.
Nieth, as far as we can seek, has its roots in a nomadic peoples that travelled the great desert that wraps around its northern half. These were unlike the brutish and savage people of our own northern flood plains, more like the mystical but lowly Vieatta from the mountains past them. Still, it was enough for them to carry on the advanced and civil arts of poetry and music.
It’s within those that they encoded much of their history from early days, although without the advent of writing which other societies wisely use, some of it was subject to mythologization. Regardless, life by all accounts was strenuous out on the sands, and the sacred was pushed aside for the practical. From the practical needs of water and shade there appeared to arise a new religion, one that enfolded all primitive others within its arms as emanation of ‘Embass Aliyah’, or ‘The One and Truth’.
This may provide some illumination to the reader who may have heard of Nieth’s ‘acceptance’ of our Faith.
Within this one, unifying principle, people gravitated to the Oasis of Nieth, which was a popular way station for trade and rest. Many of the historians I have engaged suggest that the principle of ‘The One’ was a major factor in the formation Nieth as a societal centre, as well as the establishment of the Nine Princely Families. The fact that the scions of the Nine Families that I’ve had the fortune to interview claim vastly different patrons between them supports this.
The current ‘landscape’ as it were, for the religion of Neith is roughly as follows:
Perhaps one in five are adherents of our own Faith. Most, that is to say, three in five, worship the traditional, normal pantheon of Nieth, which is also the religion of the ruling prince. In addition, the sisterhood who administer Hebeen, the city of children, are drawn from this majority faith. More details on the various gods and their descriptions is enclosed in the following chapter. The remaining are split between various small and often foreign denominations, including some faiths from the First Lands.
Of these, there are two that bear special mention. The first is the actual seat of the ‘pure’ faith of ‘The One and Truth. It is a relatively small, if quite beautiful temple in the Seat of the Nine. The high priest (‘teacher-guide’ as he refers to himself) was gregarious and pleased to answer my various questions through a translator. Despite being the nominal religion of Nieth, its principles underlying the whole of the society, its actual numbers of worshippers are small. A potential reason for this is the second faith of note.
This is a separate derivation of the principles of ‘The One’ and seemingly the older of the two. It is the principal faith of the various nomadic peoples that wander the Plague Dunes of Nieth. As their account goes, the principle of ‘The One’ was revealed to the forebears of the Nine Families out in the northern deserts. The families had planted and grown an oil-bush to an impossible size (presumably why it is referred to as a tree in oral retellings), often feeding it with cruel blood sacrifices from other enemy tribes.
One night, either nine generations, nineteen, or ninety nine, depending on which account you receive, the oil tree burned. For those that know anything about oil bush, they will know it burns with a fearsome light due to the eponymous liquids within. In this case, such was the magnitude of the tree and blaze that the volatile oils exploded outwards. The founders of the Nine Families, who held council around the tree when camped in the locale, were covered in the oils.
This crude anointment, while horribly disfiguring them all, supposedly imparted revelation to them about the nature of ‘The One’. As such, the faith of ‘The One’ is strongly rooted in the depths of the desert, and many of its more zealous adherents are to be found out among the dunes, navigating the toxic and dangerous environs using methods not understood even among the Neith city-dwellers.
Hence, most of the faithful of ‘Embass Aliyah’ leave Nieth and its surrounding fiefs to live with the nomads from which their faith originated. While the high priest does not concede the idea that ‘The One’ would have a special connection to the desert, for it exists everywhere equally, he considers it understandable for people desiring to live the savage life of their ancestors. Even so, one can observe the imprint the desert has left upon the primitive church, the icon of the oil tree being central to their architecture and symbolism.
To illustrate the devouring nature of this faith, one can examine one of the most famous events in the history of Nieth, which led to the founding of its sister-city Hebeen. For those that take such an interest in the regions of the south, you might quickly realise that one of the title gods of the majority faith shares the same name as a Karkosian deity -‘Viethustra, The Bloody Handed God’.
By all accounts as brutal as he is cunning, he is also the god that provides for the administration of justice. Though all of these gods are of course false as we understand them, one can find an interesting parallel with the origins of Nieth as a society. An astounding number of original texts survive from those haydays, often reflective accounts of the events by those who lived them.
Supposedly this adoption into the widely recognized pantheon traces to the great conflagration that consumed Nieth some four hundred years ago. This destruction particularly devastated the child population of the city. The reigning prince, after the fires had been quenched, ordered the formation of Hebeen, the city of children. Thereafter, almost all children of Neith of age are sent to cross the Aderhajj mountains, and come out into a place where they live and play together, under the watchful eyes of servants of Viethustra and the Dusky Sister.
Another example, far more contemporary, is that of the Yumyaq, the nightly processions of songs, hymns and poetry recitations. The overall effect is hardly like the organised harmonies of our own choirs, and often subject and song clash in the air of cities. However, it is the general belief that such a task is essential for the preservation of Embass Aliyah. It may be universal, but its claimed emanations, which is to say, every religious being in the world, are bound to locations.
So, this discordant din is, in a sense, a spiritual beacon, for the gods to return home, over the land and sea to Nieth. It is perhaps better explained by the high priest of Embass Aliyah, who suggests that it is more of a reminder. Namely, a reminder that the gods all exist within the embrace of Embass Aliyah, and that they will always be worshipped in Nieth.
Out of all the strangest tenets of the faiths of Nieth, this is perhaps the most offensive to those learned. Not only would it implicitly suggest that they have solved the most important theological question of the Lost Ones (i.e. ‘where they were lost’), but also the term ‘Yumyaq’ (‘Of gods’ or ‘godly’ depending on usage) is questionable in itself.
Indeed, the derivation of the term, as far as I can trace it, is actually a title given to the city itself.
‘Yumyaq Al-Nieth’. Or, to translate the crude language, ‘The Watering’ or ‘Resting Place of the Gods’.
​
An Account of Nieth and Its Civilization
Except from Chapter 4: Faith and Religion
Brother Amelius Jacobino, Eps., Brotherhood of The Shaded Path
UNDER ORDER OF REVIEW - OFFICE OF THE HIGH LUTICIENT
​
It was an all too normal day, for all of its stresses, or at least, so Yemassa thought. The merchant trudged through the street, his bag of wares heaped high upon his back. That was just about the only thing that was abnormal - his big request. It was an unusually large order of various herbs, spices, and raw plant products that his small farm cultivated. While his handful of workers were busy harvesting gemsing, hot peppers, and the spiky amanas plant, he was carrying the last of the stock into Nieth proper.
The long, squat buildings had their dark windows shuttered against the afternoon sun. Despite that, many of the various city merchants and their clientele were happy to host conversation and commerce. Indeed, they were rushing to do so, considering that the Yumyaq was almost upon them. Once the sacred hour of sunset had passed, no commerce would be allowed, at least no formal commerce.
The activity was abuzz in most parts of the city, especially since the complete rout their forces had enjoyed to the north. Some raiding legion from across the sea had challenged the might of Nieth and learned a hard lesson. Yemassa wasn’t much aware of the details, though like every good citizen, felt a certain pride at the rumour of crushing victory. More importantly, excitement usually meant people’s pursestrings grew a little looser.
The thought hot on his heels, Yemassa drove himself forwards. The request had been a surprise, both in magnitude and in source. He was headed towards one of the inner, higher districts where the wealthy were congregating. He climbed the freshly cleaned steps to one of the upper roads, finding it mostly clear of people, save those that were stall-shopping.
Onwards and upwards he climbed, going up the various footpaths carved out by hundreds of tromping feet over the years. He had to take care to avoid the various pebbles and small scrub brushes that nipped at his wrapped feet however. Finally, he made it to one of the smaller winding district streets, which spat him out in one of the quieter streets. A bend and a twist in the route later, he managed to find his way into the courtyard of the commissioner.
He was greeted by two separate maid servants who helped him unpack and ferried the goods to where they needed to go. To further the shocking nature of the encounter, the client, a woman devout enough to wear a veil over her face, came out to speak to him directly. He knelt before her, refusing to lift his eyes even against her insistence that he need not be so formal.
She even deigned to discuss business, inquiring after his holdings and what kind and how much of his products he grew. He answered with as much humility as he thought was safe, and found a receptive customer at the other end. He had to keep himself from jumping up with excitement when she casually suggested he recommend his services to friends. Only when she returned to the inside did he spring away, walking back down the hill with significantly more energy then he’d climbed.
Just before he scampered off the road and onto the various footpaths that led down to the main thoroughfare, he caught a glimpse of the far cliffs between the houses. It would be sunset soon, he knew, and if he waited for just a few more minutes, they would turn a golden red in the evening. The others would manage just fine without him for a little while longer, he was sure.
So, making his way between the various alleys of the neighbourhood, he clambered out onto a shelf of rock. This was both a better and more precarious view, given the drop of several hundred hands into another quarter already in shadow below. It had been the site of an old mine, he thought, although his knowledge of the older parts of the city was not completely up to snuff.
He hunkered down on a rock a handful of paces from the edge, crossed his legs, and waited. Soon enough, the sun lowered in the cliffs behind him, the skies awash with the evening haze. This was a good spot, he’d have to remember it when he desired a good view of the city. From here, he could see most of the northern quarters, as well as the great central sprawl of the city running from left up to right.
At the very top of the city to the right stood the palace of the Nine Families. As Yemassa watched, its nonagon concentric layers of domes and spires, one for each generation he recalled, began to glimmer a pinkish hue. As the shadows below his feet began to stretch out to cover districts by the dozen, the northern cliffs seemed awash in fire.
Before he had much of a time to enjoy it, however, he heard the first lilting notes. The plucking of strings, the beat of rabbit-skin drums, the raised voices all started from below. He recognized some of the tunes that began the Yumyaq, songs of the working man and woman mostly about hard days in the fields or jungle. He smiled, the notes recalling fond memories of his own family, though he generally heard less of them now.
It was with a start that he realised that meant he had spent nearly a half hour on the ridge. As more elaborate poetry in service to one god or another began to drift behind him, joining the din from below, he scrambled. Thrusting the pack onto his shoulders, he took one last chance to survey his city as the cliffs shone their fiery colours. The din of the Yumyaq, the song of bountiful Nieth, rose to the heavens, calling across the brushlands and jungle to the distant sea, to carry the gods home.
It was a good sound, a familiar sound, the sound of home to him as well as those distant divine beings. Before he could turn his heel and walk down to the footpaths that would take him home, however, he found something tickling the edge of his vision. He squinted at the far cliffs, red and magenta, with hints of orange and yellow among the craggy faces.
He squinted further, trying to determine what exactly had drawn his attention.
It took him a half-minute more to determine that a flickering, bluish light was moving this way and that in the shadows of a cliff face. That was certainly odd, he thought as he watched the barely visible speck hover in place.
It only became odder when a second, yellowish light joined it.
It became alarming when a dozen, then two dozen, then hundreds of multicoloured lights joined it. The shadows it had inhabited vanished a glow of yellow and blue as they seemed to get bigger. They were getting bigger, Yemassa realised, as little tendrils and flakes began to shoot up above the cliffs in the sunset haze. Reds, purples, greens, but predominantly yellows and blues floated like petals on the wind.
There was a deep rumbling at the edge of his hearing, not powerful enough to shake the ground, but enough to send a wave through his feet. Fear lanced through him as he watched them grow brighter and larger until…
With an explosion of colour and light, a great torrent, like a spring pouring forth from a crevasse, vomited out and up. Yembassa watched as a swirling mass, a comet coming down to earth, shot forward across the city. As he watched it streak towards his position, frozen with shock, pieces of the light flaked off, drifting almost lazily down toward the city.
A piece of Yembassa recognized the locale - the school quarter, where most of the children would just be running out of classes. The scholars and priests studying long hours into the night, preparing to defend themselves against peers, or to present a proposal to the Prince-in-Reign.
There was a flash so bright he had to turn his eyes away.
When he looked back, the minarets and walls of the school districts were drowned under a sea of flames. More flashes followed, bits and pieces of the great comet delivering the biggest explosions he’d ever seen as they made contact with the ground.
Yembassa’s legs finally managed to unlock as the first screams began to drift up to him on suddenly scorching air. He realised numbly that half the city was burning in a matter of moments, and that the comet was shooting straight towards him. He turned to run, yet something drew his eyes around even as his legs pumped.
The mass turned just in time, streaking below the cliff line, where the old mine entrances had been, he thought. A small spine of hope poked through his terror.
Slowly, slowly, wavering from side to side in gentle, periodic motion, the molten feather drifted down, down, to touch the rocks where he’d been sitting.
Then there was light, and sound, and a heat that melted his eyes out of their sockets and tore him limb from limb.
[←Chapter 60] [Cover Art] [My Links] [Index] [Discord] [Subreddit] [Chapter 61→]

Books sat all around the Choir, who were mental hospital patients magically shaped as ravens. I was the first to take human form, as my raven's eye spotted what I hoped was ours. It was one book among many, but it was also Circe's diary. As a man I could thumb the pages.
I frowned, realizing it was just a record of all of her lovers. An impressive body count of seventy-seven, I noted her notation on the last page. Then a chill ran through my blood. The sorcerer in me knew something about them.
"Cory, what sort of magic can be divided into parts, among lovers?" I asked.
"I have no idea, my Lord." Cory looked at the book. "A diary?"
"Yes. Circe's diary, but I suspect it is more than that. She had a second use for these creeps. I bet we could find something." I decided. The fortunate find was only a promise. I had no idea if there was useful magic or not. Whatever magic she had hidden would be worth hiding, obviously.
The others shambled past me and Cory in their open straight jackets and bathrobes and hospital gowns. They had all sorts of weapons: clubs, a broken bottle, a claw pincher and an uzi. I had my staff, carved from the unstable and formless magic between worlds into a proper weapon.
We needed our weapons, dried zombies stood in our way, shuffling among the books. Magical slaves, living corpses. They were still dangerous and had to be destroyed.
For a moment the dead stood in our path, their eyes shimmering blankly in the shadows. They regarded us, the intruders, then began to shuffle towards us. I felt a chill of revulsion at the sight of corpses walking and gagged on their stench. I'd seen far worse, but one never truly gets used to such things.
A loud rapid clapping noise and the merry tinkle of bullet casings erupted from the uzi. It was pretty ineffective. The rest of the Choir brandished their weapons and strode forward like the maniacs they were. Even Scarlet was in the mood to kill something and she tore apart more than one of the shambling dead.
She looked at me and I caught a gleam in her eye of psychotic delight. Some nervous feeling always rose up in me since the first time I had met her. Somehow the shift from a helpless hitchhiker to a hook handed murderer always caught me off guard.
When we'd finished killing the dead we sorted our way out from the books. We had come in through the open window of the room of the manor that held so many books. I'd noticed the old diary right away and begun to read it while the ravens shifted from void travelers to humans.
Time seemed distorted. How things played out always felt surreal as we partially entered entirely different worlds than our own. There was always a dreamlike perspective, as though I were merely an actor under observation rather than a participant. I often had to remind myself of the grim reality I was trapped in.
I had lost count of the rare artifacts we had stolen for Aureus and the worlds we had invaded and brought death and horror to. I loathed all of it, feared there was no salvation after my numerous misdeeds. What choice did I have?
I led the Choir through the manor, watching myself do so.
There were other servants, just as ghoulish as the dried zombies. We killed everything we met until we got to the master bedroom. The safe was too big to take with us.
"Cater?" I asked our safecracker. She was also totally nuts. Her wild eyes rolled around and beheld the safe as though pretending she hadn't noticed it. Her fake response of joy wasn't really fake, she was actually happy.
"Gots." She whispered and went to work on the safe. The Choir stood around breathing too loudly for her and drooling. Eventually she got it open and took out the green gem. It sparkled evilly. Circe's Emerald.
"Let's go." I said and we all returned to the books and found the ġedwimor was shimmering visibly where we could revert to ravens that could fly home. We leapt through it and into flight. Our rave cast the shadow of one great bird. The magics welcomed us, living and enchanted creatures that we were, and insane. Across worlds and time we flew back to our home.
At Dellfriar we arrived. Except I had finally found my way out. Aureus somehow knew before I did that I held the key to my escape. It was in Circe's Diary that the clue existed. There was more to her spell than turning the enlightened into ravens.
I dreamed of the unkindness of ravens watching me. Cory asked me in the dream:
"How many pigs are on her island?"
I began to count them and I took a step with each number. By the seventy-seventh step I was asleep again, within the dream. I looked at my sleeping form in the dreamscape, surrounded by pigs and watched by ravens. I was looking down from a great distance, it suddenly seemed, and then I was looking up from far below.
"Where are we?" I asked Cory. I stared at my crow and he seemed to be smiling. It was the dream that made it seem so.
"Seventy-seven steps to the bottom, my Lord." Cory advised me. "And each must be counted."
"Those were pigs." I pointed out.
"Pigs that were once men. Each of them descended further, marking a fraction of the way. Love is a journey, a dreamy journey, ever downwards." Cory chirped.
"What about the exact number?" I wondered. To a crow, numbers were more symbolic than literal.
"It's just a number of stairs leading into the dream lands. It means nothing." Cory sounded playful. Cory had learned that numbers were literal to humans. It amused him that I was confused.
"But the number of Circe's lovers?" I asked.
"Of course, they are permanently under her control. They made a bargain, surrendering their bodies. Each of them counts as the descent to the bottom. Their blood and hers is mixed. The blood of her lover's, her blood, they are helpless to her will." Cory explained. I was glad I had read so many books with my crow that we both knew the answers when we met in Dream.
"Where is she?" I sat up from the blue clouds and looked around. As I focused I found I was on an island. What I imagined Circe's prison to look like.
Someone spoke to me:
"You use my spell on yourself. A wereraven, part of a rave of lunatics just like yourself. You have stolen my emerald?" I heard the soft voice of a delicate female. I turned around and saw her there. She was staring at me, her eyes looked curious and a little hurt.
"I stole it for Aureus. They're making a weapon, and your emerald is a suitable component." I explained.
"Aureus?" Circe seemed somehow both amused and irritated at-once. "Neither a man nor a woman. Neither a human nor a creature of magic. Not a young soul nor an old one."
"The same." I sighed in sympathetic exasperation.
"You work for me now. You will steal my emerald from this weapon. You will seal Aureus in a moment stolen from the wheel upon which the ages turn. A moment among the aeons that never was and never will be." Circe smiled strangely for me. I sensed that to her victims she seemed irresistible. I found her charms to be crocodilian.
"You are right." I agreed with her. "We have searched for a long time for a way to defeat Aureus."
"Was the answer..." Circe started to ask a question and then paused for emphasis: "Right in front of you all along?"
"We thought that dying might be the answer. If we were dead we couldn't serve Aureus." Cory sounded cheerful and perky, like he was telling a very funny joke.
"Life." Circe swore. "Life is the answer. You are life from me. You wield my powers with ease, Greatson." Circe's smile looked maternal. It occurred to me that I was immune to her charms because I was her descendant only after I heard her say those words.
"You're my Lord's ancestor?" Cory cleverly surmised. "No wonder he is so valuable to Aureus. I thought it was strange that such a powerful sorcerer required help from my Lord!" Cory cawed with hilarity. The revelation held layers of humor for my crow, who felt like explaining further: "You know, because it is so funny. My Lord would be the last choice of most competent magic users. We've routinely made mistakes that could only be made during the hour that is reserved for amateurs!"
Circe tried to hide her amusement. "I'm sure my Greatson is learning. Even I managed to make a few embarrassing mistakes in my youth."
"Really?" I asked.
"No." Circe smiled. "I'm just trying to make you feel better."
"We shall know the plan?" I interrupted. Circe was standing before me, the short distance between us meant nothing in Dream. She looked serious as she drew upon my eyelids. I could watch her do so with my eyes closed.
Then I awoke in the dream I had descended from. I was again among the pigs and the ravens. From there I shook myself awake in the real world. For a moment I was tempted to shake myself again. Fear that I might wake up in a higher place from which I wouldn't be able find sleep made me hesitate.
"Do you recall the dream we have had, my Lord?" Cory asked.
"About Circe being my great grandma? With a few more 'greats'?" I answered rhetorically.
"Yes. She put a spell on you. Can you see anything that you couldn't?" Cory asked.
I blinked and looked around. For just an instant, out of the corner of my eye, I could see Aureus somewhere else in Dellfriar and busy with the artifact's assembly. Several components were still missing - though.
The theft of Circe's Emerald and the escape from Dellfriar had many outcomes. There is only one that I survived. Only one version that can be reassembled from the chaos of so many worlds collapsing inward, so many realities becoming undone. Circe was right, it was only life - the deepest magic I knew of.
Inspiration came with my new perception. I could see the path ahead of me. I could see that there was only one version in which I survived and escaped. If I had done anything differently, the butterflies of death would have touched me.
I saw the window of opportunity and I knew every step I had to take. I took my bag and my staff, collecting the implements of my magical heists into the bag. I clicked my tongue and my crow alighted upon my shoulder.
With a cunning plan in mind, I ventured into the heart of Aureus's lair alone. The dimly lit chamber was filled with intricate machinery and arcane devices. I could sense the pulsating energy of Circe's Emerald, beckoning to me from its secure pedestal.
Taking utmost care to avoid detection, I stealthily maneuvered through the labyrinthine corridors, relying on my years at Dellfriar as a master thief. The shadows embraced me, concealing my presence from any wandering guards or surveillance systems that may have kept sentinel.
As I reached the chamber, I surveyed the room for any potential traps or alarms. It seemed Aureus had grown complacent, perhaps underestimating the audacity of a lone infiltrator. With a wry smile, I knew this was my moment to strike.
Silently, I approached the pedestal housing the emerald. It radiated a mesmerizing glow, casting ethereal patterns on the walls. Carefully, I retrieved a set of specialized tools from my bag: a combination of lockpicks and arcane implements.
I began to work my way through the security measures protecting Circe's Emerald. Each lock and enchantment posed a challenge, but my skilled hands moved with precision and finesse. The emerald's aura seemed to dance in anticipation, as if recognizing the touch of someone who understood its power.
Minutes stretched into eternity as I delicately dismantled the final obstacle. With a soft click, the emerald was finally free from its confinements. Holding it delicately in my gloved hand, I could feel the vibrant energy coursing through my fingertips.
But my mission was not yet complete. I had to make my escape undetected, evading any Choir or enchantments that may lie in my path. The emerald, now securely concealed within a specially crafted case, remained a beacon of power.
Slinking through the shadows, I retraced my steps, navigating the treacherous corridors with the precision of a phantom. Every movement was calculated, every sound muffled, ensuring that my presence went unnoticed.
As I emerged from the depths of Aureus's lair, a surge of adrenaline coursed through my veins. I had accomplished what seemed impossible: an audacious heist of Circe's Emerald from under the nose of a powerful adversary.
With the emerald secured, I vanished into the night, leaving no trace of my daring feat behind. The power of Circe's Emerald now resided in my possession, a relic of immense potential. Its fate, and the choice of how to wield its formidable magic, rested solely in my hands.
Little did Aureus or The Choir suspect that their plans had been quietly usurped. The heist had been a success, an act of cunning and skill that would alter the course of their intricate dance. In the shadows, I contemplated my next move, knowing that the emerald would grant me the power to shape destiny itself.
As I reached the top of the castle, a gust of wind tousled my hair, carrying with it the whispered echoes of Aureus's approach. I could sense their presence, their energy tinged with frustration and anger. It was clear they had discovered the theft of Circe's Emerald and were now in hot pursuit.
Just as I was about to invoke the ancient spell, the very same one that had allowed Circe's spellbound to transform into ravens and traverse the realms, Aureus materialized before me. Their form exuded an aura of authority and power, yet beneath the surface, I could sense their desperation.
"You dare to steal from me?" Aureus's voice reverberated with a mix of fury and disbelief. "That emerald holds powers beyond your comprehension. Return it to me now, and perhaps I shall spare your wretched existence."
I stood on the edge of the castle, the vast expanse stretching out before me. Time and space awaited, ready to be conquered by the wings of the raven. With unwavering resolve, I met Aureus's gaze and spoke with conviction.
"The emerald has chosen a new path, away from your grasp," I declared, my voice steady despite the adrenaline coursing through my veins. "Its power will not be wielded by your hands, for it belongs to a greater purpose."
Aureus's expression twisted into a mixture of rage and desperation. Their outstretched hand reached for me, a last-ditch effort to prevent my escape. But I was quicker, fueled by the magic I now possessed.
With a swift motion, I uttered the incantation, and my form transformed into that of a raven. Wings extended, I took flight, the wind carrying me away from the clutches of Aureus. The space between worlds beckoned, an ethereal gateway to new realms and infinite possibilities.
As I soared through the threshold, I glanced back, witnessing Aureus's desperate grasp falling short. Their fingers brushed against the empty air, and with a cry of frustration, they plummeted into the void, disappearing into the abyss between worlds.
In that fleeting moment, I felt a mixture of triumph and sadness. Aureus, once a formidable adversary, now lost in the vast unknown. But my purpose lay beyond their reach, and I knew that I carried the weight of Circe's legacy upon my wings.
Across worlds and time, I journeyed, guided by the whispers of ancient knowledge and the power of the emerald. As I soared through realms, I vowed to protect its magic, to wield it for the greater good, and to ensure that Aureus would never threaten the balance again.
The adventure had only just begun, and I embraced the uncertainty that lay ahead. With the wind beneath my wings, I charted a course through the tapestry of existence, carrying Circe's legacy forward, and leaving Aureus to face the consequences of their insatiable hunger for power in the ever-shifting space between worlds.
"We have but one flight, there will be no way back to Dellfriar when we land." Cory interrupted my musings. "Where are we going?"
I smiled at the question, for it was obvious. Cory was always there, upon my shoulder. For me there was somewhere I wanted to be:
"We are going home."

Coffee with Captain from dGenNetwork Twitter Spaces today featured Doodles CEO Julian Holguin
If anyone wants to listen back: https://twitter.com/i/spaces/1DXxyveZOwbKM
I've shared some of the Doodles related Q&A below:
Can you tell us a little bit about this Camp experience for those who missed the announcement?
Julian: So Camp and Doodles has been underway for a while. It's definitely been a concept that we've been kicking around since I started at the company and the whole idea was that if you can create an immersive retail experience that brings people into your world and kind of draft off of the success that Doodles had at SXSW and make it more permanent, you can really reach people in a meaningful way. It's why people go to Disneyland, Universal Studios etc. It's a big endeavor to launch a theme park. There are massive businesses that are built around actually standing up these theme parks but there's kind of a hole in the market for every weekend, almost everyday activities you can do with a family or with friends that bring consumers and fans and collectors closer to your experience in a way that's truly experiential. So Camp is a business that has been able to stand up a really incredible solution for that.
I actually discovered it with my family while I was living in Los Angeles. I brought my son to their Nike kids camp and I was blown away. You walk in, it's a specialty toy store, it's got all the viral kids toys and it's kind of like a modern day FAO Schwarz, it's really cool. Then they have this ticketed experience where you buy tickets to whatever the branded theme is, that time in L.A, it was Nike. You take the family through this magic door at the back of the store and it opens up into this 6000 square foot, crazy guided immersive experience where there's actors, they call them counselors that take you through this whole experience that's guided for your family and your kids and they're immersed in the world. It's play, it's fun and then at the end of it is this really cool gift shop experience where people can get a chance to take home the stuff that they just interacted with and some of the energy that they were just able to put into play.
Camp has a network of these stores across the country. They also have one in Atlanta, which just debuted with The Little Mermaid, they have one in New York, which debuted with Disney Encanto, they've done Paw Patrol, they have Mickey and Friends live in Dallas, so they have this whole network. We're opening a new store with them this summer that's Doodles. So we're going to be side by side with some of the best and most beloved IP in the world and bringing what so many people love about Doodles to life permanently. The idea is that we're going to be a specific location for around 3 to 6 months potentially a little bit longer and then that show is actually built to pack up and go on the road. So we'll move to a different one of their locations.
We're making a bunch of new products, our first actual kids merchandise. It's going to be integrated into the experience. The experience that you're going to see is brand new, completely built from the ground up. Anybody that's been to our live events know that we know how to do this and we really do know how to bring people into our world and this is another opportunity for us to also age down and reach a new demographic with kids, parents and kind of everybody in between so it's a really exciting time for us. We believe immersive retail is going to be a massive thing in the future. If yesterday's Apple event actually punctuated anything, it's this concept of mixed reality that is going to be prevalent in our life and the whole idea of immersive retail is to continually use digital product, live experiences to bring people closer to stories, to bring people closer to characters, to bring people actually into the universe that we're ultimately creating and we all know being in Web3 how that is core to the ethos, that's why all of us signed up. We want to feel like we're part of this, so we're really excited. Can't wait for everybody to see more.
Why is Camp the ideal partner versus doing this yourselves?
Julian: I think we do IRL as good as anybody in the world, not just anybody in Web3. I think the elevation that Doodles brought to the space when it comes to IRL after SXSW was a call to action to everybody in the space to kind of level up and you've seen a lot of people, based on what we did start to invest more in these live experiences and try and bring people closer to the actual IP. I think we've been leaders in that regard and we have no doubt that we would have been able to build a really special live experience if we had just done it from the ground up but it made a lot more sense knowing that this is not our core competency to actually partner with somebody to help operate a fully baked retail location. As much as camp is a business that we're completely leaning into, it's also a test for product market fit, one thing that they have is email subscriber lists, customers, real fans of their brand that seek out these kinds of experiences in the cities that they're in so there's already built in marketing value that we have by partnering with Camp, the infrastructure, they know how to operate a store from day to day.
They know the right amount of inventory to order, they know the right way to actually have these experiences flow when it comes to a three hour guided experience and they know how to get the most value for their customers and ultimately out of their customers. So it was a really good idea for us to actually partner with somebody before going all in and investing 100% of our own money into an experience like this and we truly think partnership is the way to learn as much as you possibly can and it's also not that different from the way that massive IP shows up at theme parks and such, there are theme park operators like Merlin Entertainment and what they do is license IP and then ultimately build theme parks around them. So there are very few people that actually stand up their own theme park businesses and actually bring their own live experiences to market. I do think it's something that we could probably own one day but the best idea short term was to do it with somebody that's a true expert in it and kind of shares a similar ethos that we do.
How do you plan to drive people to the Doodles experience vs something like Mickey that's also in Camp stores?
That's exactly why it made so much sense to actually partner with Camp because they have a built in audience and customer base. Right off the bat we're going to have thousands of people that are going to become aware of Doodles instantly just because we're partnering with Camp and going to have a location activated in a particular city. So that's number one. Number two is that that's not going to be enough, we want to try and actually integrate within that city and and the surrounding markets. So what we're going to be doing is a full fledged marketing campaign. We're going to be sponsoring local events, we're going to be working with local influencers, people that have kids, people that don't, we're going to be doing outdoor, we're going to be doing radio, we're going to be getting the message out there about Doodles, but not just about Doodles. The fact that there is this new incredible experience that's coming to market. New York, LA, Miami, Austin, Columbus, Ohio, a lot of these places have a lot of major entertainment things that come by but there's very few things that fill this gap. You can go to Six Flags, Disneyland, you can go to a tour that's coming through town like I take my kid to the Jurassic World tour and it's really cool but there's not many things that are IP driven that you can go to any weekend.
You can knock out three hours with your family, there's just a really big hole in that market in almost every single city. The fact the experience is going to be coming to the city that we're going to is a marketing opportunity within itself. So Doodles is going to draft off of that solution that this experience is actually providing to the market and I think everybody knows this that's been to our events, once you're in, once you experience it, you have a really big opportunity with a brand like Doodles to keep people interested in your ecosystem, to keep people interested in what you're doing. The other thing you kind of mentioned about our events where you see strollers and families around during the day and then at night it's a Diplo concert, we're going to be doing a similar kind of thing with daypart programing where there's going to be basically daytime programing for kids and families and then at night, not every single night but at night there's going to be more adult focused programing where the setting and the scene is a lot more for people that are over 21 and not really in that family kind of setting. So it's going to be pretty cool to see our ability to actually target multiple demographics and try and be a multi-generational brand.
You have mentioned that Doodles is like the Amex black card of the collection. How does that work related to the Doodles Camp experience?
Julian: We've been maintaining this. So essentially the Doodles OG collection, obviously there's provenance associated with it, it's the art that started it all, it's one of 10,000 Burnt Toast but it also comes with this contract that's going to give you the ultimate access in the entire ecosystem. Sometimes access means you're going to get entered for a raffle to be one of the only 300 people that get the Pharrell pack for free. Sometimes it's going to be access to a major live event that we're propping up at a big cultural moment and sometimes it's going to be something like Camp where you are going to get free entry, you are going to get merchandise credits, you are going to get concierge services, meaning when you show up, it's not going to be like somebody walking off the street, the store is going to be waiting for you, you're going to be treated like a true VIP because that's what people that hold the original collection are and we think that's a pretty special thing. We think people strive for that. We think people want to feel special, especially when they're investing money in collectibles and the things that we offer in our ecosystem so if you're traveling to come to this specific location, we want that experience to feel very special to you.
We don't want you to feel like just any normal consumer off the street. You're part of the Doodles universe, the same way that the characters that are being displayed in that experience are. So it's really special to us and really important to us that we live up to that in that our community. The people that are truly in the community every single day, engaging, building. There's a fictional universe of characters and then there's the real world lifestyle of Doodles, the real world lifestyle of Doodles we want to be as known and as much of a part of our story as the actual fictional universe and that's what we're trying to perpetuate with this idea of like white glove concierge service. I always think of it like concierge key with American Airlines or the Black Card with American Express or Club 33 with Disney, it doesn't mean every single thing that we do is going to be free but it means there's going to be a very, very special experience for OGs at every step of the way and this is just another iteration of that.
When you gave the presentation at NFTNYC about a year ago, you talked about immersive experiences, culture, music, is there anything that has changed or pivoted in strategy since that presentation?
Julian: I think a business like us you need to give yourselves agency to pivot as things unfold and as technology develops and I'd say that our vision has not changed at all but the way we get there maybe there are a couple changes but they wouldn't be noticeable to somebody looking from the outside in. I think the way that we think about on-chain loyalty, rewards and engagement and a hub like the stoodio being connected to every single consumer touchpoint, we've always had a vision for that because there's countless examples of major IP in the world that has fans and really loyal supporters that go out and see them at the movies, theme parks, buy merch, play games and the IP actually has no way of tracking all of that behavior. They have no idea who these people are, much less how to reward them for their support and for their loyalty. If you build from the ground up with that mindset, you're going to be able to create a much deeper relationship between you and your most loyal supporters, which is kind of what Web3 is about. So how do we create a brand that can do what any of these major IP operators do with an audience of millions, but we're doing it with thousands and then you build that traditional business model on top of it to create something truly exponential.
That is the vision, that's the game. I think the thing that most people don't understand is that brands today, it's not like you can just go build one tentpole and build a global IP off of that. If you're Disney you can, you can release Encanto, be working on it for five years and have all the distribution to make that a hit but it doesn't work that way for most people trying to build an IP. Most brands need to be present every day where consumers spend their time on social media, in live events, through merchandise, people spend their time in very fragmented ways these days, and attention is very difficult to maintain. So this whole concept of transmedia storytelling is really important and if you think about what GoldenWolf is, they're an animation and creative studio that specializes in advertising content, on digital content, on social content. So knowing that we are going to be a transmedia storytelling brand, meaning we're going to be present in many different areas and we're going to be creating content around all of the things that we do, whether it be Camp, brand partnerships that we have coming up, Doodles Records, anything with the product and the stoodio, new NFT collections etc. What could be a better asset internally than an Emmy nominated advertising and animation studio? We're going to be able to put high quality content out in a way that other people truly just can't keep up with.
I don't mean content for the sake of content. I truly mean high quality content. So GoldenWolf being in the mix is huge for us. Ingi is an incredible thought leader, always thinking about new ways to push technology forward. For us blockchain is obviously what made Doodles what it is and it's obviously what is most interesting to us and how digital ownership brings people closer to an IP but how can you use some other emerging technologies to actually create quicker time to market for animation so you can create more animations? How do you use it to create more immersive environments? Really thinking about new ways to push the envelope and at the end of the day, people connect with stories, people connect with characters, people love joyful entertainment and if we can make those people feel like they're part of our universe the same way that our main characters are, that's when you get something that I don't think truly exists in the world today and it's something we're really excited about so I'd say not a ton has changed, how we get there and the mechanism in which we deliver these incredible stories and bring people closer will always change. That's just kind of the nature of being in the world that we're in but I'd say we have as much or more conviction than when I started.
Did Apple's Vision Pro announcement yesterday strengthen your belief in the future of experiential and immersive experiences
Julian: Yeah. Everybody knows Burnt Toast for creating the characters but he's actually a really incredible product and thought leader in how to leverage technology to create more content. He's been beating this drum for a long time. Mixed reality. He really loves augmented reality specifically and I think what you saw last night was a major step in how this is ultimately going to evolve. That headset is going to get smaller and smaller. The computing power is going to get stronger and stronger. The price is going to get cheaper and cheaper. The technology is going to get more intuitive and anybody that's not thinking about that future is definitely going to get left behind. How long it takes to get to a point where that use case is truly at scale? Who knows? I think it happens faster these days than it ever has before. I think it's actually a really exciting time if you're a creator, especially if you're a creator in a world where you're trying to connect physical and digital. We couldn't be more bullish and we couldn't be more excited for the kind of things that we're actually going to be able to make with a truly great platform like that.
I think the metaverse is a term, it's not what's actually being created. It's thrown around so much and people talk about the metaverse like it's someplace we're going and not someplace that we kind of live in today. Everybody very carefully curates what they put on social media, younger generations care so much about the digital assets that they can acquire like Roblox and Fortnite, people care about what their Zoom looks like, everybody on this Twitter space has very carefully curated what their PFP looks like and what their Twitter feed looks like. We are very much living in a world that has bridges from digital and IRL and what the announcement was yesterday and what Disney is doing is just talking about a much more intuitive and deeper way to make that a reality and to create better experiences. If you looked at the visuals, imagine throwing on a headset and being able to watch a Disney movie like that or to watch a game on ESPN. I don't even think people can really feel the impact of how that's going to be. It's going to be incredible. It's going to be an entertainment experience that just does not exist today and until people can actually feel it, I think there's going to be a lot of speculation, but that showed a lot of promise, we were all pretty blown away watching that presentation.
I love that you've mentioned a couple times the prioritization of content and good content, is Doodles active on platforms outside of twitter or is that coming?
Julian: It's coming up. We are mostly active on Instagram and Twitter. We needed to actually get the GoldenWolf acquisition through and then ultimately integrate the company and the business into Doodles so that naturally just takes some time and what we didn't want to do was just rush to get content out there because it's something that you feel like you have to do. Quality takes time. A brand that's going to live forever and and be timeless takes time. It's not like technology where if you're first and you're quick, you get a leg up. People are always starving for new IP. People are always looking for new stories. People are always looking for new ways to actually connect and feel joy and escape and what we can't do is rush to put something out that doesn't truly mirror or represent the Doodles brand and the bar for quality that we have. Obviously we're going to have a TikTok channel, we're going to have more YouTube content. It's just taking a little bit of time as these things should. I don't want to give you like an exact date of when that stuff is going to happen, but it's all being developed as we speak in addition to the long form, whether that be television or film and then what are the characters names? What are the stories? What adventures do they go on? What is the universe like? You're going to start to see tidbits of that throughout the summer and into the end of the year.
I wasn't even thinking long form. Is that alpha?
Julian: You've definitely heard that before. Of course if your any major IP, you want to figure out a way to exploit that IP in new ways and film, television, longer form takes a longer time and it's something that we don't really feel the need to rush into because it's not like we have everything riding on Doodles being like a smash TV show or a major hit movie at the box office. If you think about the way brands operate today, evergreen social content, narrative storytelling, different kinds of physical and digital experiences, merchandise, true connection to your audience and your community every single day. That's what Doodles is really going to prioritize and in parallel to that, yes, how do we actually get like a bigger tentpole to market?
I think you were hinting to building out the lore of the collection, are there plans to roll out content around exactly what it is to be a holder of these collections?
Julian: That's a great question. I'd say that first and foremost, all the fictional universe and lore for what Doodles is building is going to emanate from our collections. So the characters are going to emanate from the original collection. Some of the fashion inspiration in our universe is going to emanate from Doodles2, it's going to be very clear to anybody that's been around for a while or anybody that knows Doodles that the world that's being built is being built around the NFT's and the community is going to have several ways to take part in that and then as far as actually marketing what it means to be an OG holder, there's going to be a ton of content. There already has been a lot of content if you look our marketing pages and some of the tweet threads, some of the animations that we've made to kind of take people through whatever experience we're promoting at the time but when it does come to the actual membership itself, that's something that we're going to continue to prioritize. There's going to be a lot of content made around that and it's something that we talk about internally every day.
If you look at another collection, DeGods. They seem to really be leaning into these seasons. What I mean by that is the content they create, they sort of build up to the utility for months
Julian: That's not entirely our strategy to speculate on what utility may or may not be, I would just say that what we found works for us is kind of just showing people, iterating and testing and we think that's a really good long term strategy for us, especially because we're in a position where we're able to do a lot right now because of the capital that we raised last year. I think the utility is going to get very clear and the ecosystem is going to become very clear soon. I think people are already starting to feel it with the launch of the stoodio, the Pharrell Pack, Pharrell himself becoming a Doodle in our universe, Camp and some of the other partnerships that we're getting ready to announce that are going to happen this summer and into the end of the year so I'd say that we want people to feel like more is coming, but we also don't want to over promise and have people have outsized expectations because I think a lot of projects fall victim to that.
We're also fans of what a lot of other people are doing and we study what other people are doing to try and take bits of that and see how they could fit our business. I think the thing that's really exciting about Web3 right now is that not everyone is doing things the same way. Specifically in the PFP collections, everybody is kind of establishing their own lane and doing really incredible work across the space and I'd say that should be an exciting thing because what works for one project won't necessarily work for the next. It's pretty cool that we're all collections, we're all NFT's, we're all Web3 but at the end of the day, the track that we're taking and the businesses that we're creating are actually really different. So I'd say that we look at these things, it's just figuring out when and why to implement them or activate them but I think mainly what you're saying is, how can you make sure that the utility isn't really going under the radar and it's something that we're championing as much as the big brand moments and that's something that is 100% a priority for us and making sure that the community feels and understands what it means to be a holder.
I love that these projects are taking different paths and while I think others will follow, I do think it's going to take a big brand like Doodles kind of chart that blueprint in a sense.
Julian: Yeah and others others have followed. When Jordan, Evan and Scott started the company, they were very clear that this was an IP that they were going to develop over time and making sure that the community was part of that IP. SXSW was kind of a statement that Doodles made. NFTNYC was a statement that Doodles made and you've seen a lot of projects actually try and do what we are doing. Everybody knows Doodles may not have been the best at talking about what we're doing but at the end of the day, I think no one's going to be able to deny that there's a really thriving ecosystem, company and community being built around this IP come the next few months when all that's about to release is going to release. It's a very exciting time to be a Doodle holder. I feel like Doodle holders are going to be very proud to represent the brand and be ambassadors for the brand and I think we're really proud that the community that has stuck around and truly engaged with us this entire way is going to feel very good about where we're going. It's an exciting time for Web3. I think you're going to see a lot of really interesting work. I've always said that last year was kind of the year of shipping promises and this year going into next year is really going to be the year that you actually start seeing all of us ship product and you're starting to see some really incredible work unfold and we're just happy that we still have a chance to do that.
Can we expect any other in real life activations whether it be Art Basel or otherwise this year or is it all focus on Camp?
Julian: Camp is going to be the main focus from an investment perspective, meaning most of what we have for live is going towards Camp and building that out as a true business, with that being said we love popping up at other IRL moments because it's a way to onboard new people into our ecosystem and also reward key community members. What we did at Something In The Water was we basically set up this 30 by 30 space. We called it Doodle Beach. There was a merch shop that promoted our collaboration with BBC Ice Cream and then there was another space where you could actually test out the Doodles2 product experience on screen and go into the stoodio, mess around a little bit, learn more about Doodles and what it is. We were able to onboard a lot of festival goers that really didn't know anything about the brand beforehand but we were able to break off 50 super VIP tickets with incredible access to the stage and raffle those off for Doodles community members. We're going to be doing that again at other moments this year. Exactly which ones, we're not prepared to say yet but that will always be a focus for us. What we wanted to do was create an activation that could be easily packed up and travel so we could take a similar thing from event to event versus trying to go completely all in on a SXSW or Art Basel, not to say that's not going to be something we do in the future, we're just trying to scale our live event footprint and our activity a little bit more.
Was there ever a discussion about creating permanent Doodle-branded locations, inspired by the success of Doodleputt, such as Doodles laser tag or Doodles go kart racing?
Julian: I think the thing that we wanted to kind of steer clear of is having any association for Doodles that was not specifically about Doodles, the characters and the stories. If the first time people are experiencing Doodles is through golf or laser tag or bowling you kind of run the risk of people thinking that's what it is. If you think about Mario, the characters, the stories, people were very familiar with what those were before Mario Kart or Mario Golf or Mario Tennis ever came out, I do think there's an opportunity for that in the future. I think people loved Doodleputt, but I think the strategy there was really more about how do you create something splashy and noteworthy at Art Basel that people were truly going to care about doing that was very social but we believe that Camp and the experience that we're creating there is a much better format for where we're going but the idea of Doodles popping up with other sorts of immersive experiences is definitely interesting and something we are actively working on what it looks like to bring other experiences to different markets around the world and it's going to continue to be a core strategy of ours. We're going to learn a lot with with what we do at Camp and we're going to use that data to continue to build out the ecosystem.
Have you considered creating a weekly series on platforms like YouTube, where kids can tune in to watch and engage with the brand on a regular basis, even though you mentioned that you're not pursuing a Doodles movie or animation?
Julian: To clarify, a movie, doodles animation, that's actually something we're actively working on. It's just there's no rush to get that out there. When it comes to YouTube, I'm a parent that utilized Cocomelon and Paw Patrol and all these different things on YouTube. So I totally get it. I think there is going to be YouTube content very soon, but there's also going to be TikTok and more Instagram content and there's just going to be a stronger throughline for what we're creating and why, you're going to start to see the story and some of the characters unfold. Not all at once. I'd say that the minute to two minute long videos is something that translates more of like a webcomic, animated series, physical book or social content? All of these things are are being developed right now. So I'd say what you're hoping for is exactly the work that GoldenWolf is doing. Whatever format it comes in I'm not going to guarantee on the spaces today but you can just rest assured knowing that this is 100% top of mind and as big of a priority as anything in the company, probably the biggest priority in the company.
You were referencing OG holders, are these benefits for those that held for a while or just a Doodle holder in general?
Julian: We do believe that if you own an original Doodle, you're entitled to the kind of the standard benefits that we're building around membership in owning that Doodle but we also are working through ways to make sure people that have stuck around and engaged are rewarded. If you look at the Pharrell pack, the criteria to actually enter the raffle, you had to have had an OG Doodle, you had to have dooplicated a Doodle, opened a Genesis Box and you had to have signed up for an account with the stoodio. If you did not have an OG Doodle, you were not eligible for that raffle but if you didn't do all the other things that kind of engaged members of the community do, you also couldn't be part of that raffle. So I think you're going to start to see things where all Doodles holders get an opportunity for something. Only Doodles holders that have taken certain actions are going to get an opportunity for something and kind of everything in between.
How do you plan to onboard individuals from the immersive camp experience into the Web3 space?
Julian: I'd say that's exactly what we're building and our vision. How do you build a on-chain collectible ecosystem that connects to every single consumer touchpoint? We kind of look at Doodles as a funnel where most people are going to come into contact with us through engaging with content on social media, showing up at experiences like Camp, seeing Adidas or Pharrell post about Doodles etc All of a sudden those people are aware of Doodles and we have an NFT product in the stoodio that feels a lot more like skinning a character in Fortnite or buying something in Roblox where you're basically outfitting your avatar in whatever activation you saw. So like Adidas, Pharrell, you can now buy the stuff that they were representing, build your doodle in that likeness. There's no friction to get in, signing up for a wallet and getting into the stoodio is as easy as setting up an Instagram or Spotify account. It's not even just about it being easy, it's familiar. Getting a metamask, holding a seed phrase, buying crypto, that stuff is not familiar and it scares most people.
We know the technology is ultimately going to get better but in the meantime we want a meaningful way to actually onboard people into this hub that we've built in the stoodio. So if you can create media, experiences, attention you can actually bring them in to your hub, to your collectible ecosystem through a really easy to use product. A product they care about that helps them represent themselves, they get to be a Doodle the same way that our main characters are going to get to be a Doodle. Now they're in, they're going to learn more about blockchain, they're going to learn more about Web3 but they were able to get out of their own way because the technology was invisible. They weren't scared of NFT's and crypto the first time they integrated with Doodles because they had no idea that's what it was. That's a really interesting opportunity because right now for a lot of people it's kind of the boogeyman and if you can help people understand it isn't about the headlines that you read, it's about a better technology stack to create a more meaningful relationship between supporters, collectors, community and the IP itself.
None of the rest is going to matter to those people. Our goal is ultimately to have the entire collectible ecosystem connect to everywhere that people are experiencing the brand. You're going to see that with Camp. You've seen that at all of our live events, if you were a Doodle holder at Art Basel, at Doodleputt, you were able to flash your badge at different activation pillars and it would make a noise and you would get access to different shots, a door would open up and you could actually hit it through the secret passageway and give you an edge over somebody that didn't have a Doodle, you were able to display your Doodle in certain areas in the actual experience itself. So we kind of look at it like it's in real life, it's digital, everything's connected. That is what we're building right now and we really want to make sure that you're giving people as little friction as possible that don't know much about us or the space as a whole.
Beyond GoldenWolf is Doodles looking at other acquisitions in the space?
Julian: We're always looking at acquisitions. There's always an opportunity to bring companies in that are either struggling or thriving but by bringing them together, you create an exponential effect. Any time we look at an acquisition, it's always how can we create one plus one equals three.. GoldenWolf is not just about ingesting a really great creative team. It's how can we reinvent their company to create a much better version of GoldenWolf while at the same time creating a new world for the development of Doodles IP. So I'd say that to the extent that any Web3 IP, any underlying infrastructure is interesting, we're definitely all in on on those ideas. We brought in all the engineering and product resources from a from another Web3 company that was struggling earlier this year. It wasn't publicized or anything but it's always something that we're vetting and looking at. I'd also say joint ventures and partnerships, we want to be vertically integrated and own the relationship with our community as much as we possibly can but that's not to say that we're going to be experts in every single area we want to operate in so partnership and joint ventures and trying to scale businesses together is always something that's top of mind for us so yes, absolutely. We're always looking at that.
What does Doodles look like in two years?
Julian: I think in the context of Doodles. Doodles is a lifestyle brand that people engage with and are a part of every day. People use it as their PFP, people buy the merch, they communicate with each other, you actually build more content off of the IP, people are starting businesses based off of the IP. Doodles is very real and present in our everyday life and the idea that there are community members where as the brand scales, those people, their interests in the company or the brand scale as well. You're running that parallel to a fictional universe of characters, who is our Buzz Lightyear? Who is our Woody? The fact that there are community members that will be known in the community and the story of those community members just as much as who our main characters are I think is really special because then you could take a fictional universe and a lifestyle brand and have them crash into each other at times.
If you look at the end card for the last trailer we did promoting the Pharrell Pack and Stoodio, it was really cool to see because you saw Pharrell as a Doodle. He's a real person in the real world, but he is now a character in the Doodles universe the same way Lady Gaga and The Weeknd have done things like that with The Simpsons. They're real people but they're in this fictional universe. You saw our main character, the mascot and you also saw a bunch of characters that you might not know, it could be someone from North Dakota or Hong Kong or Tokyo or Miami and the whole point is that they're living in this same universe together. When I think about IP developed from the ground up in Web3, especially when it comes to what Doodles is doing, that concept of digital identity delivered through a brand and the community being as much a part of our universe as the fictional characters that are ultimately going to scale to millions. That is what I think is really interesting about what we're building here and that's why I think the the notion of building a business with your core people is so special and something that doesn't really exist in in the world of IP today.
Can crossovers between real-life and digital formats create a compelling and unique experience?
Julian: If you think about your relationship with Mickey Mouse, you watch the shows, maybe you go to the movies. I don't think he's really at the box office anymore but you buy the t-shirt, maybe there's some games, you go to Disneyland. It's really great but there are going to be people in our community that are like Mickey Mouse, right? Like people.
Look at Doodlien, the holographic alien. He minted it. He's turned down massive offers. He is one of the biggest champions of the brand and if you're in Doodles, you know who Doodlien is. That's all part of the of the story of Doodles. People aren't just falling in love with the characters and the stories. They're also falling in love with the process and how it all came together because they feel truly invested in it. That's really special and and I think that's going to be the thing that really, really separates Web3 from a lot of the other IP out there.
I think the main thing I'll sign off with is, Doodles is doing exactly what we said we would be doing at NFTNYC last year. It takes a while to build businesses that truly matter and to build brands and characters and stories that truly matter and then to bring a community closer to that entire experience. I think people are going to be really proud to see what's coming next but very excited to see all the positive reaction and engagement we've had on the timeline recently so appreciate the time today, guys, and we'll talk again soon.

All games will require payment to the Game Master at a rate of $25 USD per week per player via Paypal. Roll20 is not responsible for any payment transactions and cannot enforce any private arrangements.

Hello ladies and gentlemen and any other nonbinary members!

My name is Peyton, and I am a full-time professional dungeon master. My focus is player-built worlds. This means session 0s are long sessions where a player can control the aspects of the world around their characters' origins. All way down to your families now - back up to the name, government, and style of the nation that they are from. It is a team collaboration from the ground up. For players joining in games that are already in progress, you will have the same options for the original players did as long as you don't overwrite what has already been written into the canon. I currently DM 7 games with 24 players combined with some even opting to play in several games. We have a tight nit community of players, many of which date back years.

About My Games

• Tuesday (Untitled Game)
• 8 PM EST
• 4 Player Slots Avalible
• This game is brand new. As a result we will go through a session zero where the players get heavy say over the setting of the game before we ever get into playing the game. The players can design as much as they want before I get started.

Contact Information

First, please note that direct message via reddit is the slowest form of contact for me. You can still do it if you like but it may result in over 24 hours before the response. Discord: pjm

Group Rules

1. Be kind to one another.
2. We will play as long as 75% or more of the group is present.
3. You don't play - you don't pay.
4. Respect each other's time - and don't be late.
5. Three strikes of any rules and you will be removed and blacklisted from all future games.

Services I Offer

1. I do this full time, so I am always home to answer questions.
2. I will be in the Discord server starting 1 hour before the game start time.
3. I am a trained graphic design artist so I will be designing both world and battle maps - as well as letters, emblems, and other handouts custom for each game.
4. I will run optional 1-on-1 sessions leading into the campaign for a standard fee. These can also be done for everyone during time skips during the campaign.
5. Sessions will be 4-5 hours.
6. 1-on-1 Sessions will be 2-3 hours (paid at $15 USD dollars a session.)
7. Server Boosted Discord Server for better audio/video quality.
8. Games are streamed and uploaded for future rewatching.

Character Creation Rules

1. No character can be more than 2 classes.
2. All rules may flex for the player's benefit. If you would like to bend or break a rule, please let me know.
3. Most games will start between levels one to three unless stated otherwise.
4. Stat generation will be one of several systems.
5. Extended Array - 20, 16, 13, 10, 8, 5
6. Roll for stats - 4d6 drop the lowest. (Lots of different tweaks to this system)
7. Standard Array - 15, 14, 13, 12, 10, 8
8. No custom subclasses.
9. No custom classes except the following. Blood hunter by Matt Mercer, Gunslinger by Matt Mercer, Lingering Soul by Matt Mercer, & Illrigger by MCDM.
10. Pugilist by Benjamin Huffman
11. Spell Casting Modifiers can be changed to any stat. This includes core die for certain martial classes. (i.e. Monk can change the base dice off Wisdom)
12. Everyone gets a free level one feat.
13. Variant Human is banned.
14. Feats must be either 5e or ONED&D official.
15. The following list of feats have been banned. Elven Accuracy & Gunner
16. Backgrounds can be anything and do not have to be logical for your backstory.
17. Everyone starts with 50 gold. No more. No less.
18. Starting Equipment. (No starting wealth)
19. We always roll for HP. The minimum roll is a 2, you will never get a 1.

How I Run the Game

• I tend to think very logically about everything.
• The difference between Perception and Investigation checks is the difference between how specific you are about looking for something. If you are looking for a person in a crowd for example - it's an investigation. If you are just looking for anything in the crowd - it's perception.
• I will use Insight checks to help your PC piece things together if needed.
• We use Discord for Voice (and video which is optional) while using roll20 for the game.
• By default, I don't track spell components unless they have gold value.
• By default, I don't track ammunition, food, or weight (within reason)
• I use Matt Mercer's resurrection rules.
• By default, I do not include homebrew rules other than what is listed above - but some games do have some.
• We are in the process of integrating and trying out the new ONED&D Rules

How Players Impact My Games.

Once a starting group is found we push forward into session 0. This is not your normal session 0. It will be the length of a normal game not just be about making characters. We will first state by asking questions about the settings, so the players control the overall theme of the setting. Then we start looking at characters and after that, we talk about any rule changes we want to make for our game. The players also get to make choices about the area they come from so they are more intertwined and natural. Then I finish the setting based on this feedback.
Below is a list of questions players should be prepared to answer for this session 0.

• What time period are we playing in?
• What level of magic is available in the setting?
• What level of science is available in the setting?
• What is the economy like?
• What is the government like?
• Do the other planes exist?

Many other questions will be asked that may only become relevant depending on what the answers before that are. This is what makes my games special, and I hope you would consider joining us.
Application Response:

1. Name
2. Age
3. Timezone
4. Experience with D&D
5. Experience with Roll20
6. Favorite Food
7. Add me on discord: pjm

This is probably a more US centered sub, but I'd greatly appreciate the input of a seasoned landlord from anywhere. Last year I started to manage the rental properties for my grandfather. I'm pretty inexperienced but I guess it's been going alright so far. For me it's the first time dealing with a situation like this, so please tell me if you think I made some mistakes.
A tenant, let's call her tenant A, is moving out this month. On saturday tenant A tried to wash a rug (about 24×72 inches) with a hard rubber back. She stuffed it into the washing machine she shares with the other 4 tenants in the building and went up to her apartment after starting the washing cycle.
Later, another tenant, I'll call her tenant B, suddendly noticed loud banging noises. At first she assumed someone was practicing on drums, but she soon realized the noise was coming from the washroom in the cellar. She decided to check what was going on and found the washing machine banging and vibrating oddly. She immediatly cancelled the washing cycle and informed tenant A.
Unsurprisingly the device wasn't working anymore. Tenant A told tenant B she'd tell me after the weekend to fix the machine.
Monday morning I got a call from tenant A. She told me she couldn't wash her clothes because the washing machine wasn't working anymore. Of course there's no word about what had happened a few days prior. She offered me to call the service provider of the washing machine herself, but I was going to visit the property anyway this week so I told her I'd do it myself. For some reason she wasn't too happy about that, but I just assumed she wanted to have it fixed as soon as possible.
So I immediatly called a technician and made an appointment. To my surprise the technician didn't show up on time. Just as I was about to make a call, tenant B tells me that tenant A already met with a technician a few hours ago. At first I thought I mixed up the time, but after talking with tenant B some more and making a few calls I found out that tenant A rescheduled my appointment with the technician. Tenant B also told me what actually happened the day the device broke down.
The collegues of the technician at the office assumed tenant A was allowed to do this because she was authorized before to let them fix other devices in her apartment.
My grandfather wasn't really actively managing the property in the last few years and regularly let his tenants give instructions to service providers. He paid pretty much any damages without question (worst one was damage from flushed diapers). I stopped this practice as soon as I took over the property management, but I guess tenant A didn't get the message and felt entitled to draft her own narrative.
Tenant A doesn't think she did anything wrong. She insists that the device was faulty before and her rug was perfectly fitting the machine. Her description of the rug is very different from what tenant B told me, but tenant A can't show it to me anymore because she "already put it in a box and moved it to her new place".
Tenant B is absolutely sure that tenant A broke the machine and doesn't think the machine was faulty before. She told me tenant B must have violently forced the rug into the machine to make it fit. The technician didn't want to point fingers, but he told me it was unlikely that proper use could lead to damage like this.
Fixing the machine costs around 800$. The device isn't new, but only just a bit over half its expected service life. Sadly there's no warranty on it anymore. I'm also currently forced to modernize the building because we've recently gotten a lot of regulations regarding energy efficiency, so buying a more efficient machine might be a good alternative to repairs. Though in Swiss tenancy law you get much less from a tenant if you replace a broken device with newer model instead of repairing it.
TL;DR: tenant breaks washing machine, reschedules my appointment with a technician and denies any wrongdoing.
As a relatively inexperienced property manager I'm not really sure what's the optimal strategy in this situation:
Should I try to make her or her insurance pay some of the damages right now or just retain her deposit when she moves out in a few weeks? Latter is probably more risky but less work for me.
This might depend too much on local laws, but how do you guys usually try to prove malicious usage? Is it enough for me to point to the testimony of tenant A and the technician?
Should I wait with confronting a tenant in a similar situation to get a head start if it comes to legal action? Or do you try to be as open as possible to find a common solution?
Any tips on how to avoid such situations in the future?

I've got email from [[email protected]](mailto:[email protected]).
I picked Standard Processing and as per the process I scanned and uploaded all my supported documents online. I used FedEx and shipped my passport, checklist and USCIS Appointment Confirmation with stamp to the VFS in New York.
What does this email mean and why they can't find my supporting docs?
I printed all of them and shipped just now to VFS but since this is Standard Processing they most likely wont scan them for me..
Anyone here had same issue?
​

Dear
UK Visas & Immigration is in receipt of your recently submitted visa application. We note that your biometrics have been provided at a DHS Application Support Centre (ASC), however, we do not appear to have received your supporting documents to enable us to proceed with the processing of your application.
If you still wish for your application to be considered please send your documents including your passport to the scanning hub within the next 5 working days to the following address:
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Kind Regards

Updated Tuesday @ 7:42 PM
CURRENT ATLANTA AIR QUALITY: 101
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Atlanta Barves : T/W/T (0-0 T)

Tuesday @ Atlanta Braves: 7:20 PM
• ⁠10% chance of precipitation
• Some clouds and sun, with a slight chance of a stray t-storm but I think we’ll be alright
I stg these fucking southern storms are going to be the death of me. We’re looking at about an hour or so of rain before it lets up, so we’re looking at around a 9:30 start time if we get going again based on the forecasts I have
8 PM update: the rain is stopping soon, we should get going around 8:15 or something
• Upper 70s
Game: 86%
Wednesday @ Atlanta Braves: 7:20 PM
• ⁠2% chance of precipitation
• ⁠Beautiful all day, some clouds into the evening but no threat of rain
• Low 80s
Game: 99%
Thursday @ Atlanta Braves: 7:20 PM
• ⁠10% chance of precipitation
• ⁠Clear with occasional clouds, however there will be morning showers so something to monitor
• Upper 50s
Game: 93%
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Pittsburgh Pirates: F/S/S (0-0 T)

Friday @ Pittsburgh Pirates: 7:05 PM
• ⁠32% chance of precipitation
• ⁠Afternoon showers, but a cloudy evening (will be monitored).
• Additionally, the Canadian wildfires have been sending the upper east coast area smoke and smog so that may still be happening on the weekend
• Mid 50s
Game: 76%
Saturday @ Pittsburgh Pirates: 4:05 PM
• ⁠5% chance of precipitation
• Cloudy skies with no rain threat (see note from friday on smoke/smog)
• Low 60s
Game: 98%
Sunday @ Pittsburgh Pirates: 1:35 PM
• ⁠60% chance of precipitation
• Cloudy with rain throughout most of the day
• See note on smoke/smog as well
• Mid 70s
Game: 35%
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New York Yankees: T/W (0-0 T)

Tuesday vs New York Yankees: 7:10 PM
• ⁠40% chance of precipitation
• ⁠Showers through most of the afternoon and evening
• This forecast is a week out, so I wouldn’t be too worried yet
• Low 60s
Game: 45%
Wednesday vs New York Yankees: 7:10 PM
• ⁠20% chance of precipitation
• Partly cloudy with very low risk of rain
• Mid 60s
Game: 86%
Revamped the words for percentages, feels like 76% is a better indicator then oh it’s likely we play
As always, don’t just use this, if you’re going to a game, make sure you also check your favorite weather service for a forecast because this may have not been updated yet
Thanks everyone!