Hydro dipping film
The world of Hydrographic transfer printing
2013.12.31 17:05 N204life The world of Hydrographic transfer printing
Trying to get some people together to talk about all hydrodipping related write ups, tips and tricks, tanks, and paints and primers
2020.09.07 12:32 Stoopkidnahmean Hydr0dip
A subreddit for hydro dipping enthusiasts to share and promote their hydro dipped art and to promote the art form by sharing tutorials. If a work is not yours be sure to give credit to the artist.
2023.06.11 01:54 ecogardener Seaweed Extract for Plants and Hydroponics
| Hydroponic garden enables growers to produce various crops all year round without soil. This gardening method promotes faster growth and higher yields than the traditional in-ground growing system. It also uses less water compared to conventional soil-based gardens. That said, hydroponics depends on an efficient system to grow plants. Seaweed Extract for Hydrophonic Contents [hide] - What is Seaweed Extract?
There are six different types of hydroponics systems. These are: Wick System: Nylon wicks are set up around the plants to deliver nutrients. This system does not use electricity, pumps, or aerators. Water Culture: The roots of the plants are submerged directly into a nutrient solution. Just like the Wick system, the water culture system does not require pumps and aerators to set up. Ebb and Flow: AKA flood and drain, ebb and flow has a timer that switches the pump off at a scheduled time. When the timer goes off and the pump is switched off, the water is drained from the grow beds and flows back into the pump. Drip: This system sends the solution into the plant base by being pumped into a tube. The tube has a drip emitter at the end that controls how much solution is released to every plant. The flow of solution can be customized for every plant. N.F.T. (Nutrient Film Technology): The solution is stored in a reservoir and pumped into sloped channels and the roots of every plant. The excess solution goes back into the reservoir. Aeroponic systems: One of the more complex hydroponic setups, the plants are suspended in the air, and the solution is misted below the plants. The misting components are connected to the water pump. Read: The Future of Gardening: Hydroponics Revolutionizing Agriculture Because water is primarily used as a growing medium in hydroponic gardens, different fertilizers support plant growth. One of the most popular fertilizers for hydroponic gardens is seaweed extract. submitted by ecogardener to u/ecogardener [link] [comments] |
2023.06.10 21:25 Smoking-Bandit Hunter x Hunter: Ratings & Thoughts (51 - 60 + Phantom Rouge)
First time watcher,
no spoilers beyond the final episode listed, please. And preferably no "hints" of what's to come either. I'm aware seeing the movie where I did is controversial, but please also refrain from telling me whatever it is the movie supposedly "spoiled" for me by seeing it in this order. I have heard they do that, but as of now, I am still unaware of what that would be. Let's keep it that way :)
51. A × Brutal × Battlefield - 4/5 (Basho and Melody is such a funny pairing due to how drastically different they both are, looks AND personality wise. And their discreet outfits make it even funnier. Anyway, Neon's fortune telling ability finally plays a role in the story. Only the ability though, not her as a character. She's just an annoying ditz who's selfishness causes problems for others. In this case, she straight up aided Chrollo with a fortune that'll likely ensure the Phantom Troupe a more successful attack. Speaking of; THAT'S Chrollo? He looks drastically different from before! His face looks way more round. But it probably isn't, and it's only the let down hair that's fooling me.
Oh my lord, seeing the assasin who's been half-eaten by Nen fish was absolutely cursed. But it's supposedly completely painless, which is a bit of a relief, because that actually makes it less cursed. He passes immediately as the fish disappear, so, pretty much instant. That's more merciful than I'd expect of Chrollo. I definitely enjoyed the atmospheric ending where there's no sound effects but only dramatic music during the Phantom Troupe's attack. It struck even harder that "shit's going down" when the music kept playing even during the end credits. Hunterpedia kinda ruined the mood, though...)
52. Assault × And × Impact - 4/5 (I find it kind of endearing how much Light Nostrade has begun to trust Kurapika. He's straight up begging him to stay, not demanding. A much nicer employer than I was lead to believe at first. It's hard to decipher how Kurapika feels, because he acts like it's all business, but I'd wager he's growing a closer connection to the Nostrade family than he realizes. Partially because I'm not sure why Light and Neon would even get so much screentime if that weren't so. Though he was obviously not very happy that Light forced him back just as he was about to face Chrollo. No issue though, since Zeno and Silva is on that case. That was definitely an intense fight, and it shows how powerful the Zoldyck's really are, if even the leader of the Phantom Troupe, the group who has been talked about as all-powerful, is surviving the fight by a hair.
Side note: That's one Albert Einstein-looking ass doctor. I always get suspicious when characters look distinct as opposed to generic, because it naturally makes you assume they'll actually be important, otherwise why would they look unique? That said, this is probably not one of those cases, and he just happened to be a distinct looking background character. Also, I find it amusing that Hisoka isn't even taking part of the attack. He's just looking)
53. Fake × And × Psyche - 4/5 (Illumi's not just ruining things for his brother, but his father and grandpa as well, I see. That was a bit of an anticlimactic end to the fight. It feels a bit weird to see Chrollo so talkative and casual in tone. From the little I've of him, he came off much as more of a calculative man of few words, not someone who would ask smug questions or fall down and groan after a fight. Would sooner expect him to act like it was barely a scratch. The heist plan itself is pretty calculated though. But on the other hand, I also don't get why they bother hosting the entire auction only to pond off fake items, given Chrollo is able to use Owl's shrinking cloth ability. They can just steal the stuff and leave.
Wow, the latter half of this episode sure was depressing (barring Leorio and Zepile getting drunk). Seeing Kurapika defeatedly bid on the Kurta eyes and all that. To be fair, he could have just NOT called Light and mentioned that the auction was active, but I digress. I suppose he'd rather Light owns them than someone else. I'm glad that I finally got to experience the full context of the "Kurapika is now drowning in an indescribable emptiness" meme at last. Also, was Hisoka really trying to call Kurapika while he's within hearing vicinity of the entire Phantom Troupe? I guess it's a GOOD thing Kurapika couldn't pick up)
54. Fortunes × Aren't × Right? - 4/5 (Wow, the animation of Gon and Killua playing around and having an eating contest was oddly expressive. That bit of Kurapika laughing, too. Wholesome moment. Anyway, this episode is mostly just the Phantom Troupe bickering in their hideout, which is entertaining in and of itself, because they thought they were such bigshots, and now they're fretting about ONE guy. There's some infodumping about Meteor City, which is like, a literal giant garbage dump? That people live in? Not much of a "city" if you ask me, though they do say the population is quite large, so there's gotta be housing around there, surely. But all we see of it in this episode is just miles of trash.
Hisoka being discovered as a traitor is an interesting note to leave on, I guess. I liked the little emoticon of himself he texted to Kurapika. ⭐-_-💧)
55. Allies × And × Lies - 3/5 (Hisoka pretending that the Chain User has set a condition on him to avoid suspicion was incredibly clever. It's just amusing to see him play both sides. Much like the previous episode, this is mostly the characters sitting around and strategizing, but this time it's the protagonists. I'm a little confused why Gon asked Kurapika to put a Nen condition on him. Did he want the condition to be that it'll kill him if he squeals, or one that'll kill him if he doesn't do the mission? It's probably the former, but I guessed the latter initially because he seemed unsure about the mission, so he could have wanted a condition that would end him if he didn't do his part, essentially giving him no choice. Also, it's funny that he's doubting that he'll be able to distract the Troupe for one mere second. ONE. A valid concern given how perceptive they are, it's just crazy that even a seconds distraction is a tough task.
That aside, I adored the wholesome moment when Kurapika shows appreciation for his friends and admits that he would never use his Nen dagger on them. Instead, he's just emotionally manipulating them. LOL. Side note: When Neon and her bodyguards were leaving, did Squala and Eliza use telepathy to speak to each other? What the heck was that?)
56. Beloved × And × Beleaguered - 5/5 (LOL at Basho falling in the opening. Anyway, my goodness, this episode is beautiful. The dark sky, the rain, the shiny and dimly lit streets etc. Even the water droplets on glass windows look so good that you have to appreciate them. It all makes it so atmospheric. And it sure helps that the episode itself is very thrilling. I loved that Kurapika called Melody in to help the mission, I really enjoy her. She and Killua stalking the Phantom Troupe together was exciting. I find it amusing that the Phantom Troupe, the most notorious deadly gang of thieves in the world with insane Nen abilities, are casually using public transport.
Kurapika, Gon and Killua tailing the troupe was even more exciting. The chase got so intense and I loved how casually and abruptly it ended with Gon revealing himself to save Kurapika's skin. Pretty convenient that Killua just arrived in the same alley as Kurapika so that he could exit and make them none the wiser that there was a third person there, though. But I liked that too. I thought they were going to lie and say that they were following them because they changed their mind about joining. That would have probably been more clever than pretending to be unaware that the bounty was off.
I can see now why Squala got that scene saying goodbye to his girlfriend in the last episode, and the one here about looking for a new job. It was all to take him away at the end anyway! Dammit! Anyway, while I feel pretty bad for him, I kept thinking more about those poor dogs. I'm glad the Troupe didn't hurt them, and that Squala just let them walk away during the confrontation, but what's gonna happen to them now? Are they going to live as strays in the streets of Yorknew City? That's so sad
. Anyway, Kurapika's outfit in this episode is epic)
57. Initiative × And × Law - 4/5 (Why did they play Just Awake on the radio in the beginning of this? Pretty distracting. Regardless, Leorio giving coded clues under the guise of an angry businessman was very clever. I loved everything about this plan. It's so amusing to watch the Phantom Troupe frantically keep on their toes out of fear. It's always satisfying watching characters with such huge egos get humbled. And boy do they get humbled here. Kurapika bosses them around like crazy through the phone, and it's funny how powerless they are to do anything about it. I especially loled when they put Killua on the phone, he started squealing about them planning to disobey, and they immediately yank it away from it.
Nobunaga being happy to see Gon and Killua and still wanting to recruit them was pretty... Nice? Like, he genuinely seemed glad. This is why I think lying about wanting to join them would have been a pretty good angle to take, but I digress. Kurapika mocking Chrollo for being "fooled" by his female disguise is pretty funny given, you know... He still looks and sounds like a woman regardless of the wig)
58. Signal × To × Retreat - 4/5 (That was honestly a pretty anticlimactic end to the arc. Though it's obviously not the end to the Phantom Troupe's story, just the Yorknew arc, so it makes sense that it doesn't feel like a satisfying finale. There's clearly gonna be more. It felt like there was a message here that implies Kurapika's revenge spree is wrong. It's not stated too blunty, but Gon and Killua say that they don't want him to pursue revenge like this, and the fact that the Phantom Troupe were repeatedly more humanized and shown to be like a family who actually care about each other makes me assume that something like that was the intention, and I honestly couldn't agree less. It doesn't matter if Nobunaga is sad about Uvo or Pakunoda cares about Chrollo, these are all still dangerous murders who deserve to be locked up. But since that's impossible given their abilities, I don't think Kurapika would be wrong to exterimate them.
It's pretty funny that I praised Kurapika for not being like a typical hero protagonist with an "I don't kill" rule, but then he goes on to still abide by a classic "honor code" where he'll actually stick to his words, even though he's dealing with, again, dangerous murderers who will continue to murder once released. Though it's still satisfying enough that he managed to kill two of them (even if the latter wasn't direct) and prevented Chrollo from being able to use Nen or see the Troupe again. And I had a huge laugh at Hisoka's baffled reaction to hearing Chrollo's news)
Movie. Hunter x Hunter: Phantom Rouge - 4/5 (That was a suspenseful and atmospheric opening sequence. Illumi was genuinely terrifying when he rushed towards those innocent children. I was thankful when Killua woke up because that meant it was all a dream. But then I realized it was probably a real memory, so, yeah... Very unnerving to say the least. Arguably more unnerving was the flight attendant's face when she got mad at Gon and Killua... That was ghastly. Though I can't say I blame her; Their "argument" was literally about NOTHING.
Kurapika's backstory wasn't as much of a "backstory" as I was expecting, only one day he spent with his friend Pairo. But I don't mind, since it was a nice sequence. I always like to see smug bastards like the ones who harassed Pairo get their ass kicked. It kind of negates the satisfaction when it's revealed that the Elder hired them to do it as a "test" though, but it's amusing enough that Pairo cheated by swapping the eye drop vile, so the Elder was none the wiser that they revealed their eyes publicly. It's pretty zany how having red eyes is something that makes people consider you a "freak" and worthy of literal public ridecule in the middle of the street, though. Like, we know contact lenses exist in this show, since Kurapika has used them. Why wouldn't red contact lenses exist? Also, maybe if Kurapika didn't have massive anime eyes, his red eyes would probably largely go unnoticed. LOL.
Wow, that was just the opening? That took a whole episode worth of time! But it was great stuff. And once the story actually began, I was impressed by how consistently engaging it was, never boring for a moment. I was very into in Killua's arc throughout the film. The show has dealt with his trauma from Illumi's grooming previously, like when he faced Illumi in the Hunter Exam, or when Nobunaga had him and Gon trapped in a room. But it never felt as genuine as it did here. First, his severe jealousy over the fact that Gon made a new friend was interesting. I liked that inner conflict. Second, his genuine fear during the fight against the Uvo and then Illumi puppet felt incredibly genuine and powerful. I don't know what other words to describe it with. Every scene that focuses on this arc was fantastic. Especially when he was running away from the Illumi puppet, only to see Gon dramatically thrown through the window. I actually found it quite emotional when Gon sacrifices himself and gets his eyes stolen from him, and Killua just runs away becuase he doesn't deserve such a friend according to himself. I actually got a little teary eyed at that train scene.
As for the villain of the film, Omokage, I actually found him quite interesting, and his puppet Nen ability was cool. The subtle hints that Retz was somehow connected to him kept me even more interested. I mean, it was pretty obvious, what with her being introduced as a street puppeteer (Although I hate that CG puppet. Ugly), and then finding out that the thief of Kurapika's eyes also makes puppets. Suspicious much? The mystery of it all was very interesting, basically. And the final reveal that Retz is actually just a puppet made of his dead sister was fricking horrifying. The movie definitely raises some unintentional questions about what it really means to be a "puppet" with this abiliy. The puppets are such genuine replicas that they actually have the memories and feelings of the person they're replicating. So technically, aren't they just a copy of the person they're replicating? Although what's depressing is the fact that they are just that; A copy. Even if the Retz puppet has the same memories as Retz, the actual Retz is still, unfortunately, very much not alive.
The heft and oomph of the battles were incredible. It felt much more rough than usual. Specifically in the fight against puppet Illumi when he flung Gon into a wall, as well as the aforementioned "Gon tossed out window" moment. There's even oomph to his teleporting (or just running so fast he's briefly invisible I guess?). Even though it's not the real Illumi, you can really feel how powerful he is. And creepy, what with how he begins by just saying "Ki ki ki ki ki", and moves like a stiff doll.
The same praise goes to the final battle as well. It was kind of all over the place with characters, but I found it cool that Gon and Kurapika fought while blind. And it was pretty epic that, although brief, even Leorio joined in on the fighting. Specifically when he defended Kurapika against puppet Pairo. He tried rushing Omokage, but failed pretty hard. But it was still a badass effort, so I salute it. And I found it pretty amusing how smugly Omokage rejects Kurapika trying to force a Nen condition on him. Chrollo and Pakunoda agreed pretty easily previously, but this guy absolutely refuses with a big fat "NO". LOL. Hisoka (oh yeah, he randomly showed up in the end) fighting the Chrollo puppet was pretty fun to see, given how much he's wanted fight Chrollo. Not the real one, but the best he'll get at the moment, I suppose. The real Phantom Troupe showing up at the end was definitely a "lolwhat?" moment, but nevertheless I thought it was cool, and an interesting way to end. Overall, I do not understand why people hate this movie. This was great. Side note: That tailor from the clothes shop was weird)
59. Bid × And × Haste - 3/5 (I'm gonna be blunt, the new visuals for the intro are NOT that good. There's barely any action going on in it, mostly just shots of characters standing still. Mostly. It's not completely devoid of action, but it certainly can't beat seeing Kurapika fighting, Leorio running, getting yanked by Gon's fishing rod and then Killua casually kicking some butt. Or the Phantom Troupe showcase.
So, what exactly is Gon's plan if he actually gets accepted to clear Greed Island for Battera? The reason he wants to play the game is to find Ging's clue, which he specifically left in a save file. Gon would need to continue the game on that save file, otherwise there's not gonna be a clue in the game. Duh. Anyway, not a lot else happened in this episode, but it was amusing enough to see Gon and Killua train their special abilities. Or rather, Gon's ears repeatedly steam as he's trying to come up with an ability, lol. Killua trying to master electricity kind of fits him, given he has white, spiky hair, and electric bolts/shocks is often depicted as white and spiky)
60. End × And × Beginning - 3/5 (Goodbye Kurapika and Leorio. Melody complimenting Leorio's heartbeat was very wholesome. Anyway, with the two best of the four main characters once again gone, I'm expecting another quality dip. Not that it'll be garbage or anything. This was a semi interesting start to Greed Island, I guess. The screening being so selective does make me more curious of how intense this game can really be. The guy Gon and Killua met there though, Puhat, looks like a fricking muppet. Freaky. I thought the tutorial room looked pretty cool, and I found it amusing that Ging didn't leave a clue whatsoever, he just tricked Gon into playing the game. Also, Zepile planning to enter the Hunter Exam was very interesting. I assume Killua will likely give it a second go later, so I wonder if we'll see them meet each other there.
So, uh, what exactly was the point of Milluki in the Greed Island auction arc? In 5 short scenes spread out between 23 episodes, he is seen researching Greed Island, going to the auction, bidding and failing, and finally in this epic climax... Going back home in defeat. Arguably the greatest arc in the entire series so far. /s)
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Smoking-Bandit to
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2023.06.10 00:49 NoU4206911 [USA-IN] [H] GPU VerticalMount, Fans, Watercooling, Modded Keyboard + Accessories, ATH M50X, Wacom Intuos CTH-480 [W] Paypal, Local Cash
Looking to downsize and get rid of things I no longer have a use for.
Feel free to offer on anything, but I'd prefer to bundle as much as possible. Local is 47403.
Arctic P12 PWM PST | https://www.amazon.com/ARCTIC-P12-PWM-PST-Connessione/dp/B07GJGF56L/ref=sr_1_3?crid=3I5FKDOJ9ZYG0&keywords=Arctic+p12+pwm+pst&qid=1685755682&s=industrial&sprefix=arctic+p12+pwm+ps%2Cindustrial%2C98&sr=1-3 | Used these for a couple years. Came together in a pack of 5. From what I can recall, one of them has an inconsistent bearing, but maybe it was just a symptom of my case and vertical mount placement. These were cleaned well, before posting. | Hoping to bundle all of these, but I suppose I'd sell these separately for $20 shipped |
Arctic P12 PWM PST (SLIM) | https://www.amazon.com/ARCTIC-P12-Slim-PWM-PST/dp/B08QDKGCCW?th=1 | Used two of these for a couple years, but one is brand new. These were cleaned well, before posting. | Hoping to bundle all of these, but I suppose I'd sell these separately for $20 shipped |
ID-Cooling NO-12015-XT ARGB | https://www.amazon.com/ID-COOLING-Cooling-Cooler-Raidator-Chassis/dp/B09Z65X5RW | Used two of these for a couple years, but one is brand new. These were cleaned well, before posting. These also come with aftermarket spacers in case you want to mount them as intake on certain cases that cause issue. One of them has some yellowing in the center of the fan that can be seen if RGB is used. | Hoping to bundle all of these, but I suppose I'd sell these separately for $25 shipped |
Thermalright TL-C12C-S X3 | https://www.amazon.com/dp/B0BKKFBR9R | Brand new. | These are too cheap to bother selling separately, but I will gladly bundle them. |
CoolerMaster MF120 Halo | https://www.amazon.com/dp/B081W8Y4F7 | Brand new. | Hoping to bundle all of these, but I suppose I'd sell this separately for $20 shipped |
Noctua NF-F12 Redux 1700RPM | https://www.amazon.com/Noctua-redux-1700-high-Performance-Award-Winning-Affordable/dp/B07CG2PGY6/ref=sr_1_3?crid=AK0SHCM09GKJ&keywords=NF-F12+redux&qid=1685755822&s=electronics&sprefix=nf-f12+redux%2Celectronics%2C94&sr=1-3 | Used, but perfectly functional and clean, 120mm PWM Pressure optimized fan. Includes the multi-colored anti-vibration pads. Apparently the P12 is the budget variant of the F12, but they're probably close to identical. | Hoping to bundle all of these, but I suppose I'd sell this separately for $15 shipped |
Alphacool NexXxoS ST30 Full Copper 360mm Radiator | https://www.amazon.com/Alphacool-NexXxos-Copper-Radiator-Triple/dp/B007R79E60 | I used this once or twice over the span of 2 years, with clear fluids. It has a bit of discoloration in the exterior fins, but it worked fine for me. I flushed it recently with my hose and shook it quite vigorously, but you may want to do your own cleaning anyways. | I'm hoping to bundle most of this watercooling gear; otherwise, I'd sell this separately for $30 local, or $40 shipped |
EKWB Coolstream Classic PE 360 | https://www.ekwb.com/shop/ek-coolstream-classic-pe-360 | I used this for 2 years with clear fluid, but there was some plasticizer leach from my soft tubing. I tried my best to clean it via flushing with the above method, but you might want to do your own cleaning anyways. | Otherwise, I'd sell for $55 local, or $65 shipped |
EK-Loop Leak Tester Flex | https://www.ekwb.com/shop/ek-loop-leak-tester-flex | I don't think this was used more than a single time. I bought it second hand, but I was told it had been purchased in March. I already have a Barrow leak tester. | Otherwise, I'd sell for $20 local, or $25 shipped |
EK-UNI Pump Bracket (120mm FAN) Vertical | https://www.ekwb.com/shop/ek-uni-pump-bracket-120mm-fan-vertical | I can't recall how much use this saw, probably a couple builds. Has a bit of cosmetic damage. | Bundle only |
EK-UNI Pump Bracket (140mm FAN) Vertical | https://www.ekwb.com/shop/ek-uni-pump-bracket-140mm-fan-vertical | I can't recall how much use this saw, probably a single build. Might have a bit of cosmetic damage. | Bundle only |
XSPC G1/4" Plug with 10k Sensor - Chrome | https://www.performance-pcs.com/water-cooling/fittings-connectors/xspc-g1-4-plug-with-10k-sensor-chrome-xspc-g14-10k-sensor-ch.html | Brand new | Otherwise, I'd sell for $12 shipped |
Thermaltake Pacific C-PRO G1/4 16mm (5/8") OD Compression – Chrome (6 total) | https://www.thermaltake.com/pacific-c-pro-g1-4-petg-tube-16mm-od-compression-chrome-6-pack-fittings.html | bit of plasticizer leach, but still fully functional. | Otherwise, I'd sell for $20 local, or $30 shipped |
Thermaltake Pacific G1/4 16mm (5/8”) OD Compression – Chrome (6 total) | https://es.thermaltake.com/thermaltake-pacific-g1-4-petg-tube-16mm-5-8-od-compression-chrome.html | Don't think these were used much at all. | Otherwise, I'd sell for $20 local, or $30 shipped |
G1/4" Black Sparkle Rotary 90-Degree Extender (7 total) | https://shop.bitspower.com/index.php?route=product/product&product_id=643 | Used throughout a few builds, bit of cosmetic damage or plasticizer leach. | Otherwise, I'd sell for $30 local, or $40 shipped |
Corsair Hydro X Series, 90° Rotary Adapter - Chrome (4 total) | https://www.amazon.com/Corsair-Durability-Securely-Rotation-Mechanism/dp/B07WJVDNBB | Used throughout a few builds, bit of cosmetic damage if anything. | Otherwise, I'd sell for $15 local, or $20 shipped |
Corsair Hydro X Series, Dual G1/4" 90-Degree Extender | I don't know what the hell this monstrosity is. Maybe it is corsair, maybe it isn't. | Only time I ever made use of this was when I needed to plumb a ball valve drain (they typically have a female g1/4). Has lots of cosmetic damage from attempting to remove the other end. The colors don't even match LOL. | Bundle only |
Bitspower G1/4" Extender-30MM - Chrome (2 total) | https://shop.bitspower.com/index.php?route=product/product&product_id=2309 | One is basically brand new and the other has a not so insignificant amount of plasticizer leach I cannot remove with soapy water. | Bundle Only |
Bitspower Rotary Fitting "Q" - 360 Degree Water Cooling Accessory | https://www.performance-pcs.com/water-cooling/fittings-connectors/bitspower-rotary-fitting-q-360-degree-water-cooling-accessory-black-sparkle-finish.html | Bit of plasticizer leach in the top g1/4 threads. | Bundle Only |
Alphacool 2-Way Ball Valve G1/4 | https://www.amazon.com/Alphacool-17141-Black-Hardware-Cooling-Accessory/dp/B015YRMCPO | Used this in a couple builds. bit of cosmetic damage but fully functional and clean. | Bundle Only |
EK-Quantum Torque Drain Valve | https://www.ekwb.com/shop/ek-quantum-torque-drain-valve-black | Probably also only used once. Bought with the EK leak tester. | Bundle Only |
EK-Quantum Torque 90 Degree Rotary - Nickle (6 total) | https://www.ekwb.com/shop/ek-torque-angled-90-black | One of them has a bit of cosmetic staining | Bundle Only |
Primochill Liquid Utopia | https://www.primochill.com/products/primochill-liquid-utopia-15ml-bottle | Bought this recent from frozencpu's sale but there doesn't appear to be a way to identify any manufacturers date. | Bundle Only |
NZXT Kraken G12 GPU Cooling Bracket | https://nzxt.com/product/kraken-g12 | Came with some other stuff I bought, but I'll never use this. It is used, and I did my best to clean it up. | Otherwise, I'd sell for $15 local, $25 shipped |
upHere GPU Anti-sag brace | https://www.amazon.com/upHere-Graphics-Anodized-Aerospace-Aluminum/dp/B076GYL25H | Used a couple times; cosmetic damage where the screw sits. | Bundle Only |
Keyboard stuff:
Used Tezarre TK61 Pudding Keycap Optical Hotswap Keyboard: (Tape/Band-aid Mod, Lubed stabilizers + Gateron optical blacks)
$55 shipped BNIB EVGA Z12 Membrane gaming keyboards
$15 (local only unless you're paying shipping) Keyboard Accessories Bundle: Used Turquoise Resin Wrist Rest Used Gateron Milky Yellow Switches (Lubed and filmed) Used KBDFans Cherry Profile Cement Gray Japanese PBT Keycaps Used Corsair Double-shot PBT keycapsUsed TaiHao ABS black/red/white keycaps (spares) Used RGB Shine-through PBT ASA LavaCaps (spares)
$120 shipped Timestamps:
https://imgur.com/a/tQsrIbT Peripherals:
ATH M50X headphones that were used a couple years (hence the pleather having been taken off due to peeling). These probably could use a new pair of earpads, but I did my best to clean them.
$45 shipped Wacom Intuos CTH-480 that has seen minimal use and has very little cosmetic damage on the back side. One of the best tablets you can use for osu! due to hover height and response latency.
$60 shipped GE UltraPro Surge Protector used for maybe a year including 7 outlets and 2 usb ports, 4 foot cord and 1500 joule protection rating.
bundle only Timestamps:
https://imgur.com/a/wDYSjNG I'd also be willing to trade for a G-Wolves HSK Pro/Ace mouse.
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NoU4206911 to
hardwareswap [link] [comments]
2023.06.09 17:46 officialtwitchraid Hydro dipping prints?
Is anyone here hydrodipping 3d printed frames or similar?
submitted by
officialtwitchraid to
fosscad [link] [comments]
2023.06.09 16:35 SauzaPaul Weekly Watch Report - June 09, 2023
Hey everybody! Drop your recent watches right here, I'd love to hear about 'em.
The Ninth Configuration (1980) Stacy Keach is a military psychiatrist who is newly in charge of an experimental facility in a remote mansion in the Pacific Northwest. Many of the committed soldiers are suspected of feigning insanity to get out of military duty, and Stacy himself is haunted by powerful dreams that he claims are the dreams of another person. This is the directorial debut of William Peter Blatty, based on a novel he wrote before The Exorcist, Twinkle Twinkle Killer Kane. An outstanding supporting cast, and full of comedy and drama, with a hard shift to horrific in the final act. This movie stuck with me for days. (Midnight Pulp)
Renfield (2023) Dracula’s assistant and his problems in modern day New York in this comedy, with Nic Cage as the Count. A lot of gags hit the mark, particularly the action/violence scenes, but I expected it to be even funnier. I like Akwafina, but as a 5 foot NY cop? Kopwafina? Anyway, no complaints. (Peacock)
Student Body (2022) Teens hanging out in the high school after hours with a slasher dressed as a mascot. Usually when I don’t enjoy modern slashers it’s because of the characters, but not this case, the characters were fine, the premise and execution were as bland as they come. Not recommended. (Showtime)
Becky (2020) An angry teenage girl on a family retreat with her dad and step family get home invaded by Nazi Mall Cop and a former WWF wrestler. She “Home Alone’s” them, but with less comedy and more blood. A fucking shitload of blood, in fact. Good fun, don’t think too hard. (Showtime)
The Killing Kind (1973) John Savage plays a mama’s boy, recently released from prison who gets a bit strangley when sexually aroused in this very cool, Psycho-inspired proto-slasher from Curtis Harrington (Night Tide). With Ann Southern, Ruth Roman, Cindy Williams, Luana Anders, and Sue Bernard (who supplies the nudity). (TUBI)
Count Dracula’s Great Love (1973) A broken carriage forces four beautiful women and one male companion to stay at a nearby castle. They were quite welcome as their host, Count Dracula (Paul Naschy), bit and turned nearly every damn one of them. This one overflowed with blood and boobs from start to finish. The girls even skinny-dipped in a pool, did Romanian castles have modern looking swimming pools at the turn of the century? Maybe. This will not disappoint fans of eurosleaze. The version I saw was dubbed in English from Spanish. (DVD)
The Dracula Saga (1973) Leon Klomovsky, who directed a ton of Paul Naschy films, makes a Dracula movie without Paul Naschy! The Count was a bit of an older gentleman in this one. His pregnant granddaughter comes to stay and Count wants her unborn child to be his heir, as his current heir is a deformed, inbred Cyclops whose giant head resembles a red-haired testicle. Her husband doesn’t take long to be seduced and turned by a house full of she-vamps and our poor heroine is left to fend for herself. The story is a bit uneven, but it’s loaded with blood and tits, and gets increasingly interesting as it progresses. English dub, from Spanish. (DVD)
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2023.06.08 05:05 David_Banterborough Airport Scanners; An in field test
| Alright. It’s time to put this one to the judge jury and executioner. In the provided photo the top negative is fresh never exposed to airport X-Ray scanners. Bottom has been exposed to approx 8 X-Ray scanners (Auckland, Changi, Schipol, Faro, Prague airports + 1-2 museum scanners). Both rolls were developed by lab in controlled Dip and Dunk methods. (I would trust this lab with the last roll of Kodachrome if it still existed) IMO there is a clear difference in the base emulsion of each negative. It’s is darker and clearly fogged. Now as for the final product. The lack of contrast and higher black point was easy to fix and I had no problem rectifying the scans in post. However, I think this is pretty clear evidence that if you are worried you should get a hand check as (with a sample size of 1) I have demonstrated that even 400 speed film is affected. Chur submitted by David_Banterborough to AnalogCommunity [link] [comments] |
2023.06.08 01:36 Lumini_317 The Night Lights’ designs do not make sense, and I’ll explain why.
To be fair, with Night Furies and Light Furies being fictional you could say that real life genetic rules don’t fully apply to them. But even so, it’s something that’s always bothered me. Just be sure to take this all with a grain of salt, because again, it is technically just fiction.
Let’s look at horses. What would happen if you bred a white horse with a black horse? Unless they had some form of paint markings in their lineage, the foal will not be black and white. Outside of potential markings that it might inherit from its parents (such as a blaze or socks), they’ll either be black, or white, not both. Even if they did inherit markings, those markings wouldn’t be perfectly shaped. For example, if they inherited socks on all four legs, not all the socks would be the same length. If they inherited a blaze, it wouldn’t be symmetrical like a perfect diamond or a straight stripe with no jagged or “sloppy” edges.
The Night Lights look like they were dipped in white and black paint by some factory machine. The patches are far too uniform, they seem unnatural and manufactured. Look at humans, even our faces are not perfectly symmetrical, and yet you expect me to believe that by some divine intervention every night lights’ markings are perfectly placed and shaped?
Let’s look at humans again. It’s reasonable to say that a child will get the hair of their father and the eyes of their mother or vice versa, but you wouldn’t say that half of their hair would look like their father’s while the other half would look like their mother’s. This isn’t MHA we’re talking about here. If one parent was Caucasian and the other was African American, the child would most likely be a mix of the skin tones of both parents. With the Night Light logic, imagine a mostly white child with black ears, nose, feet, and hands.
Even in cases of vitiligo, the patches are never perfectly shaped and placed.
Genetics just do not work that way.
So what would the Night Lights look like if they followed the rules of real life genetics? Well, that depends.
If their genetics are more like that of humans, then the Night Lights would be various shades of gray. For example, Dart would be the lightest shade, Ruffrunner would be a little darker, and Pouncer would be the darkest (just a random order). Depending on which parent had the dominant genes, one or two of the Night Lights might be nearly as light as their mother or nearly as dark as their father.
What if their genetics fell into more of an animal’s gene logic? For horses, the foal will more than likely look very similar to either their mother or father, rather than being a mix of both. The only mix you’ll really see is if the parents are not the same breed, then you’ll probably see that the foals will be a mix of size and shape. But the color itself will not be a mix—which is why you see things like dapple gray mares giving birth to chestnut (brown) foals, or white mares giving birth to black foals (usually the stallion’s genes are more dominant). I myself have horses and one of my mares had two foals, both with the same father. The mare is a palomino, and the father is black with white socks. Both foals were black with white socks, with the youngest having a few random markings on her face that looked similar to those of her grandmother on her father’s side. In a case similar to horses, each Night Light would either be black or white, not black and white.
The Light Fury does have light pink markings (because of course they have to be freaking pink, cuz she’s a girl, duuuuh) and Toothless had somewhat prominent markings in the first movie, which brings be to my second idea.
Animal species cross-breeding. Let’s look at the zorse, a cross between a horse and a zebra. In most cases, the zorse will have the base coat of its horse parent, with zebra stripes on top (there is one zorse known as “Eclipse” who has a mix of white patches and zebra patches. However, this was due to their horse parent being a paint). Let’s look at ligers and tigons—lion and tiger hybrids. Again we’ll see that they’re a solid mix of both. You won’t see either one walking around with a tiger tail, a thick mane, and alternating patches of orange with stripes and plain dull brown fur.
So let’s apply this logic—or at least something similar—to the Night Lights. The excuse people use for Toothless losing his markings in the third film without any explanation is that Night Furies naturally lose them as they age. With that logic, the Night Lights would almost certainly have patchy markings like Toothless did. You could imagine a black Night Light with faint pink markings like their mother, or the same marking patterns as their mother but colored black instead after their father. There could also be a white Night Light with black markings like their dad used to have, or the style of markings as their dad but colored pink like their mother’s. It’s not perfect, genetical logic speaking, but it makes more sense than the obviously-made-purely-for-merchandise-reasons Night Lights.
Again, take this with a grain of salt. If you don’t have any grains of salt just let me know. I have plenty to spare as even after 3-4 years I’m still salty over the third movie.
TLDR: The third movie threw sense out of the window in more ways than just writing and basic logic, but genetic logic as well. Even if you can overlook the fact that a Night Light would not have patches of black and white, that doesn’t change that their patches would not be so perfect and symmetrical.
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2023.06.07 09:49 xeperis Is it expected for coolant to get "Caramerlized"?
| I've been running custom loop - Hydro X Series XD5 RGB Pump/Reservoir Combo - Hydro X Series XC7 RGB PRO CPU Water Block - Alphacool Eisblock Aurora Acryl GPX-N RTX 3090/3080 Gaming/Eagle mit Backplate - Hydro X Series XL5 Performance Coolant 1L — Red - 2x Hydro X Series XR5 360mm Water Cooling Radiator Some PC Specs: - AMD 5800x3d - Gigabyte Vision OC 3080 Ti After over a year I've decided to drain everything for maintenance and discovered that my GPU block looked terrible. I thought at first that this was corrosion but after taking apart everything (pump, cpu block, gpu block) I found that it was only GPU block that had the coolant caramelized. In fact it was so bad it took a lot of effort to clean out the gunk. Fins had it worst as they were all cloged up and it really felt like cleaning a frying pan that has been used daily for a year and never ever washed. Other parts of it like memory pools had a gelatine like layer stuck to them. CPU block had some dirt like substance near the outlet port which washed away just by dipping it into distilled water. The pump and reservoir almost had nothing wrong with it (some flakes). I suspect that this is due to insane thermals of the RTX 3080 Ti and the coolant not designed to withstand extended contact with such heat. What do others think? https://preview.redd.it/qzazl0uktj4b1.jpg?width=3024&format=pjpg&auto=webp&s=b16565b56fd66666f6c59ecae1ba038734f2cf46 https://preview.redd.it/x6iqm0uktj4b1.jpg?width=3024&format=pjpg&auto=webp&s=feae5e41f97306dd84c651d3620983ad54633675 submitted by xeperis to watercooling [link] [comments] |
2023.06.07 00:00 Clerk_Sam_Lowry Trip Report- 13 days Tokyo/Kyoto/Hakone/Nagoya (Ghibli Park) /Hiroshima with a 2 year-old toddler. (plus day-trips to Nara and Osaka)
Trip Report- 13 days Tokyo/Kyoto/Hakone/Nagoya (Ghibli Park) /Hiroshima with a 2 year-old toddler. (plus day-trips to Nara and Osaka) I love reading other peoples' trip reports and thought it might be useful to share my experiences travelling with my wife and toddler in Japan. We used Shinkasens for most of our travel between cities but did rent a car in the middle so that we could drive to a rural Onsen and then to Shirakawa-Go from Nagoya. (We also briefly rented a car to visit 3 plaaces around Hakone, too).
First of all, traveling with a toddler in japan is great. Our kid loves trains and busses and got tons of attention and shouts of "KAWAI!!" from friendly people everywhere we went. She even got a lullaby sung to her by a Japanese grandmother as she dozed on a city bus in Kyoto. She never had to pay for any bus fares or train fares. (technically she was a "lap baby" on the Shinkansens).
We read a book of etiquette before we went and it was very useful to know. I am sure most of these tips are stickied elsewhere , but things like "don't point with one finger, always grasp cups with both hands, don't wipe your face/mouth with the hand-cloth, don't talk loudly in restaurants or on trains, keep yen bills neat and flat and use the trays provided when paying for things," etc, were good to know before we went. We brought and carried a "point-and-say" translation book but only used it once; generally Google Translate worked great for images of menus and signs. (and many restaurants have English versions of menus, or use digital menus on iPad that can switch to English. ) Google maps handled most of our navigation needs without issues too, both via train and car. We parked the stroller outside most restaurants or folded it and brought it just inside the door if the weather was bad.
Prep work --
The only major prep work we did before leaving was to buy our JR pass and alert our banks to the dates that we would be in Japan so that our credit and debit cards would work. We had no problems getting cash from the ATM machines at 7-11 or at the Airport. We reserved all hotels/AirBnB/Onsen/Car Rentals beforehand. Also bought SkyTree tickets before departing. We stayed up until 4am to get a ticket to Ghibli's Grand Warehouse -- fortunately only one ticket was needed since our child was under 4 and my wife wasn't interested. We rented a mobile hotspot device from Sakura Mobile before leaving America and it was waiting for us at our first hotel in Tokyo. We dropped the hotspot and charger in a mailbox in a pre-paid envelope before leaving Kyoto.
Major tips -- no need to pack lots of snacks or water each day , since vending machines and 7-11 stores and similar are ubiquitous. Do pack paper towels/ Napkins and extra plastic bags for carrying wet diapers and trash, as public trash cans are almost non-existant. (and when they do exist, they are often just for aluminum and PET plastic bottles) Throw away trash where you bought it, (for things like satay skewers) or bring it home to your hotel. The "pack-it-out" mindset takes a little getting used to, but the results -- a society seemingly without litter-- are superb. Having a lightweight , easily foldable stroller made this trip much easier. Our child often slept in the stroller, and being able to quickly collapse and carry it was key to getting up and down the many sets of stairs in the train stations. It also occasionally doubled as a luggage cart for us. Packing light is key; we picked hotels and AirBnBs that had laundry options to allow us to carry a minimum of stuff. (and no need to bring laundry soap; the washing machines dispense it automatically) My wife wished she had a Japanese-style suitcase with 4 roller-wheels, but I think we did fine with our backpacks , etc.
In general, we didn't have much trouble finding things for my daughter to eat; she loves noodles and dumplings, and even got really into red snapper sushi one night. (basically she loves anything she can dip in soy sauce). Chicken Karage was usually an easy thing to find and feed to her, as were the egg salad Sandos, fresh fruit, and various rice balls from 7-11. Oddly, she also really loved the "pickle-on-a-stick" things that were pretty common in outdoor markets. (I think we got them in both Kyoto and Osaka)
Flights - we flew JAL to from LAX to Narita outbound, and returned on JAL (operated by AA) from Hiroshima to Haneda to LAX. The outbound flight was great; the JAL service was impeccable and they gave my child a model airplane which kept her occupied for hours. We gate-checked our folding stroller on the outbound flight -- the gate clerk put into a plastic bag for us just before departure,
The return flight (operated by American Airlines ) was a step down, but still fine. Transferring planes at Haneda for the return was a little more of a hassle than we had expected becuase you have to exit one terminal, walk a while, exit the building and then get on a free bus, and then go back through security at another terminal. On the plus side, the Haneda international terminal has a padded play area that my daughter liked near the duty free shops. Becuase our return journey was two flights, gate-checking the stroller was not possible, but instead, after measuring its size, we were able to keep it as a carry-on for both legs. (had it been larger, JAL said they would have met us at Haneda with an airport loaner stroller, something we saw other parents using in Hiroshinma and Haneda)
Highlights from each city (focusing on things that my child loved)
Tokyo -- our first night in Japan was a little disorienting: the Tokyo metro station is like a gigantic multi-layer mall-labryinth, and since none of the maps seem to show the "big picture" finding our way to the correct exit lugging luggage was a bit of a challenge the first time . We went back down that night for our fist meal, and by the next day we were practically experts, and were even able to find our way to Ramen Street (on level B1) for lunch and --after waiting in line for about 20 minutes-- slurp some great noodles.
Our first morning we wanted to visit the imperial Palace Gardens, but discovered it is closed on Mondays. Stil, just seeing its moat and stone walls was impressive. We walked to the Children's Science and Technology Museum near Budokan, and our duaghter loved operating cranes and turning cranks of giant Rube-Goldberg machines. (some with bowling-ball sized steel balls moving around). Most of the exhibits were in Japanese, but the fact that this wasn't a common tourist destination made it interesting to visit. On the way home for naps we ate at a random underground food court under an office building and learned how to order a food ticket from a machine for eating at a restaraunt. (a key skill!)
We next headed up to the Owl Cafe in Akihabara, mostly as an excuse to have a visit to Akhiabara, and found it was closed, but seeing the electronics stores and nightlife of Akhihabara was fun. As you might expect, my daughter loved getting Gacha Balls from vending machines (both in Akihabara and everywhere else )
Our second day we spent the morning hunting for the legendary "Elephant Playground" (worth the hunt!) and then went to the nearby
Tokyo Childrens' Toy Museum. This was a fantastic combo, and I would recommend anyone with young kids in Tokyo do both. From there we walked to Shinjuku Gyoen National Garden, which was a wonderful oaisis, full of picknicking families and couples. We explored the tropical greenhouse and then had a well-needed rest under a tree near a tea-house in the traditial japanese garden section Shinjuku Gyoen National Garden also was conveniently close to the Shinjuku rail station, which was imporant because we had Sky-Tree tickets that evening, and we headed there directly. We didn't have time to do any shopping or visit the two museums recommended to us near the skytree (Tobacco and Salt and the Tobu rail museum) But we did have what I consider my favorite meal of the trip: beers and gyoza and molten-lava hot takoyaki at a tiny( 6- seat) izakaya a few minutes south of the Skytree. (i'd recommend it by name but it was completely in japanasese and I am not sure I can now accurately ID it)
The third day we visted the Tusikiji outer fish market -- we got there early and and it was quickly full of tourists and good food. (many different kinds of grilled things on sticks, as well as raw oysters, etc) I was amazed that the public bathrooms there were sparkling clean -- as they were throughout almost the entire trip. My daughter loved getting an ice-cream drink at John Lennon's favorite coffiee shop (Yonemoto). On the way back thorugh Ginza we bought an enormous fig wrapped like the crown jewels from one of Japnan's famous fruit-gift stores. It cost about $9, but was absoulutely delicious. (it was crazy to see $200 watermelons and $170 muskmellons in the same store)
We also took this time in Ginza to do one of the things on my bucket list -- buy an overpriced gift fruit from a fancy Japanese store. We bought the second cheapest thing in there - a single giant fig, and I think it cost about $9. (totally worth it!) . it was just fun to ogle $80 spherical watermelons, and other beautiful, but incredibly expensive fruit.
Later that afternoon visited/saw Shibuya crossing, ate decent and very inexpensive sushi at a 3rd floor conveyor-belt restaurant, and went to Harjuku. (not in that order) Harajuku was chaotic fun, but equally fun was the long peaceful forest walk to visit the
Meji Ginku shrine that starts just outside Harjuki station . By now we were experts at tossing coins, bowing, clapping, and praying in the appropriate cycle. (something the 2 year old seemed to quite enjoy). We also knew from our guidebook that we were supposed to walk only on the sides of the path at Meji Ginku -- the middle is reserved for the Gods.
NAGOYA/GHIBLI - We took a direct bus from Nagoya station (cash accepted, Pasmo Cards also accepted) out to the sprawling expo grounds that surround the Ghibli exhibits. Our 2.5 year old loved Studio Ghibli Parks Gand Warehouse, particularly the miniature town where she could run around and pretend to drive a train and serve beer at a drafthouse. There was a furry Catbus to sit on, (of course) as well as another padded Catbus to jump around on for a few minutes with shoes off. Totoro is the only Ghibli character she knows well, and she loved finding hidden Totoros and (and a giant bar-tending one) around the Warehouse.
Arguably, Ghibli park was a little disappointing for us two adults , becuase it was pouring rain when we visited making the long walks between areas less than fun. And despite having moved heaven and earth to get a timed ticket, there still were long lines (~40 min) for areas inside the "Grand Warehouse." It was interesting for me to see the sketches and reference photos a used to make each cell of Ghibli animation realisitic ... but it was annoying and crazy that most areas of the warehouse totally forbad taking photographs. Much of the rest of the Grand Warehouse was just lines for people to take selfies in front of recreated scenes from the movies for posting on social media.
We had watched or re-watched all the Ghibli movies prior to our trip, so we were well prepared, but overall I would say that if you can't get tickets to go to the Grand Warehouse, don't feel bad. (There are many many more magical and wonderful things everywhere else in Japan, and your 2 -year-old will love them just as much. )
HAKONE/SHIRAKAWA-GO/ HIDA (Onsen) We took a Shinkasen south from Tokyo to
Hakone, and spent a day there with a family friend who showed us an ancient tea-house along the old imperial road, a famous Shinto shrine, a deliicious meal, and of course, Mount Hakone with its black eggs, sulfurous fumes, and melty black ice cream. The toddler loved the eggs and the ice cream, of course! For me, sitting and eating tea and mochi in the deep forest along the royal road was like being transported back into a historical Kurosawa film.
If you visit Hakone, I would encourage you to get into the woods and do some hiking. It's a gorgeous area. Apparently the japanese love to drink and tour Lake Ashi on a pair of pirate ships. which added a comic aspect to our visit to the much-photographed Hakone Shrine's Tori gate.
We knew we wanted to visit the truly rural areas of Honshu, so we reserved a night at a remote Onsen near Shirakawa-Go. The drive from Nagoya was stunningly beautiful, traffic was light, and because we had rented a toll transponder along with the rental car, we could just breeze through the toll-booths (which are located at the off-ramps) . Seeing the untouched mountains coexisting with sleek new road tunnels and breathtaking shining bridges made me realize how decrepit American infrastructure has become.
IT was a bit stressful to drive on the left hand side of the road, but conversely, It was great to be able to pull over at will. For example, we could stop at at a small town outside of Nagoya for a delicious prix fixe breakfast at "cafe Pierrot" and again later to see and visit a beautiful riverside Shinto shrine along the road. The car gave us the freedom to and be able to just stop and explore and let our child play in the shallow water surrounded by green hills. Driving in the rural areas wasn't too bad, and doing so let us see a whole other world that we would have missed had we stuck to the trains. For example, we visited a delightful outdoor morning market in the village of
Miyagawa and bought fresh produce and some delightful snacks (including fish-shaped custard-filled mini-donuts) from the vendors followed by an impromptu picnic along the riverbank.
On this portion of the trip we also got to experience the Japan's wonderful rest-stop cuisine -- you use a ticket machine to select some items, hand them to a chef behind the counter, and in a few minutes your number is called . We had some delicious Japanese pizza (shaped like a elongated, puffy taco ) fragrant beef curry, and a "Miso Katsu" dish too.
Later we would stop at another rest stop and discover that it had an absolutely epic set of slides and tunnels built into the hillside. You borrow a plastic sled and then slide about 150 feet down a green carpet. It was hearwarming to see how kind and welcoming the japanese children were to our daughter, helping her to slide and showing her how to play and explore the tunnels. Arguably this was my child's favorite part of the entire trip.
Shirakawa Go was great fun for the whole family -- it was definately touristy, but it was great to be able to stroll and relax and learn about Japan's past. (Parking closes at 5pm, though!) We had only a few hours there but I think we would have enjoyed an entire day of strolling and snacking and learning. Interestingly all the parking attendents there seem to be senior citizens.
Our Ondsen was in a small farming comunity outside Hida, surrounded by orchards, mountains, and rice paddies. We were the only non-japanese that we saw there, and it was a little challenging to keep our toddler ccorralled during the formal meals (served in a common area, not in our rooms). As expected, the indoor slippers provided were a bit small for my size-11 feet, but we had a great time in a beautiful, secluded place.
Staying overnight got us a ticket to also visit the large and well-maintained municipal baths just up the road. (each side of which had about 7 pools of various temperatures and medicinal properties) There was a wonderful hiking trail that looped through the deep forest around the town. One of my biggest regrets of the trip is that we did not have more time to hike and explore these lush, pristine mountain woods -- I think I enjoyed our hikes here as much as I did the onsen baths.
The driving portion of our trip ended on the western coast of Honshu, at Kanazawa, but we didn't see much of that city other than a gas station and the rental car return before taking the "thunderbird" train down to Kyoto. (not quite as fast as some shinkasen, but very comfortable).
KYOTO and day-trips: We had three delightful days in Kyoto, along including day trips by rail to
Osaka (to see the market, eat okinomiyaki, and climb Osaka Castle) and
Nara (to walk aound and feed the deer in the park and then the koi at a a beautiful botanical garden, stroll through another temple, and to eat the best Udon noodles of the trip while siting outdoors in the forest. In Nara, we also stumbled upon a wonderful Beatles-only vintage record shop called "B-Sels" on an upper floor just across from Nara station, and listened to a street performance of Shamisen music at the station itself. Nara, like Shirakawa-Go, was full of busloads of tourists, but that didn't make it any less of a great experience for us.
Kyoto itself was wonderful to explore on foot -- I won't go into exhaustive detail, but our child loved walking and being pushed in the stroller to various Temples and loved the view from Kyoto tower. (and the Gatcha ball souvenir tower even more!) . She liked the path through the bamboo forest (crowded with tourists) and loved "hiking" through the beautiful and less crowded gardens of
Tenryu-Ji temple -- part of which has remained unchanged since the 14th century. We skipped the monkey park.
In Kyoto proper, we walked through
Chion-In Buddhist temple , took our shoes off and bagged them, and observed a ceremony -- it was interesting to see how similar it was to ceremonies in America, with the same incense, syllable recitation, and wood-block time-keeping interspersed with bowl-gong ringing .... but on a much grander scale. The size of the wooden buildings is epic, rivaling the stone cathedrals of Europe. Because of the large numbers of steps to get from the massive Sanmon gate to the main building of the shrine, my wife and I took turns exploring and let the toddler play along the paths of the temple's small tea-garden next door.
Hiroshima- Finally, we spent the last two days of our trip in Hiroshima. It was shocking and surreal to get off the train underground and suddenly be hit with an overwhelming smell of burning -- there was construction work all around Hiroshima station and I don't know if it was from digging pylons down into subterranean ashes, or just from some other more modern aspect of the construction As someone whose worldview was shaped by reading Barefoot Gen as a child, visiting Hiroshima was an important and somber part of our trip.
It was interesting to see that the bulk of the visitors to the Peace Museum visitors seemed to be Japanese school groups. Of course, most of the photos and exhibits museum went "over the head" of our 2/yo child. (she wasn't frightened, just not interested). She did enjoy ringing the peace Bell outside and seeing the collections of paper cranes. We bought books to help share the experience with her again once she is older.
In any event, Hiroshima is a charming city showing no outward signs of being apocalyptically devastated (except at the Peace Memorial Dome) and there is an excellent restaurant district just around the corner from the main train station, with many small restaurants that are open late.
The people and proprietors of Hiroshima seemed particularly kind to us; it's more relaxed there than any of the other cities we viisted. Our chid loved was the "Children's 5-day Science Museum" about a quater mile away from Peace Park that has a lot of hands-on exhibits and two stories of climbing tunnels. We did
not do the planetarium there, as it is in japanese-language only and we had limited time.
For us, the highlight of our time in Hiroshima was taking the long ferry to Miyajima directly from Peace Park and then wandering around the narrow streets of Miyajima in the afternoon and evening. It was great to see the oyster beds being worked from the ferry and then later dine on delicious grilled and fried Miyajima oysters.
Our child loved the ferry rides and wandering around Miyajima (there are deer there too) but she also slept for much of our time on the island. The return ferry was part of the JR rail network and so we could use our JR passes for that. (its a short, straighter route).
All in all, Japan was very kid friendly, as long as you can quickly and easily fold up your stroller, and we loved our time in every city we visited. (and could have easily spent much more time in any of them).
Other Thoughts: We bought the Japan Rail Pass, but probably didn't save much money by doing so; My wife estimates that we about broke even with the number of shinkansen, trains, and ferry-rides we used. It was a nice security blanket, though, to know that if we missed a train it wouldn't cost us anything. (but we never missed any trains) . For non JR-line trains, we used a pair of "PASMO" cards. Pasmo cards can also be used at other random retail places as a stored-cash card. When you go through the gates, you must look for ones that say "IC" if you are using a Pasmo card and tap against the NFC pad with it. Using Pasmo is nice because the card is durable (unlike the paper JR Pass) and you can load up enough money for multiple trips on the card.
We use T-mobile, and our plan included 5 GB of "high speed data" while in japan but we weren't sure we would have good service for our rural drive, so we gout a WiFi hotspot from Sakura Mobile. This worked fine -- and its speeds was always faster than T-Mobile's coverage when tested. The hotspot generally would last about 20 hours on one charge. But honestly T-Mobile's Japan coverage was probably good enough that the hotspot was an unnecessary expense; we often used it instead of the hotspot and only came close to the 5GB limit on our last day. If I were on a tighter budget, a shorter trip, or knew I wouldn't be in remote areas, I would skip the Hotspot and just use T-mobile.
TLDR: Tokyo Toy Museum is fantastic for little ones. Ghibli Park (Grand Warehouse) is fine, but our kid probably had just as much fun on many other Japanese playgrounds. If you do choose to drive, don't miss the Japanese rest stops which can be fantastic with fresh food and jungle gyms and slides. Our kid may remember little from the trip except the toys she took home from GATCHA balls, but we have a lifetime of memories gained. Don't miss the Udon in Nara at "Mizuya Chaya", just outside the beautiful Manyo Botanical Gardens.
links: ELEPHANT PLAYGROUND: https://www.thetokyochapter.com/tokyos-retro-playgrounds/ RAMEN STREET: https://tokyocheapo.com/food-and-drink/ramen/tokyo-ramen-street/ Miyagawa Morning Market: https://www.japan.travel/en/spot/1255/ Udon at Mizuya Chaya in Nara:
https://www.visitnara.jp/venues/D01057/ submitted by
Clerk_Sam_Lowry to
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2023.06.06 20:32 NoU4206911 [USA-IN] [H] O11D+VerticalMount, Fans, Watercooling, Modded Keyboard + Accessories, ATH M50X, Wacom Intuos CTH-480 [W] Paypal, Local Cash
Looking to downsize and get rid of things I no longer have a use for.
Feel free to offer on anything, but I'd prefer to bundle as much as possible. Local is 47403.
Arctic P12 PWM PST | https://www.amazon.com/ARCTIC-P12-PWM-PST-Connessione/dp/B07GJGF56L/ref=sr_1_3?crid=3I5FKDOJ9ZYG0&keywords=Arctic+p12+pwm+pst&qid=1685755682&s=industrial&sprefix=arctic+p12+pwm+ps%2Cindustrial%2C98&sr=1-3 | Used these for a couple years. Came together in a pack of 5. From what I can recall, one of them has an inconsistent bearing, but maybe it was just a symptom of my case and vertical mount placement. These were cleaned well, before posting. | Hoping to bundle all of these, but I suppose I'd sell these separately for $20 shipped |
Arctic P12 PWM PST (SLIM) | https://www.amazon.com/ARCTIC-P12-Slim-PWM-PST/dp/B08QDKGCCW?th=1 | Used two of these for a couple years, but one is brand new. These were cleaned well, before posting. | Hoping to bundle all of these, but I suppose I'd sell these separately for $20 shipped |
ID-Cooling NO-12015-XT ARGB | https://www.amazon.com/ID-COOLING-Cooling-Cooler-Raidator-Chassis/dp/B09Z65X5RW | Used two of these for a couple years, but one is brand new. These were cleaned well, before posting. These also come with aftermarket spacers in case you want to mount them as intake on certain cases that cause issue. One of them has some yellowing in the center of the fan that can be seen if RGB is used. | Hoping to bundle all of these, but I suppose I'd sell these separately for $25 shipped |
Thermalright TL-C12C-S X3 | https://www.amazon.com/dp/B0BKKFBR9R | Brand new. | These are too cheap to bother selling separately, but I will gladly bundle them. |
CoolerMaster MF120 Halo | https://www.amazon.com/dp/B081W8Y4F7 | Brand new. | Hoping to bundle all of these, but I suppose I'd sell this separately for $20 shipped |
Noctua NF-F12 Redux 1700RPM | https://www.amazon.com/Noctua-redux-1700-high-Performance-Award-Winning-Affordable/dp/B07CG2PGY6/ref=sr_1_3?crid=AK0SHCM09GKJ&keywords=NF-F12+redux&qid=1685755822&s=electronics&sprefix=nf-f12+redux%2Celectronics%2C94&sr=1-3 | Used, but perfectly functional and clean, 120mm PWM Pressure optimized fan. Includes the multi-colored anti-vibration pads. Apparently the P12 is the budget variant of the F12, but they're probably close to identical. | Hoping to bundle all of these, but I suppose I'd sell this separately for $15 shipped |
Alphacool NexXxoS ST30 Full Copper 360mm Radiator | https://www.amazon.com/Alphacool-NexXxos-Copper-Radiator-Triple/dp/B007R79E60 | I used this once or twice over the span of 2 years, with clear fluids. It has a bit of discoloration in the exterior fins, but it worked fine for me. I flushed it recently with my hose and shook it quite vigorously, but you may want to do your own cleaning anyways. | I'm hoping to bundle most of this watercooling gear; otherwise, I'd sell this separately for $30 local, or $40 shipped |
EKWB Coolstream Classic PE 360 | https://www.ekwb.com/shop/ek-coolstream-classic-pe-360 | I used this for 2 years with clear fluid, but there was some plasticizer leach from my soft tubing. I tried my best to clean it via flushing with the above method, but you might want to do your own cleaning anyways. | Otherwise, I'd sell for $55 local, or $65 shipped |
EK-Loop Leak Tester Flex | https://www.ekwb.com/shop/ek-loop-leak-tester-flex | I don't think this was used more than a single time. I bought it second hand, but I was told it had been purchased in March. I already have a Barrow leak tester. | Otherwise, I'd sell for $20 local, or $25 shipped |
EK-UNI Pump Bracket (120mm FAN) Vertical | https://www.ekwb.com/shop/ek-uni-pump-bracket-120mm-fan-vertical | I can't recall how much use this saw, probably a couple builds. Has a bit of cosmetic damage. | Bundle only |
EK-UNI Pump Bracket (140mm FAN) Vertical | https://www.ekwb.com/shop/ek-uni-pump-bracket-140mm-fan-vertical | I can't recall how much use this saw, probably a single build. Might have a bit of cosmetic damage. | Bundle only |
XSPC G1/4" Plug with 10k Sensor - Chrome | https://www.performance-pcs.com/water-cooling/fittings-connectors/xspc-g1-4-plug-with-10k-sensor-chrome-xspc-g14-10k-sensor-ch.html | Brand new | Otherwise, I'd sell for $12 shipped |
Thermaltake Pacific C-PRO G1/4 16mm (5/8") OD Compression – Chrome (6 total) | https://www.thermaltake.com/pacific-c-pro-g1-4-petg-tube-16mm-od-compression-chrome-6-pack-fittings.html | bit of plasticizer leach, but still fully functional. | Otherwise, I'd sell for $20 local, or $30 shipped |
Thermaltake Pacific G1/4 16mm (5/8”) OD Compression – Chrome (6 total) | https://es.thermaltake.com/thermaltake-pacific-g1-4-petg-tube-16mm-5-8-od-compression-chrome.html | Don't think these were used much at all. | Otherwise, I'd sell for $20 local, or $30 shipped |
G1/4" Black Sparkle Rotary 90-Degree Extender (7 total) | https://shop.bitspower.com/index.php?route=product/product&product_id=643 | Used throughout a few builds, bit of cosmetic damage or plasticizer leach. | Otherwise, I'd sell for $30 local, or $40 shipped |
Corsair Hydro X Series, 90° Rotary Adapter - Chrome (4 total) | https://www.amazon.com/Corsair-Durability-Securely-Rotation-Mechanism/dp/B07WJVDNBB | Used throughout a few builds, bit of cosmetic damage if anything. | Otherwise, I'd sell for $15 local, or $20 shipped |
Corsair Hydro X Series, Dual G1/4" 90-Degree Extender | I don't know what the hell this monstrosity is. Maybe it is corsair, maybe it isn't. | Only time I ever made use of this was when I needed to plumb a ball valve drain (they typically have a female g1/4). Has lots of cosmetic damage from attempting to remove the other end. The colors don't even match LOL. | Bundle only |
Bitspower G1/4" Extender-30MM - Chrome (2 total) | https://shop.bitspower.com/index.php?route=product/product&product_id=2309 | One is basically brand new and the other has a not so insignificant amount of plasticizer leach I cannot remove with soapy water. | Bundle Only |
Bitspower Rotary Fitting "Q" - 360 Degree Water Cooling Accessory | https://www.performance-pcs.com/water-cooling/fittings-connectors/bitspower-rotary-fitting-q-360-degree-water-cooling-accessory-black-sparkle-finish.html | Bit of plasticizer leach in the top g1/4 threads. | Bundle Only |
Alphacool 2-Way Ball Valve G1/4 | https://www.amazon.com/Alphacool-17141-Black-Hardware-Cooling-Accessory/dp/B015YRMCPO | Used this in a couple builds. bit of cosmetic damage but fully functional and clean. | Bundle Only |
EK-Quantum Torque Drain Valve | https://www.ekwb.com/shop/ek-quantum-torque-drain-valve-black | Probably also only used once. Bought with the EK leak tester. | Bundle Only |
EK-Quantum Torque 90 Degree Rotary - Nickle (6 total) | https://www.ekwb.com/shop/ek-torque-angled-90-black | One of them has a bit of cosmetic staining | Bundle Only |
Primochill Liquid Utopia | https://www.primochill.com/products/primochill-liquid-utopia-15ml-bottle | Bought this recent from frozencpu's sale but there doesn't appear to be a way to identify any manufacturers date. | Bundle Only |
NZXT Kraken G12 GPU Cooling Bracket | https://nzxt.com/product/kraken-g12 | Came with some other stuff I bought, but I'll never use this. It is used, and I did my best to clean it up. | Otherwise, I'd sell for $15 local, $25 shipped |
upHere GPU Anti-sag brace | https://www.amazon.com/upHere-Graphics-Anodized-Aerospace-Aluminum/dp/B076GYL25H | Used a couple times; cosmetic damage where the screw sits. | Bundle Only |
Keyboard stuff:
Used Tezarre TK61 Pudding Keycap Optical Hotswap Keyboard: (Tape/Band-aid Mod, Lubed stabilizers + Gateron optical blacks)
$55 shipped BNIB EVGA Z12 Membrane gaming keyboards
$15 (local only unless you're paying shipping) Keyboard Accessories Bundle:Used Turquoise Resin Wrist Rest Used Gateron Milky Yellow Switches (Lubed and filmed) Used KBDFans Cherry Profile Cement Gray Japanese PBT Keycaps Used Corsair Double-shot PBT keycaps Used TaiHao ABS black/red/white keycaps (spares) Used RGB Shine-through PBT ASA LavaCaps (spares)
$120 shipped Timestamps:
https://imgur.com/a/tQsrIbT Peripherals:
ATH M50X headphones that were used a couple years (hence the pleather having been taken off due to peeling). These probably could use a new pair of earpads, but I did my best to clean them.
$45 shipped Wacom Intuos CTH-480 that has seen minimal use and has very little cosmetic damage on the back side. One of the best tablets you can use for osu! due to hover height and response latency.
$60 shipped GE UltraPro Surge Protector used for maybe a year including 7 outlets and 2 usb ports, 4 foot cord and 1500 joule protection rating.
$20 shipped Timestamps:
https://imgur.com/a/wDYSjNG I'd also be willing to trade for a G-Wolves HSK Pro/Ace mouse.
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2023.06.06 13:38 SelectionPhysical158 what do you think of my custom hydro dipped ds lite lid?
I hydro dipped it in black and chrome paint but the 2 colours hated each other and separated but I dipped it anyway and I think it looks cool
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NintendoDS [link] [comments]
2023.06.06 07:48 throwawayforariel Review of The Little Mermaid, Society, and Culture (part 1)
1 . Compared to the original, this is an unwatchable travesty on every level.
2 . Compared to the live-action remakes of this generation, it is pretty good, and the '89 songs are obviously still great...
- . . . But, the nuances in change and inflection, as well as the dramatic high notes added to change what were already perfect songs into what are now try-hard ballads, can be jarring and/or feel dense in your ears.
- The three new songs are shockingly, offensively bad. Terribly written cheap cliches, horribly sung, and unnecessarily character-bending; low-hangy-fruity metaphors about "uncharted water" vs "gravity" like wtf bitches, I know this was a kid's film but it wasn't some like "goo-goo-ga-ga teletubbies dumb-dumb spoonfeed me and beat me over the head" level infant show you assholes, what is this:
a. Ariel's new song is so awful it's actually hurtful and degrading to viewers everywhere- fans and nonfans alike. And referring to herself using the third person is not an Ariel thing, it's a loser thing;
b. Eric's strangely effeminate, emasculating, and desperate plea to be rescued by his fantasy girl in the form of his song is just unbelievable. Unbelievable what they did to that man, what a pansy they reduced him to.
c. Scuttle's song ironically seems the most appropriate, at least in that it's short and funny enough without altering the character or tone much at all. But I mean, can we please not put "bow chika bow wow" in children's films...? You wanted to remove "kiss the girl" because it was too suggestive, but then you replaced it with the universal theme song for PORN. so . . . ? wtf are you doing.
- Eric is emasculated on various levels (and he is wearing Aladdin's vest, why). He doesn't ever get to prove himself, he doesn't get to be the one who finds Ariel when she first arrives on land, he doesn't get to annihilate Ursula and save his girl, and they've even given him a mother who basically keeps his balls in her purse: why?
- That's not Ariel. Not physically, not energetically. If this girl is confused/offended to find that people don't think she looks like Ariel, then she obviously needs mental help. And, she often sounds like JLo, as in weirdly nasal and shrill. She doesn't fit the bill, stop trying to pretend she does. We have fucking eyes lol the jig is up wtf are you doing. Be embarrassed already and go delete this movie from history right now. The dinglehopper, the iconic hair flip breaking the surface? This shit wasn't written for dreadlocks, neither could be practically accomplished in dreadlocks. Singing longingly at him from the rock, hair flowing wildly and brightly in the wind? Now we have some heavy head of a mop struggling humiliatingly and painfully to prop itself on a rock in some grim display despite it being broad fucking daylight somehow? wtf you clowns. You would have at least made the sea surface fucking sparkle and stuff if it didn't only overemphasize how drab your mermaid inherently is.
I'm not even going to say shit like, "Look: I love Halle, I think she is gorgeous and talented," as a disclaimer to my points, because that is irrelevant. Our association to Ariel was not that she was "Gorgeous," so having any old Gorgeous Goddess play her is not going to do anything for anyone, nobody is that shallow; our association to her was... her, specifically. Find a look-a-like, or don't make the film. Who cares if this girl is beautiful, she is ugly compared to Ariel, and by "ugly" I obviously mean "a total stranger." Her orange dreads are lovely, but if you're trying to conjure the essence of the fluffy bright red hair, then you failed, as in this is an "ugly," or
deviant or
irrelevant, rendition of that. Plus, calling folks "racist" is way crueler and uglier than calling folks "ugly," so just get the fuck over it, if people think she's ugly, they think she's ugly. If you think that's racist, that's even uglier, so whatever honestly.
Those aren't her sisters, what with their random new names. That's not Ursula, and Ursula is not Ariel's auntie, why tf would an octopus and a merman be siblings lol that's enough, you sound like the incestuous bloomfields. That's not Triton, mainly because Triton was never before alluded to as a total zeus-gigolo king-bigelow collecting daughters from every culture the way Ariel collects endless thingamabobs from the surface.
- Those are not Sebastian, Scuttle, and Flounder, but they are endearing enough for this film, and they're a likable trio.
- The girl who plays Vanessa is the best part of this film and the best actor here: her screen time is like a total of 60-90 seconds in all, and yet she has the most intense and fulfilling resemblance to the energy of the cartoon character she is portraying. She for me made this remake worth it over anything else here.
- The graphics are not superb if you care about that stuff. I don't really so it didn't bug me, but nobody looks like they're underwater during dialogues and there are no bubbles ever. The distant shots of her swimming through the water are lovely.
- The dresses. The world's most iconic dresses: the blue town dress with the blue bouncy bow, the pink dining gown, the shimmering purple gown, even the white shipwreck thingy with ropes that Scuttle designed. Not a single one of them anywhere to be found in the remake, how dare they...?
Instead, we get this cheap, dull frump of a frilly tulle nightmare from some hell dimension where tears are the only currency, paired with some dirty rag of a headband...? wtf man. They didn't even try. They literally kidnapped a Knott's Berry Farm employee in the midst of her jam-making shift, beat her up, stole her smock, and threw it at this random black kid, and then rolled cameras like "here- you be ariel i guess. we have no time, this much so far has already cost $17 billion, hurry, the goal was to launder money not actually spend any, quiCK!"
And what is that weird tube top she wears as a mermaid? WTF is that? A piece of her own fin that she skinned off and plastered across her chest...? Why does it have scales dude it still looks alive and what the fuck is wrong with ALL of you sisters and your skin looking like your fins in the form of fancy tops? Is this how your skin just grows, like those are your tits? Because if not, then you found fish that look exactly like yourselves and harvested them for fashion, if not self-mutilated.
- Two-hour run time = too long.
- It'll make you nostalgic over the original so you'll likely rewatch the '89 classic to wash this one out of your mouth.
I ended it there.
And then a new wave started forming so I continued lol.
- There is a painful recurring issue in this movie: some moments and lines are nearly identical to a point that is almost so fulfilling to relive ... and then there's this slight yet awkward change in the delivery or the word inflection or something that creates this huge THUD in energy, like it just FALLS so LIMP on your head. They invite the comparison and use it to hook your engagement for a second, manipulating you through a nostalgia-mimic-tease, then they immediately drop the ball and make it SUCK and force you to just bo0m DISSOCIATE so hard. I can't explain what a gross, violating feeling it is. It's like, do something way different, OR keep everything the exact same, DON'T meander about somewhere in the middle where there is zero meaning, and DON'T embark upon recreating a scene or a line only to deviate from it mid-sequence or mid-sentence.
- It's creepy any time she pops her head above water lurking to secretly observe Eric. It's like horrifying. Why is it always dark, why is she always wriggling her fingers like an excited witch over the rocks, and why does her hair look like the girl's from The Ring.
- In Aladdin, they do this weird thing where "the help" gets involved in the background like in a Shakespearean play, to aid in the young lovers' love, which I thought was annoying. Then they photocopied that general subplot into this remake too, shamelessly, carelessly, as not-Grimsby and some random new lady nobody asked for are to be some unsung heroes now.
- Also, they morphed Eric into Princess Jasmine in this remake, what with his "but i don't wanna be a prince, i wanna go beyond the palace walls, oppressive parent-figure!" just to complete his character transformation into a woman, I guess?
- Ariel is the valiant knight who kills Ursula, and she doesn't wed Erica in the end, just to complete her character transformation into a man, I guess?
- Ariel suddenly chiming in passionately during "Under the Sea" is a humiliating misunderstanding of the whole plot.
- Scuttle was honestly okay. Of all the horrible things of this movie, she's not among them. Obnoxious, slapsticky, raspy, blunt ass: she's not Scuttle, but she's a good enough rendition of his general energy. Most importantly, kids will likely enjoy Scuttle and Sebastian more than anything else over the grueling two hours.
- There's nothing to say about Triton, because there was nothing there. Just the low monotone echoes of some hispanic dude in the distance? He was like a ghost, played by a ghost.
There's nothing to say about Ursula, because there was nothing there. She was almost exactly like the cartoon one for the most part, only like the general skeleton form or outline of her with nothing inside. Or like a cardboard cutout of her that somebody apathetically toted about the scenery as if just to get a reference the way they do in pre-shoots and rehearsals and shit. The parts where she should be intensely belting or spitting shit out, she is muted; the parts where she should be calm, she is belting shit out and making a spectacle out of her confused, talentless self.
- There's this one flash of a second of a transition scene where this one white slave (?) of the castle is like dipping a dry mop up and down on and off the castle floor in some corridor with an undoubtedly glazed over look in his dead eyes. I don't know what to do about this or make of anything. I was scared and confused.
- There's no grand orchestral opening scene introducing the sisters- huge letdown from the film's onset. But at least it plummets your expectations to a safe below ground haven from which you might endure the rest of the, like I said, grueling hours.
- The glittery sparkling ocean surface and dreamy land/seascapes: nowhere to be found. The gorgeous glistening seaside castle: fucking gone man. There are just zero shimmers, sparkles, bubbles, or color pops in this bleak abysmal damp cave of a fucking movie, people, when that was like 94% of the freaking aesthetic, energy, spirit, function, lullaby, and purpose of the goddamn original. I'll kill you all for this shit.
- In the end, all the wealthy black fisherman in broken down boats (?) within a blink of an eye suddenly find themselves surrounded by terrifying sci-fi fish-people-aliens, some just chilling there in their own personal boats like this is their uncle's lagoon, five seconds away from murdering this entire village if they so choose, nonchalantly flapping their gigantic slimy fins all over the place with such a sense of belonging somehow like this is their comfort zone, rubbing their titty-scales on everybody's personal property, making out with the locals and shit- like holy smokes they came together pretty quick, no shock, no nothing, fucking none of these humans are scared, confused, or even like squeamish? But they're gigantic, intelligent sea monsters who have got you surrounded now and are closing in, and the only one who likes or cares about you people is about to go die at sea with your future ruler so you're obviously fucked as her father Poseidon is notorious for hating your kind, like this may very well be the moment of genocide he's been waiting for his entire life since the death of wife #794/this version of Ariel's mom; and then the only other time you guys saw this shit was when that gigantic octopus almost ate all of your babies at the last wedding: why are you so calm that being your only other association to these creatures...?! And if you're this calm and unfazed by sea-people, then what the fuck was even the main conflict of this entire film? Ariel could have been flapping her way through the city streets emasculating Eric in public instead of just in private this whole time, obviously nobody here cares, fish, human, pegasus, black queen, what have you, they're all within the realm of possibility- nay, probability.
In the cartoon, the mermaids respect fucking boundaries in the end, they're just waving goodbye from their ocean border, they're not crawling into the people's fucking houses at high tide wagging their fish genitals at humanity looking to breed a new species in the name of a wedding nobody invited them to and is apparently not even actually taking place anymore, because these two humans are about to go travel the world in a literal mother fucking rowboat instead, because the prince of this film is an adrenaline junkie who doesn't feel alive unless he is getting shipwrecked over and over, likely a recurring trauma left over from the time he was one years old and survived a shipwreck somehow that he keeps reliving and his mother keeps reminding him of as her own personal tool for oppression over him- this not-a-honeymoon will be like his third or fourth time almost dying in a shoddy boat at sea over the brief like 18 years he's been alive? and he has like zero ptsd or even the barest sense of basic caution or any lessons learned in seafaring protocol 101...? You know she's not a mermaid anymore right? you can't be fainting helplessly and crying out "sAave mE finD mE" with pretty pink bows in your hair at her this time, she will die with you, get it? But then again like who the fuck knows shit about fucking shit around here, when the girl was a fish she pirate-flop-commandeered a whole rotting ship out of water into a magical kraken, so probably as a human she'll breathe underwater even better than when she was a fish, who knows anything anymore, wtf is this. can you explain any of this to me or anyone? of course not, and why should we have to now?
- The original's a father-daughter story before it's a boy-girl-love story. Anybody who gives a shit about that movie knows that. Doing things like giving Erica extra songs/story pieces as if he's co-star of the narrative is such a mortifyingly dense misconception of such an otherwise uniquely gorgeous, deep story singing a whole other tune entirely. Legitimately shameful.
. . . AND THEN rewriting the "love story" so that Ariel's "a more empowered female" as if to admit you mislabeled the original Ariel "unempowered," as in, you obviously oppressed her by overlooking everything beautiful and true about her, projecting all of this shit "to fix" that didn't even exist, and by "fixing it" as you have, you only stripped the girl of her voice. Your movie makes it clear you have no idea what the film you're "recreating" is even about, and your capacity to grasp the basic symbolism, themes, and meanings of even children's films is below a third-grade level.
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2023.06.06 03:43 IMHOZen1 John Wick Temporized
With the fourth and (we all know it’s not) “final” Chapter of the John Wick series about to hit home collections, it’s my pleasure to present the most thorough timeline of events you’ll likely ever find!
Beginning with my need to know more on the Blood Marker’s back sporting a connection to Assassin’s Creed: Revelations, I’ve spent the last couple months compiling factoids and context that is notoriously slathered in mystery, and I’ve attempted to give us as many interesting insights pulled from the intricately esoteric web of intrigue the series of John Wick speaks to.
Stripping all the named players in The High Table’s Assassins, and highlighting the rules and dealings behind their shadow economy, you’ll then be dipping your pinkie into the “Temporized” timeline using all kinds of cited sources that allude to the larger world, laid bare for others to connect.
It includes all 4 films entirely scripted, the 2 official spin-off games and John Wick’s Payday outings, the John Wick: Book of Rules comic run teasers/explanation, all we know on the unreleased Continental mini series and Ballerina film, and a few theoretical connections!
I did try to stick to strictly charting the cars and weapons John himself interacts with, as the doc is already sizable, but there’s a few really cool things I’m dying to point out here for those that think they’ve seen it all:
I’ve fully timed 1-4 down to the minute if shown, and found a never-before-seen tidbit in John Wick Chronicles that tells that little bit more about the femme fatale, Ms. Perkins… then we get into the connections to The Package (2013) and Nobody (2021), with all Administrative documents meticulously pulled apart too, revealing all kinds of missable timeable facts that even the fandom Wiki doesn’t chart! (Not even mentioning there’s no timeline in sight on there, either!)
All this and more awaits inside these
316pgs of High Table secrets. I have served. I will be of service. Now it’s your choice. And by all means, if there’s anything I’m missing that you’d like to see covered, do share so I can better refine this in the future!
[For anyone hoping to download this doc for later reference, it’s absolutely free, using password
zàrhomi, be sure to use the à! A relic of my other Temporizing endeavor, meaning “I am permitted” in Assassin’s Creed’s Isu language! ;)]
• Your Friendly High Table Assassin
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2023.06.06 03:42 IMHOZen1 John Wick Temporized
With the fourth and (we all know it’s not) “final” Chapter of the John Wick series about to hit home collections, it’s my pleasure to present the most thorough timeline of events you’ll likely ever find!
Beginning with my need to know more on the Blood Marker’s back sporting a connection to Assassin’s Creed: Revelations, I’ve spent the last couple months compiling factoids and context that is notoriously slathered in mystery, and I’ve attempted to give us as many interesting insights pulled from the intricately esoteric web of intrigue the series of John Wick speaks to.
Stripping all the named players in The High Table’s Assassins, and highlighting the rules and dealings behind their shadow economy, you’ll then be dipping your pinkie into the “Temporized” timeline using all kinds of cited sources that allude to the larger world, laid bare for others to connect.
It includes all 4 films entirely scripted, the 2 official spin-off games and John Wick’s Payday outings, the John Wick: Book of Rules comic run teasers/explanation, all we know on the unreleased Continental mini series and Ballerina film, and a few theoretical connections!
I did try to stick to strictly charting the cars and weapons John himself interacts with, as the doc is already sizable, but there’s a few really cool things I’m dying to point out here for those that think they’ve seen it all:
I’ve fully timed 1-4 down to the minute if shown, and found a never-before-seen tidbit in John Wick Chronicles that tells that little bit more about the femme fatale, Ms. Perkins… then we get into the connections to The Package (2013) and Nobody (2021), with all Administrative documents meticulously pulled apart too, revealing all kinds of missable timeable facts that even the fandom Wiki doesn’t chart! (Not even mentioning there’s no timeline in sight on there, either!)
All this and more awaits inside these
316pgs of High Table secrets. I have served. I will be of service. Now it’s your choice. And by all means, if there’s anything I’m missing that you’d like to see covered, do share so I can better refine this in the future!
[For anyone hoping to download this doc for later reference, it’s absolutely free, using password
zàrhomi, be sure to use the à! A relic of my other Temporizing endeavor, meaning “I am permitted” in Assassin’s Creed’s Isu language! ;)]
• Your Friendly High Table Assassin
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2023.06.06 01:50 JediJones77 My Full The Flash Review: Cleverly Gets Us Up to Speed on Flash's Backstory but is More Sugar Rush than Satisfying Journey
| This review is based on a free preview screening held in the U.S. on June 1st, 2023, two weeks before the movie's official opening date. Note that this screening did NOT include any credits or post-credits scenes, which I don't know if the final movie will have or not. The director's name came up after the final shot, and then the screen shut off. This review is spoiler-free, but does discuss plot points that are visible in the film's trailers. I may say things like a certain character had a lot of scenes or barely any scenes, so if that's too much information for you, don't read it. I DO NOT spoil the appearance of any character not seen in the trailers. My review: 7 out of 10 or 3.5 stars out of 5 or B+ The Flash arrives in cinemas not with the urgency of a speeding bullet, but as one of the most long-awaited superhero origin movies in history. The character's comic book debut dates back to 1939, making him one of the founding fathers of the superhero genre. He's carried more than one TV series, from 1990 to the present day. He made his film debut played by Ezra Miller in a brief civilian-garbed cameo in 2016's Batman v Superman: Dawn of Justice, then in costume in 2017's Justice League. Now, after decades of stop-and-go development with too many director changes to count, Ezra's version of The Flash finally gets his name top-billed (if just barely) on the marquee in his own movie. The Flash's director is Andy Muschietti, joining his second big studio franchise after his 2017 and 2019 two-part adaptation of Stephen King's It. The advance buzz for The Flash has broken the tradition of every new DC Comics movie being sold as "the best superhero movie since Dark Knight," by instead telling us that The Flash is "one of the best superhero movies ever made." That's a high bar to ask any superhero movie to live up to, and The Flash, as you might have predicted, doesn't live up to that billing. It can more realistically be described as the best DC Comics movie since 2018's Aquaman that takes place in the primary DC cinematic universe. The basic bare minimum that any superhero origin story has to do is to explain what the character's powers are, tell us how the character got them, and convince us that the character and his powers are interesting. The Flash succeeds at meeting that more realistic bar. This movie is a perfectly adequate introduction to this culturally significant comic book character for the world at large. Where the movie loses its focus and interest is with its effort to send Flash through a travelogue that traverses the multiverse in search of other super-powered characters for him to pal around with. This movie was faced with a difficult challenge in telling Flash's origin, in that the character had already been introduced in the DC film series, with nary a word spoken about how he got his powers. The Flash's screenplay is ingenious in the way it tells his origin story without relying on the old cliche of the flashback sequence. It's no secret from the trailers that Flash employs his time travel powers in the movie, and ends up meeting a younger version of himself. Like most modern movies that deal with time travel, this one indulges in making Back to the Future references, some of which will be very funny the more you know about Back to the Future. The plot deals with the same absurd and fascinating situation explored in Back to the Future II, where two versions of the same character exist in the same place at the same time. This gives Flash another character with less knowledge than himself, who he has a good reason to explain things to, much like Doc Brown explains things to Marty in Back to the Future. This device allows the audience to learn everything we need to know about the Flash's origins and powers in an organic way that feels active, natural and spontaneous. Audiences who have little prior knowledge of The Flash will likely be surprised at a lot of the things he can do, but they'll also understand why he can do them with ease thanks to the movie's clever storytelling. Chemistry in movies is an elusive concept to define. Sometimes two actors who weren't even on set at the same time can have their dialogue edited together later and still appear to have "chemistry." This can be seen in Ralph Macchio's and Pat Morita's screen tests for the Karate Kid, which were shot separately but edited together by the director and posted on YouTube. That dynamic is certainly on display with Ezra Miller's performance(s) in The Flash. The chemistry between the two Flashes is as vibrant and electric as the special effects seen when Flash runs at full speed. Ezra deftly plays the two versions of the Flash in subtly different ways, which helps draw human comedy out of the old, reliable "odd couple" concept. The movie is nothing if not full of in-jokes, and at one point there even seems to be one made at Ezra's expense, based on the actor's recent court trial. I'm not sure what the timing was of when that scene was filmed, and whether it's art imitating life or the other way around. The scenes with the two Flashes seem to be very accessible to the general audience, but this in-joke is one sign of how the movie is often geared towards rewarding the most ardent fans and followers with "Easter egg" moments. While Flash is ostensibly being graced with his first solo starring movie role here, that didn't stop the studio from deciding that not one, but two Batmen will appear with him in it, Michael Keaton's and Ben Affleck's. And a female version of Superman. And a Superman villain who's crossing over from another movie. And maybe some other surprise guest appearances. It's hard to explain why Warner Brothers felt the need to take this approach with Flash, when the recent film debuts for Wonder Woman and Aquaman were so successful without using any major crossover gimmicks. Perhaps the greatest casualty of this heavy focus on other superheroes is Flash's love interest, Iris West, played by the charmingly baby-faced Kiersey Clemons. She has great chemistry with Ezra herself, but she barely appears in the movie. This is a character who is likely to be a lot more important to Flash's future than these other superheroes, but she barely gets an introduction here. As we've seen all too often in this genre, crossovers with other superheroes always spell doom for the lead character's civilian supporting cast. The other problem with this approach is that these guest stars and cameos never come off as more than the aforementioned gimmicks. The guest stars deliver their famous catchphrases, show off their well-known costumes, powers and gear, and offer a little bit of obligatory dialogue to explain what they've been doing since we last saw them. But they don't get any real character development or satisfying beginnings, middles and ends to their stories. Several newer Batman movies have shown us that they can go a lot deeper psychologically than the original Michael Keaton Batman movies did. But no added depth has been given to Keaton's version of Batman here. The filmmakers seem content to rely on a few nostalgic references. Keaton has become a more interesting actor in recent years too, but he isn't given any new angle on the character to explore in this performance. Even his aging is barely acknowledged. Keaton has certainly aged well, still fits the suit perfectly, and can pull off his action scenes convincingly. But this movie doesn't give him much to do beyond the action, short of a few cliched speeches about his parents' deaths with the requisite violins playing on the soundtrack. All this movie really does for Keaton's Batman is whet our appetite to see his character explored in more depth in a potential future Batman sequel. I'm sure Keaton has the potential to do much more with the character than the material allowed him to here. Other, more modern DC characters and actors also show up, to varying degrees of effectiveness. One of those is Ben Affleck's Batman, who, in a briefer appearance than Keaton's, manages to deliver more meaningful and memorable dialogue in this movie than his 1989 predecessor does. The big action scene with Affleck's Batman and the Flash isn't disappointing either. It more than adequately fulfills the promise of a DC cinematic universe centered around the Justice League that director Zack Snyder, the former top architect of DC's film universe, made to us in his movies several years ago. This fast, elaborate, exciting and very expensive-looking sequence set in a bustling cityscape exists as an almost separate entity from the rest of the movie, much like the classic James Bond prologues, and it almost steals the show from the rest of the movie, much like the classic Indiana Jones prologues. It must be said, however, that almost all of the Batman action in this movie loses some of the character's mystique by taking place more or less in broad daylight, rather than during the Dark Knight's signature territory of the night. If crossing over with the Batman bible wasn't enough, The Flash is just as eager to dip its toes into Superman's world. But, this time, it's without any real appearance by the big blue boy himself. Instead, the first movie version in almost 30 years of Superman's famous cousin, Supergirl, takes center stage. This version of Supergirl abandons the traditional blonde hair and red skirt that she's worn since her first comic book appearance in 1959 for short, dark hair and the same full-length tights that Henry Cavill's Man of Steel sported. She's played by Sasha Calle, an actress of Colombian descent. Supergirl continues the increasingly tiresome tradition of new DC characters being introduced in movies with a "to be determined" note attached to their origin story. She seems to be in the middle of her story when she enters in the middle of this movie to help the other heroes battle Michael Shannon's General Zod, reprising his role from 2013's Man of Steel. Yes, Zod died in that movie, but time travel, multiverse, Back to the Future, etc., etc. Sasha's performance is lacking a certain warmth or charm. Supergirl acts less like a middle American-bred human being, and more like one of the cold Kryptonians that accompany General Zod and speak with vague foreign accents. Whatever character development she has is handled in an extremely abbreviated and perfunctory way, much like what Keaton's Batman suffers in this movie. As for General Zod, I'm frankly surprised to learn they called back Michael Shannon to film new scenes. Everything here looks like it could've been pieced together from old Man of Steel footage and some CGI. Absolutely nothing new is explored with his character. He's nothing more than a prop in someone else's story, which leaves this movie feeling deprived in the villain department. The Flash eventually finds its own way to make a compelling point about good and evil, but it doesn't give us the kind of strong, new villain character that most of the major DC origin movies have. Andy Muschietti's direction, particularly in terms of his visual style, isn't always as polished as you would expect from a big-budget special effects movie. If you didn't already know he was coming fresh from independent and lower-budget films that often make use of a surrealist style, you might be able to deduce it from watching The Flash. Half the time, the special effects here are not trying to create a convincing, lifelike world, the way movies like Avatar do. They often seem more expressionistic and, yes, surreal. The movie has tried to find its own way of portraying time travel and the multiverse that hasn't been done before. But I wasn't really sold on this being a good way to do it. And the battle scenes that this movie imports from Man of Steel made me feel more like I was playing a video game than like I was watching Man of Steel again. To be fair, the studio has been saying that the advance version I saw was not the final cut, although it's a mere two weeks prior to the official release date. There may be a fine line between surrealism and unfinished special effects. All I can say is that what the special effects lack in polish, they seem to be trying to make up for with style, but not in as consistently effective a way as I would have liked to have seen. What holds the movie back the most from being as good as Dark Knight, or from being one of the best superhero movies ever, is the too often facile nature of Hollywood wunderkind Christina Hodson's screenplay. Major characters like Keaton's Batman, Calle's Supergirl and Shannon's Zod are dealt with in a very simplified and superficial manner. The Flash himself is given great texture through Ezra's skillful and inspired acting, but even some of his character's big moments seem to come out of nowhere, without the story having laid the necessary groundwork and connective tissue to support them. The overwhelming feeling generated by The Flash is that the movie is extremely eager to jump from "money shot" to "classic one-liner" to "heartfelt dialogue" without providing the necessary investment in proper storytelling to earn all of those moments. I can't help but get the feeling from the reported last-minute editing the movie is going through that the filmmakers are struggling to figure out why the movie isn't paying off quite as strongly with audiences as they had hoped. All of the big moments that audiences are supposed to love are there, after all, aren't they? But a movie can't just aim for non-stop entertainment. It can't be all payoff and no setup. A proper story needs to pace itself, to take the time to develop, breathe and grow. A fulfilling meal can't be just a series of sugar highs. It also has to have some fundamental nutritional value. The Flash races from one dazzling excitement to another at the speed of light, but it ends up leaving the viewer almost as starved for calories as they were when the movie started. https://preview.redd.it/y6042dfbea4b1.png?width=500&format=png&auto=webp&s=8cf9d20ec278d22fb7c8aac118b00fb9efb490ff submitted by JediJones77 to DC_Cinematic [link] [comments] |
2023.06.06 01:48 JediJones77 My Full The Flash Review: Cleverly Gets Us Up to Speed on Flash's Backstory but is More Sugar Rush than Satisfying Journey
| This review is based on a free preview screening held in the U.S. on June 1st, 2023, two weeks before the movie's official opening date. Note that this screening did NOT include any credits or post-credits scenes, which I don't know if the final movie will have or not. The director's name came up after the final shot, and then the screen shut off. This review is spoiler-free, but does discuss plot points that are visible in the film's trailers. I may say things like a certain character had a lot of scenes or barely any scenes, so if that's too much information for you, don't read it. I DO NOT spoil the appearance of any character not seen in the trailers. My review: 7 out of 10 or 3.5 stars out of 5 or B+ The Flash arrives in cinemas not with the urgency of a speeding bullet, but as one of the most long-awaited superhero origin movies in history. The character's comic book debut dates back to 1939, making him one of the founding fathers of the superhero genre. He's carried more than one TV series, from 1990 to the present day. He made his film debut played by Ezra Miller in a brief civilian-garbed cameo in 2016's Batman v Superman: Dawn of Justice, then in costume in 2017's Justice League. Now, after decades of stop-and-go development with too many director changes to count, Ezra's version of The Flash finally gets his name top-billed (if just barely) on the marquee in his own movie. The Flash's director is Andy Muschietti, joining his second big studio franchise after his 2017 and 2019 two-part adaptation of Stephen King's It. The advance buzz for The Flash has broken the tradition of every new DC Comics movie being sold as "the best superhero movie since Dark Knight," by instead telling us that The Flash is "one of the best superhero movies ever made." That's a high bar to ask any superhero movie to live up to, and The Flash, as you might have predicted, doesn't live up to that billing. It can more realistically be described as the best DC Comics movie since 2018's Aquaman that takes place in the primary DC cinematic universe. The basic bare minimum that any superhero origin story has to do is to explain what the character's powers are, tell us how the character got them, and convince us that the character and his powers are interesting. The Flash succeeds at meeting that more realistic bar. This movie is a perfectly adequate introduction to this culturally significant comic book character for the world at large. Where the movie loses its focus and interest is with its effort to send Flash through a travelogue that traverses the multiverse in search of other super-powered characters for him to pal around with. This movie was faced with a difficult challenge in telling Flash's origin, in that the character had already been introduced in the DC film series, with nary a word spoken about how he got his powers. The Flash's screenplay is ingenious in the way it tells his origin story without relying on the old cliche of the flashback sequence. It's no secret from the trailers that Flash employs his time travel powers in the movie, and ends up meeting a younger version of himself. Like most modern movies that deal with time travel, this one indulges in making Back to the Future references, some of which will be very funny the more you know about Back to the Future. The plot deals with the same absurd and fascinating situation explored in Back to the Future II, where two versions of the same character exist in the same place at the same time. This gives Flash another character with less knowledge than himself, who he has a good reason to explain things to, much like Doc Brown explains things to Marty in Back to the Future. This device allows the audience to learn everything we need to know about the Flash's origins and powers in an organic way that feels active, natural and spontaneous. Audiences who have little prior knowledge of The Flash will likely be surprised at a lot of the things he can do, but they'll also understand why he can do them with ease thanks to the movie's clever storytelling. Chemistry in movies is an elusive concept to define. Sometimes two actors who weren't even on set at the same time can have their dialogue edited together later and still appear to have "chemistry." This can be seen in Ralph Macchio's and Pat Morita's screen tests for the Karate Kid, which were shot separately but edited together by the director and posted on YouTube. That dynamic is certainly on display with Ezra Miller's performance(s) in The Flash. The chemistry between the two Flashes is as vibrant and electric as the special effects seen when Flash runs at full speed. Ezra deftly plays the two versions of the Flash in subtly different ways, which helps draw human comedy out of the old, reliable "odd couple" concept. The movie is nothing if not full of in-jokes, and at one point there even seems to be one made at Ezra's expense, based on the actor's recent court trial. I'm not sure what the timing was of when that scene was filmed, and whether it's art imitating life or the other way around. The scenes with the two Flashes seem to be very accessible to the general audience, but this in-joke is one sign of how the movie is often geared towards rewarding the most ardent fans and followers with "Easter egg" moments. While Flash is ostensibly being graced with his first solo starring movie role here, that didn't stop the studio from deciding that not one, but two Batmen will appear with him in it, Michael Keaton's and Ben Affleck's. And a female version of Superman. And a Superman villain who's crossing over from another movie. And maybe some other surprise guest appearances. It's hard to explain why Warner Brothers felt the need to take this approach with Flash, when the recent film debuts for Wonder Woman and Aquaman were so successful without using any major crossover gimmicks. Perhaps the greatest casualty of this heavy focus on other superheroes is Flash's love interest, Iris West, played by the charmingly baby-faced Kiersey Clemons. She has great chemistry with Ezra herself, but she barely appears in the movie. This is a character who is likely to be a lot more important to Flash's future than these other superheroes, but she barely gets an introduction here. As we've seen all too often in this genre, crossovers with other superheroes always spell doom for the lead character's civilian supporting cast. The other problem with this approach is that these guest stars and cameos never come off as more than the aforementioned gimmicks. The guest stars deliver their famous catchphrases, show off their well-known costumes, powers and gear, and offer a little bit of obligatory dialogue to explain what they've been doing since we last saw them. But they don't get any real character development or satisfying beginnings, middles and ends to their stories. Several newer Batman movies have shown us that they can go a lot deeper psychologically than the original Michael Keaton Batman movies did. But no added depth has been given to Keaton's version of Batman here. The filmmakers seem content to rely on a few nostalgic references. Keaton has become a more interesting actor in recent years too, but he isn't given any new angle on the character to explore in this performance. Even his aging is barely acknowledged. Keaton has certainly aged well, still fits the suit perfectly, and can pull off his action scenes convincingly. But this movie doesn't give him much to do beyond the action, short of a few cliched speeches about his parents' deaths with the requisite violins playing on the soundtrack. All this movie really does for Keaton's Batman is whet our appetite to see his character explored in more depth in a potential future Batman sequel. I'm sure Keaton has the potential to do much more with the character than the material allowed him to here. Other, more modern DC characters and actors also show up, to varying degrees of effectiveness. One of those is Ben Affleck's Batman, who, in a briefer appearance than Keaton's, manages to deliver more meaningful and memorable dialogue in this movie than his 1989 predecessor does. The big action scene with Affleck's Batman and the Flash isn't disappointing either. It more than adequately fulfills the promise of a DC cinematic universe centered around the Justice League that director Zack Snyder, the former top architect of DC's film universe, made to us in his movies several years ago. This fast, elaborate, exciting and very expensive-looking sequence set in a bustling cityscape exists as an almost separate entity from the rest of the movie, much like the classic James Bond prologues, and it almost steals the show from the rest of the movie, much like the classic Indiana Jones prologues. It must be said, however, that almost all of the Batman action in this movie loses some of the character's mystique by taking place more or less in broad daylight, rather than during the Dark Knight's signature territory of the night. If crossing over with the Batman bible wasn't enough, The Flash is just as eager to dip its toes into Superman's world. But, this time, it's without any real appearance by the big blue boy himself. Instead, the first movie version in almost 30 years of Superman's famous cousin, Supergirl, takes center stage. This version of Supergirl abandons the traditional blonde hair and red skirt that she's worn since her first comic book appearance in 1959 for short, dark hair and the same full-length tights that Henry Cavill's Man of Steel sported. She's played by Sasha Calle, an actress of Colombian descent. Supergirl continues the increasingly tiresome tradition of new DC characters being introduced in movies with a "to be determined" note attached to their origin story. She seems to be in the middle of her story when she enters in the middle of this movie to help the other heroes battle Michael Shannon's General Zod, reprising his role from 2013's Man of Steel. Yes, Zod died in that movie, but time travel, multiverse, Back to the Future, etc., etc. Sasha's performance is lacking a certain warmth or charm. Supergirl acts less like a middle American-bred human being, and more like one of the cold Kryptonians that accompany General Zod and speak with vague foreign accents. Whatever character development she has is handled in an extremely abbreviated and perfunctory way, much like what Keaton's Batman suffers in this movie. As for General Zod, I'm frankly surprised to learn they called back Michael Shannon to film new scenes. Everything here looks like it could've been pieced together from old Man of Steel footage and some CGI. Absolutely nothing new is explored with his character. He's nothing more than a prop in someone else's story, which leaves this movie feeling deprived in the villain department. The Flash eventually finds its own way to make a compelling point about good and evil, but it doesn't give us the kind of strong, new villain character that most of the major DC origin movies have. Andy Muschietti's direction, particularly in terms of his visual style, isn't always as polished as you would expect from a big-budget special effects movie. If you didn't already know he was coming fresh from independent and lower-budget films that often make use of a surrealist style, you might be able to deduce it from watching The Flash. Half the time, the special effects here are not trying to create a convincing, lifelike world, the way movies like Avatar do. They often seem more expressionistic and, yes, surreal. The movie has tried to find its own way of portraying time travel and the multiverse that hasn't been done before. But I wasn't really sold on this being a good way to do it. And the battle scenes that this movie imports from Man of Steel made me feel more like I was playing a video game than like I was watching Man of Steel again. To be fair, the studio has been saying that the advance version I saw was not the final cut, although it's a mere two weeks prior to the official release date. There may be a fine line between surrealism and unfinished special effects. All I can say is that what the special effects lack in polish, they seem to be trying to make up for with style, but not in as consistently effective a way as I would have liked to have seen. What holds the movie back the most from being as good as Dark Knight, or from being one of the best superhero movies ever, is the too often facile nature of Hollywood wunderkind Christina Hodson's screenplay. Major characters like Keaton's Batman, Calle's Supergirl and Shannon's Zod are dealt with in a very simplified and superficial manner. The Flash himself is given great texture through Ezra's skillful and inspired acting, but even some of his character's big moments seem to come out of nowhere, without the story having laid the necessary groundwork and connective tissue to support them. The overwhelming feeling generated by The Flash is that the movie is extremely eager to jump from "money shot" to "classic one-liner" to "heartfelt dialogue" without providing the necessary investment in proper storytelling to earn all of those moments. I can't help but get the feeling from the reported last-minute editing the movie is going through that the filmmakers are struggling to figure out why the movie isn't paying off quite as strongly with audiences as they had hoped. All of the big moments that audiences are supposed to love are there, after all, aren't they? But a movie can't just aim for non-stop entertainment. It can't be all payoff and no setup. A proper story needs to pace itself, to take the time to develop, breathe and grow. A fulfilling meal can't be just a series of sugar highs. It also has to have some fundamental nutritional value. The Flash races from one dazzling excitement to another at the speed of light, but it ends up leaving the viewer almost as starved for calories as they were when the movie started. https://preview.redd.it/i7s8ki9fda4b1.png?width=500&format=png&auto=webp&s=9adf9ef308c32459a75c907dcbff49460765f82b submitted by JediJones77 to SnyderCut [link] [comments] |
2023.06.05 21:56 Wallytamer [Theory] SSU Future and Sinister Six line-up
Apparently we're getting a Miles Morales film, and that let us with this film list:
- Venom (2018)
- Venom: Let there be Carnage (2021)
- Morbius (2022)
- Kraven the Hunter (2023)
- Madame Web (2024)
- Venom 3 [Pre-production]
- Spider-Woman [Rumored Olivia Wilde's female lead film]
- Miles Morales: Spider-man [Development]
- El Muerto [in Standstill/Development]
And the series:
- Silk: Spider society
- Spider-man Noir
We know that the Vulture wants to create a team to go against Spider-man.
Another thing we asume from interviews and the Cinemacon trailer is that Kraven is a villain not an anti-hero and that Rhino will be featured.
Now we can assume that Spider-woman will go against a female villains, maybe someone like Silver Sable or Janice Lincoln (Beetle).
Another fair assumption is that Prowler will be on MM film, or feature a villain never seen in live action like Hydro-man.
Finally I think that Doc Ock It's a vital part of the line up, maybe he was who gave Vulture the new wings.
My final line up would be:
- Vulture
- Doctor Octopus
- Kraven
- Rhino
- Beetle
- ProwleHydro-man
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2023.06.05 18:26 hackyandbird The best part about Elemental (2023) will be a short film that takes place before the movie even starts, honestly we'll probably just dip after seeing these two one final time.
2023.06.04 22:32 Mother_Tell998 A very long joke
(Apologies to anyone who reads this in full. But this joke is hideously long on purpose. It's effects are best if you actually sit someone down and tell it to them. I took up my workmates entire lunch break with this and he hasn't spoken to me all evening.)
There are one hundred priests of an unspecified religion. They have arrived dressed in the symbols of their faith in a new land to spread the word of their 'Superbook'. This could be any land, France, Egypt, Feudal Japan, the Toronto Film Festival, any land. Absolutely any land you can imagine, Gondor, Pangaea, 1992 or your own home and surrounding lands which are unique to you.
Upon arriving in this strange new land they learn that the people here have no knowledge of Superbook. They decide that the best way to spread the word is to construct a building as a symbol of the new faith. So they purchased some basic tools and set to work gathering wood for their shrine. As there were one hundred priests in their prime the shrine was constructed in under a week.
It was a basic thing. The sort of shrine you would look at and say "that's pretty shit. Did children build this? You didn't tell me there were feral children around.". A central trunk with a roughly carved deity symbol nailed to the top stood in a forest clearing. A few rows of log seats encircled it and around the edges stood a few tall torches burning incense.
The priests stood back and looked proud over their creation, happy that they could begin spreading the words and illustrations of Superbook. It was suggested by one of the priests that "Hey we should go for a drink to celebrate our success!" to which exactly half of the priests thought would be a good idea. So fifty of the priests headed down to the local pub where they spent the night drinking whatever beverages Superbook allowed.
Upon returning from their celebrations the priests were greeted by a horrifying sight. "Have I got beverage in my eyes!?" one of the priests was heard to say "or has something destroyed our shrine!?". The priest was correct, before them lay the ruins of their primitive shrine, a tangle of wood and limbs all set ablaze by the incense torches.
How exactly all fifty priests who remained at the shrine managed to perish as the single tall, thin structure collapsed remains a mystery to this day. As the priests stood in shock staring and mourning over their lost friends, one of them turned to notice something that looked out of place. As he squinted he could make out on the horizon a figure all in black, speeding away on an unspecified vehicle. It could be a motorbike, a sports car, a horse and carriage, a horse without a carriage, absolutely any vehicle you can think of, a bicycle, a unicycle, a pangolin, or a petrol powered pangolin.
But it was too late, the man disappeared over the horizon. As the remaining priests gathered their thoughts, one of them suggested that they should not be discouraged, and that their fallen friends would want them to rebuild the shrine in memory of them.
The priests agreed and set about building a new shrine! bigger and better than the first to remember this tragic day. They quarried stones, they cut down trees and they sewed curtains, nice curtains, I mean REALLY nice curtains, with tassels and everything. It took the fifty priests a few weeks to complete but eventually they were able to stand back and admire their new creation.
It was a quaint chapel on the hill. The sort of chapel you would look at and say "hey look at that quaint little chapel, and oh damn check out those nice curtains!". A trodden dirt path led to the entrance of a small stone structure, inside was the picture of simplicity and modesty. A few rows of pews on a polished wooden floor, and an altar stood in front of a patchwork deity symbol.
As the priests admired their new chapel, they remarked that yes, their fallen friends would be happy with this. One of the priests suggested that they visit a local theme park to celebrate this day. Exactly half of the priests agreed, they spent the day riding deity approved rides, gambling deity approved amounts of money and not riding deity condemned rides.
Upon returning from their celebrations the priests were greeted by a horrifying sight. "Have I got deity approved theme park snacks in my eyes!?" one of the priests was heard to say "or has something destroyed our chapel!?". The priest was correct, on the hill lay a pill of stone rubble, limbs and silky smooth curtain tassels.... which was all on fire for some reason.
As the priests stood staring in horror over their lost friends, one of them turned to notice something that, yes, upon the horizon he could just make out the man in black speeding into the distance. But it was too late, he was gone. As the remaining priests took care of the dead in the way decreed by Superbook, one of them suggested that this should not be the end, and that their fallen friends would want them to rebuild the chapel in memory of them.
The priests agreed and set about pillaging neighbouring villages for building supplies. They gathered glass, mixed cement, smelted iron, mined for gold and expanded their quarry. They didn't just rebuild the chapel, they built a fully fledged church! The sort of church that when you refer to it like "Oh it's up by the church", people would know what you are talking about and benefit from your informative directions. It had taken the twenty five priests six months of labour but there it stood. A paved path led through an iron fence, protection against and would-be-church-destroyers and towards an imposing stone structure. Stain glass windows adorned the front complete with deity symbols, the pews could seat a thousand and a golden forged Superbook sat upon the altar.
The twenty five priests patted themselves on the back and said a prayer for the lost friends. One priest suggested that after six months they deserved a celebratory meal to mark the occasion. Twelve priests agreed whilst the rest stayed to rest, content in the safety of their shiny new iron fence. The twelve priests spent the evening at a nearby Italian restaurant, because everyone is allowed to eat Italian food.
After an evening of scoffing increasingly abstract pasta shapes the twelve priests returned to their church. One of the priests was heard to say "Have I got tagliatelle in my eye!? Or has someone knocked down our church!? AGAIN!" The scene that greeted them was one of sorrow and anger. Sorrow for their dead friends, crushed under heaps of stone and glass. Anger at their dead friends, for placing so much faith in an iron fence. Yet more anger at the figure they could see vanishing over the horizon.
At this point you are probably thinking that these priests are idiots, that surely they can understand the pattern by now that building a church plus staying in the church equals death. You would also think that after the previous events they would not believe that the solution would be to build a bigger church.... as this in no way addresses the problem at hand. You may think that surely he can't just keep rambling on like this and that he will wrap this up soon, after all we have figured out the pattern of the joke and we know where it is going anyway.
So one of the priests, suffering from long term memory loss, suggested that to honour their friends they should build a new monument to their faith. The others, after giving him concerned looks, figured they had come this far and, resigned to their fate, they agreed. The priests then spent the next five years ravaging the lands for resources. They felled forests, flattened hills and drove the critically endangered Pentapus to extinction to use their tears for cement (its like an octopus but it only has five arms... and only has five eyes.)
After a further five years of construction, they were finally able to stand back, crane their necks high, and admire their creation. This was a truly great achievement. This was now a cathedral, the sort of cathedral that architecture student congregate around. The sort of structure that everyone for miles around would refer to as "That massive f***ing monstrosity made of tears" and there would be weird rumors like "at night I've heard that you can hear the pentapusses crying from inside the walls". Whether these rumors were true or not, it was an impressive building. The size of an aeroplane hangar. It had an attached aeroplane hangar. It was the first cathedral built with a solid steel support structure and, for added protection, a moat and barbwire fence surrounded it.
The priests had been at the whole 'building monuments for the Superbook' for many years now and were getting old and tired. One of them suggested that they should take a trip to a local spa for a day of relaxation after this great achievement, "after all..." he said "page 69 of Superbook does proclaim in giant text, 'Thou shalt spa'". Five other priests, who probably had better survival instincts, agreed and the six of them took off. Six remained content in their reinforced structure, even taking shifts to keep watch for added security.
The six who left spent the day wallowing in mud, having cucumbers placed on various body parts and being generally as un-energetic as possible. They were also pleasantly surprised to find that their local infamy granted them free access to all the spas facilities. After they had left in their own time and the spa owner barred the doors shut behind them they headed back to their church.
"Have I still got cucumber in my eye!?" one of the six said as their home loomed on the horizon, "or has someone destroyed our church!?"
The priest was correct. As they approached and crossed the moat they found a towering pile of rubble. There was an eerie silence as they glared at the destruction, picturing their dead friends somewhere inside. The silence was only broken by the sound of the man in black speeding off over the horizon and the joyous cries of Pentapus souls being freed.
The sight of the man in black filled one of the priests with rage. He turned to the others and said "Hey I know what we need to do!" ... The others agreed before he had chance to say what it was.
The priests set about gathering more resources. After the ten years it took them to gather this, they were surrounded by a scorched barren earth. They had felled all the trees for twenty miles, flattened the earth, hunted all life to extinction (I mean all life, even worms... they took all the worms and used them to lure down all the birds. Then they trained the birds to help lift heavy objects for them. Then they ate the birds. Then they made a monument to remember the birds. Then they... didn't really put much effort into maintaining it and it ran into disrepair... the end), drained lakes and sucked clouds from the sky somehow.
It took a further ten years for the small group of ageing priests to complete their construction. For the sake of this story four of the priests died during a slave bird rebellion that was later crushed. Mainly because I can't think of many more advancing stages of church besides going into ghost churches or space churches, though those would be awesome.
Their creation could barely be called a church.Yes it was built in the shape of their deity symbol and inside were super mahogany (like regular mahogany only more awesome) pews and a diamond pulpit, but to all other purposes this was a fortress. The entire structure was titanium, standing thirty stories high. It was surrounded with laser fences, laser moats full of lasers, and atop the building were placed a cluster of guns which shot bullets which were also made of lasers. There were immense speaker systems built into the walls which issued threats as well as religious good will messages to all who approached. It was the sort of church that you wouldn't say anything about... because the church would know what you said and rain lasers upon you.
The doom of the man in black was built. But they needed bait. The two old priests drew straws to decide who would stay. The priest who left made it known that he would be leaving for a day on the beach.
He spent his day pretending to sunbathe, pretending to build sandcastles and pretending to dip his toes in the water. Until he heard a commotion in the distance. He raced back towards his fortress with a smile on his face, the sort of smile you would have if the person who has killed ninety eight of your closest ninety nine friends had been killed. When he could peer over the next horizon however, his smile vanished. All he could see in front of him was a smoking heap of titanium and misfiring lasers. As he peered through the smoke he could make out the man in black making his escape.
Something inside him had told him that this would happen and this time he was prepared. He knew there was no sand in his eyes... he had only been pretending to touch the sand. He ran behind a nearby bush and hopped aboard his Super Priesty Priest Scooter and gave chase.
Through the desolate lands he chased the man, gaining ever so slowly until after hours, to the priests surprise, the man had pulled over. The priest pulled up and approached the man, his face red with rage.
"HAVE YOU BEEN KNOCKING DOWN OUR CHURCHES!?" The priest roared.
And the man replied
"...... no....... "
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2023.06.04 17:49 Phelix007 [US-TX] [H] Techno Violet Switches Gateron Oil King Switches [W] Paypal
Timestamp
$35 Shipped - x105 Techno Violet Switches - Stock Never used. Just stored for the past year almost and never got around to lubing and using them. $60 Shipped - x90 L&F Gateron Oil Kings - Used in a few boards for a couple of months altogether. Lubed with Krytox 205g0 and 1.25mm TX films. Springs were donut dipped. These are honestly a little overlubed.
$80 Shipped for both switches. SOLD! Comment then PM, thanks!
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2023.06.04 11:56 galaksigezgini42 Şimdi size rasgele denk geldiğim harika bir filmi anlatacağım en sonda da ismini vereceğim. Cidden tam bir başyapıt. İpucu: film 2002 tarihli.
Filmimizin temeli tamamen psikolojiye ve akıl hastalıklarına dayanıyor. Bahçe duvarları çok yüksek ve aşılmaması için oldukça yükseğe örülmüş. Buradan anlatmaya başlıyorum çünkü izlediğimiz her bir sahne diyolog olmasa bile bize bir şeyler anlatıyor. Neyse olayımıza dönelim filmin geçtiği yeri anlatmaya devam edeyim. Bu duvarların içinde de 7 bina kompleksinin birleşmesinden doğan devasa karmaşık bir yapı var. Binanın içindeki bazı açık alanlar ve çevresi toprak, çimen, dağ taş ve böcek... Duvarların ardına bakabilecek kadar şanslı ve yüksekte olanlar bulundukları yerin adavari bir yer olduğunu rahatlıkla söyleyebilirler. Pek az uzunlamasına karaparçası oldukça doğrusal şekilde denizin üstüne köprü yapmış durumda. Bunlar insanların gemi harici buraya varması için yapmış oldukları yollar. Yani aslında babakaraya da çok uzak değiller.
İşte filmimiz garip bir müzik eşliğinde bu sahneleri göstererek başlıyor. Spoiler vermesi zor olar filmler vardır ya bu da onlardan biri işte, o yüzden endişelenmeyin. Başta yapı oldukça cansız ve kasvetli dursa da yöneticinin odasına doğru kamera süzüldükçe koşturan insanları ve henüz ne yaptığını anlamadığımız garip davranan insanları görüyoruz. Filmin bu kısmında masadaki yazıdan anladığımız kadarıyla buranın başmüdürünün odasındayız ve karşısında 17 insan söylediklerini dinliyor.
Tam bu anda hoş bir sahne geçişi ile masadan düşen kaleme odaklanan kamera ile birlikte zaman atlaması yaşıyoruz, bu zaman atlaması başladığı anda intro diyebileceğim bir kolaj başlıyor ve bu tarz geçişler kullanarak yukarada bahsettiğim tüm alanı daha detaylı görmeye başlıyoruz. Genel olarak gözüme çarpan nokta insanların aşırı agresif oluşu ve sürekli görevliler bunları sakinleştirmeye çalışıyormuş gibi donuk kareler görüyoruz. Benim sanat bilgim yeterli olmadııı için bu karalerde neler anlatıldığının detayını çıkaramadım.
Daha sonra intronun sonuna gelirken buranın akıl hastanesi olduğunu anlıyoruz ama bir şeyler eksik veya farklı. Sanki tam akıl hastanesi değilmiş gibi bir tad bırakıyor ağızda. Bu süreçte film 2024 yılına gidiyor, yani hâlâ gelecekte geçen olayları anlatıyor kendi dünyasına göre tabi.
Ardından ilk kez diyalog duymaya başlıyoruz, bu aşamaya kadar sahne dinamiklerinii çok iyi kullandıkları için ben sıkılmadım şahsen. Akıl hastanesi içinde belli yetkileri olan birisi beyaz giyimli adamlara bazı olaylar anlatıyor ve film dönmeye başlıyor.
Buraya kadar girişini yani ilk 10 dakikasını anlattım. Özetle konusu da şöyle: bir kaç millet bir araya gelerek deney yapıyorlar. Acaba akıl hastalıkları cidden hastalık mı yoksa bizim evrimimizin baskılanamaz bir sonucu mu? Bu bakımdan psikoloji ve evrimi birbirine bağlı oldukça kapsamlı anlatan iyi bir film. Çeşitli fiziksel olarak çok da bir kusuru bulunmayan insanlardan akıl hastası olarak tanımladıklarını toplayıp bu kompleks yapının içine alıyorlar. Deneyin amacı bu insanlar aralarında bir sistem kurabilecek mi ve ihtiyaçlarını karşılayabilecek mi bunu görmek.
2002de biten yapının deneyi 2003te başlıyor ve yukarıda bahsettiğim deney yaklaşık 10 yıl sürüyor. İlk başta hastaların ihtiyaçlarını karşılayan görevliler belli zaman aralıklarıyla görevlerinden alınıyor. Yerlerine hastaların geçmese bekleniyorr yoksa aç kalacaklar. Verdikleri tepkilerin ardından içlerinden liderliğe başından beri yatkın olan ve diğerleriyle çok güzel iletişim kuran biri kontrolü despotça sayılabilecek bir şekilde bu 10 yıllık süreçte ele alıyor. Asıl başmüdür ise buna onay verip gereken itaatliğin ğösterilmesi istiyor.
Sonra anakaradan gelen emirle planın ikinci aşamısına geçiyorlar. İlk aşamanın sonuçlarını yeterince tarttıklarına kanaat getirdiklerinde yapıyorlar tabiki bunu. Önümüzdeki 2 yıl belirli insanların komşularını değşitiriyorlar ve bu insanlara deli şizofreni vs vs muamelesi yapılmaya başlanıyor ardından insanlar harbi böyle miyim deyip bu yapıya getiriliyor. Tam bu anda da başka bir program daha başlatılıp suçlu ama kafadan çatlat tiplerde geterilmeye başlanıyor. Nüfus birden artıyor ve dinamikler hızlıca değişiyor.
2023 yılına gelindiğinde komşuları tarafından hor görülenler aslında komşularının haksız olduğunu anlıyor. Onlardan iyice nefret duyuyorlar. Katil kafadan çatlak herifler ile baştaki liderliğe yakın eleman arasındaki benzerlikler giderek artıyor ve açığa çıkıyor. Çok kaba bir şekilde anlatmak gerekirse gücün içimizdeki suçluyu nasıl ortaya çıkardığına ancak bunun için gerçekten suçlu biri olmamız gerektiğine atıfta bulunuyor.
Gelinen bu süreçte herkes birbirine girmiş, yaptıkları sistemler Allah'a emanet gkendi başlarına gidiyor. 2016da da liderliğe yatkın olan deli başmüdürü asıyor ve kontrolü tamamen ele geçiriyor orası da çok kritiktir benim için. Filmi izlerken oldukça çok etkilenmiştim.
Özetle film toplumun sınıflarına gönderme yapan pek çok olayı ağır ders verir nitelikte mükemmel şekilde sunuyor. Zaman içinde insanların nasıl değişebileciğinden tutun da, kitle manipülasyonları nasıl yapılıra kadar, biz olmamızı sağlayan şeylerin ne kadar absürt olduğunu sık sık gösteriyor. Yıllar içinde oluşan olayları ve elde edilen verileri dinamiklerin nasıl değşitiğini ve ne yönlerde haraket ettiğini, insanların nasıl kör ve gözü açık olduğunu anlatıyor. Filmin süresi biraz uzun ama sizin için sorun olmaz bence.
Ayrıca bu kadar da kalmıyor karanlık mizahı ve dip şakaları, ayrıca absürtlükleri o kadar iyi kullanıyor ki dram, bilim ve komediyi harika formülüyle birleştiriyor. Kesinlikle karanlık tarafın en iyi filmlerinden birisi. Umuttan tutun da elmaya kadar hek çok kavram üstünde sizi düşündüren aptalların cenneti akıllımar için cehennemdir sloganını gözümüze anlatmayı başarmış bunla da yetinmeyip bir çok şeyi gözler önüne sermiş harika yazar ve yönetmenlerin harika başarısı.
Neyse film çok detaylı ve doğrusu ben neyi anlatçağımı bilemiyorum her şeyinden bahsetmek istiyorum ama anlatması bile o kadar zor ki çekmesi kim bilir nasım kafa ütülemiştir. En basitinden aklı başındaki insanların kaçılmaz yerdeki bu alanda her gün katlanmak zorunda oldukları saçmalıklar ve vahşetler dizesi bile başka bir film için kullanabilirdi. Çok kompleks bir yapım.
İzlemek izlemek isteyenler gözlerini açsın. :)
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2023.06.04 04:41 Zlpv7672 Danganronpa: Despair Disaster Ep 4- Part 2
< Ep 4- Part 1 Based on the
fourth round of the elimination contest
Spoiler tag only for basic character spoilers [Team Looming Lions]
Kaito: Alright Lions we're winning this one again today, right?
Nekomaru: Absolutely! Of course I'm not sure which of us will be performing.
Kokichi: Well, Kaito's a bumbling moron so he's out.
Kaito: Hey, what the heck man! I mean sure being the Ultimate Astronaut isn't that impressive for a show but so is your talent.
Kokichi: So true Kaito! Glad to hear you didn't refute the fact of you being a moron though. Nee hee hee.
Kaito: Why you little-
Angie: Calm down, Tyler. Atua has foreseen what will lead us to victory. I shall take the lead and create a beautiful masterpiece in the name of Atua.
Mondo: Okay, so Angie's doing art. What are the rest of us supposed to do to perform along side?
Mahiru: I could take some action shots of her work. Though I'm not sure how impressive of a performance it will be.
Hajime: Your ability to take perfect photos is still impressive in its own right, Mahiru.
Mahiru: Hajime…
Celeste: So it's decided. Angie and Courtney will be performing with some artistic photography
Angie: Nyahahahah, wonderful though if we're doing artistic pictures, would it help to provide something more visual. Body models for example?
Mahiru: Absolutely not! These boys don't get to see anything like that. Speaking of which, how about you boys pitch in on the performance?
Celeste: Well, we've already established Max and Tyler are out. How about you, Trent. You could hit some tennis balls to add to the action shots.
Ryoma: Sorry, but I've sworn off using my talent ever again.
Celeste: Oh really, then how about a threat. Perform with the girls, or when we lose we'll vote you off immediately!
Ryoma: Go ahead, like this competition means anything to me anyways. This is merely just prolonging my time out of prison.
Chihiro: Stop it. Both of you. Celeste, I think it's clear Ryoma won't do it. Of course, I won't be much help either. Not without some kind of computer to work with.
Mondo: If I had a bike, I could do some tricks around Angie while she makes her art.
Nekomaru: Alright then I guess it's up to me. I'll be the manager to keep the show going and make sure we do it PERFECT!!!
Kirumi: If you need me, I could also be your assistant for the performance and clean up afterwards.
Mahiru: Then let's get started. Time to make something at least mostly coherent.
[Team Ominous Octopi]
Maki: So, who wants to volunteer for this talent show?
Korekiyo: I believe it's pretty obvious that Kaede and Ibuki should perform as a musical duo.
Ibuki: You got it! Izzy and Sky-ede here are gonna rock this camp!
Kaede: Sure, but that's only two. We need a third.
Chiaki: If I had a big screen and a console, I could play video games with you playing the music to it. Too bad they don't have any of that here.
Akane: I could do some flips over you two.
Taka: Too dangerous. Plus we don't want any of you to get hurt.
Maki: Then I guess killing someone to music is out, huh?
Taka: Absolutely!!!
Maki: I was kidding anyway.
Kaede: Haha, wow Maki, never seen that side of you before.
Maki: Don't push it. What about you, Shuichi?
Shuichi: Well, unlike Kyoko I'm not even that talented a detective, but I'm not certain how you'd perform that talent.
Korekiyo: I could give an archaeological lesson with a pleasant backing track by these wonderfully talented ladies.
Maki: No way, after that stunt you pulled with Kaede, I don't trust you alone with her again even with Ibuki there.
Ibuki: How about DJ do the robot to our music. Ha ha, get it!
Keebo: Hey, that's robophobic to assume I could do such a stereotypical dance.
Akane: Well can you?
Keebo: No, I can't dance, however I could sing with them if you'd like?
Kaede: NO!
Shuichi: No way!
Maki: Not happening.
Korekiyo: Oh please, anything but that.
Keebo: Wha….fine.
[Team Nasty Narwhals]
Junko: So let's see talent…talent…which one of you losers has the best talent.
Sakura: I think it has less to do with best talent and more to do with talents that can perform with each other.
Sayaka: If that's the case, I'll volunteer to sing for this talent competition. You guys can make the show more exciting with your talents.
Tsumugi: I like that. I could make a costume for your performance though I'm not sure how much is that me performing with you.
Junko: Besides Beth, if anyone's going to make Ella fashionable it should be me.
Toko: We get it, we have costumes down b-b-but that still not get any closer to who's performing.
Miu: Well it's obvious the moody writer and clumsy nurse shouldn't perform.
Toko: Not like I wanted to in the first place.
Mikan: I'd probably just get hurt either way and embarrass our team.
Junko: Then how about the boys then?
Rantaro: Well, I'm not even sure what my talent is but I could try singing with Sayaka if you need me to.
Gonta: Rodney could bring bug friends on stage to perform with Ella.
Sayaka: NO! NEVER! ABSOLUTELY NOT!
Miu: Guess that leaves you and me, baby gangster.
Fuyuhiko: Like I'd do anything with you and what about B and Himiko?
Miu: Washboard chest is too mopey to do anything, and I still have no idea what Big B's deal is.
[They look over at him, but Imposter merely shrugs]
Miu: Besides you should be grateful that I'm offering my genius for the performance.
Sayaka: Okay Miu, what can you do to help my performance?
Miu: Well I'm glad you asked Pop Princess. Behold first up I have a fantastic voice amplifier perfect for singing into.
Sayaka: Oh wow, that actually might be helpful. I'm surprised you came up with something so normal.
Miu: Of course it was originally meant those wild nights when you want your moans and cries to really shake the bed. Hoo Yeah!
Tsumugi: And there it is.
Sayaka: Okay but with me singing, what will you be doing during the show?
Miu: Why adding a little flair to the show. Get ready for your outfit to practically explode for the audience. [Points an invention at Sayaka] Literally I might add.
Sayaka: W-wait, what are you-Agh! [Miu shoots the machine and Sayaka is enveloped in a flash of light] Ugh…why does it feel cooler……. AAAAAAAHHHH!!!
Tsumugi: Quickly cover her up!
Sakura: You boys didn't see anything, right?!
Fuyuhiko[Blushed smirk]: Uh…no not all.
Gonta: Rodney shall not look at the indecency for he is gentleman.
Miu: See, what'd I tell you. Quite the show stopper really! Be glad you didn't go commando today.
Tsumugi: Miu, how is Sayaka supposed to perform when she's left in her underwear?
Miu: Well, four eyes, I thought this is where you'd throw her into a different outfit like the Ultimate Cosplayer you claim to be.
Tsumugi: It's not like I can dress her in an instant. She'll still be seen.
Miu: Well that's for you to work out then dip[bleep]. I merely just provided the genius with my inventions.
Sayaka: WELL YOUR INVENTIONS SUCK!
Sakura: It's alright, Sayaka. Let's just think this idea through.
Sayaka: I don't want her inventions near me ever again!
Miu: Pfft, your loss then.
[Confessional]
Sakura: I really, and I mean really hate to admit it....but Miu might've had something going there with her idea. The act of changing Sayaka's outfits while she's performing would be an impressive display. If only there was a way she wouldn't be seen during the swap.
[End]
[Team Looming Lions]
Nekomaru: Alright, Angie so how this is going to go is I throw tools to you and you work your artistic magic.
Mahiru: And I'll make sure to capture it all on film.
Angie: Absolutely, I shall let Atua guide me.
Celeste: Please dear, enough about Atua this time. Just perform your own talent.
Angie: Oh, but Atua is the one who blessed me with this talent so every work must always be an offering to him. Remember that Lightning and Courtney.
Mahiru: Sure gotcha…
[Confessional]
Mahiru: I don't want to disrespect Angie's beliefs but relying on her God for everything even just a simple talent show may be a little much. But it's fine we have this performance in the bag. Chris is going to be blown away by my photography skills.
[End]
[Team Ominous Octopi]
Makoto: So run it by me again why I'm playing with Kaede.
Nagito: I'm not sure I'm cut out for play the bass guitar either.
Korekiyo: Well Kaede and Ibuki are going to teach you two the routine and with your luck you'll each learn it and play a beautiful duet.
Makoto: I'm not sure that's what being an Ultimate Lucky Student will help with.
Akane: No time to worry about it now we've got two hours left. Besides when we rely on both of you we win…well at least we don't lose.
Miu: Hey Cockoctpi, quit hogging the stage. Some of us have a performance to practice.
Korekiyo: Sorry, but we were here first. You'll just have to wait your turn. Whenever that will be, kehehehe.
Junko: Look, I understand that you need all the practice to not suck complete balls, but right now we need an empty stage, so Sayaka's not seen in her underwear too much.
Sayaka: Junko?!
Makoto: W-w-what? Sayaka's going to be performing in her underwear?
Junko: Oopsie, did I let that slip. My bad!
Tsumugi: It's more we need to work out how a quick change would work on stage, but uh she might still be seen in her underwear while rehearsing.
Sayaka: Will you all please stop talking about my underwear!
Akane: A quick change performance, huh? Good luck, even when I was wearing the skimpiest outfits for gymnastics, it still took a good thirty seconds to change.
Shuichi: Sounds like you'd need a miracle to not be seen then.
Sakura: Wait…a miracle…or magic. I'll be right back.
Miu: What's gotten into the orge?
Junko: Nevermind all that, we still need a stage to perform on.
Maki: Well then you're going to have to get through me, so unless you want to die, I say go practice over on the side of the camp like the Lions.
Junko: ………Fine Miss Assassin, you win. But I won't forget this. Come on team we're leaving. [Narwhals follow her reluctantly]
Kaede: Thanks for that, Maki. Okay Makoto, let's just try a simple scale.
Ibuki: And Harold, how about we try an A-chord.
Hiyoko: Hey, what's the big idea hogging the stage?!
Korekiyo: Here we go again.
Sonia: If it wouldn't be much trouble friends, we'd like to use the stage to practice our act.
Keebo: Is Hiyoko going to dance in her underwear too?
Hiyoko: Ew, gross! What are you saying you perverted robot!
Keebo: Sorry, I just assumed that was how all the girls were performing these days.
Maki: Ignore him, like we told the Narwhals, we were here first.
Byakuya: While I commend your fighting spirit, just know that no matter how much practice you do, you'll never be able to force talent onto those two.
Hiyoko: Yeah besides, we at least have our routine planned out and everyone with actual talent who's going to perform.
Korekiyo: Really, and what would that be?
Leon: Like we're going to tell you guys. Just give us the stage so we can practice already. We need to use the wood backdrop of the stage anyway.
Akane: If that's all it is then-HIYAH! [she breaks the backdrop in half and tosses it to Kazuichi] There, practice with your backdrop somewhere else.
Kazuichi: Seriously…well fine. Let's go Rhinos.
[Cut to Himiko sitting by herself. Sakura approaches]
Sakura: Mind if I sit down with you?
Himiko: Nyeh sure…I'm guessing they called you over to make me help them.
Sakura: Actually, I came over of my own volition. But I am curious if you'd like to help. Sayaka could really use your expertise in magic.
Himiko: Yeah I get it, you just want to use me for my talent but when I'm no longer useful you'll just vote me off the team. Just like how they treated Tenko.
Sakura: I understand why you're upset. It seems the Octopi weren't committed to understanding Tenko; she was a person you comfortably called a friend. Why couldn't anyone else do the same?
[Himiko doesn't respond but gently nods]
Sakura: Well, I'm not forcing you to do anything. I'm just trying to understand your feelings. In the end, it's your decision whether you want to be part of the team or not and I'll respect that decision.
[Himiko still doesn't respond but gives a side glance to Sakura]
Sakura: However, if you do decide to participate, we could honestly use your magical talent to save Sayaka from embarrassment. I've seen your shows, you have a knack for misdirection. It would help to provide misdirection when Miu attempts the wardrobe change. But of course, that's if you decide to help.
[Himiko looks forward again still in silence]
Sakura: Well, that's all I came over here for. I'll be getting back to making sure Miu doesn't embarrass the rest of the team. I hope you feel better, Himiko.
[Himiko quietly watches Sakura get up and leave, before looking forward again in deep thought]
[Confessional]
Himiko: Nyeh, Tenko always believed in my magic but she believed in me as a person too. How can I guarantee the others see me as a person and not just the magician girl. Maybe I really can't…nyeh.
[End]
Junko: Well look what the Princess dragged in. You Rhinos got kicked off the stage too huh?
Hiyoko: Beat it, you skank. We're trying to rehearse and we've wasted enough time as it is.
Junko: Hey, I'm just trying to empathize with a fellow team. Those Octopi jerks shooed us away too. If only there was some way to get back at them. [Stares down Mukuro]
Sonia: Sorry Junko, but we need to practice right now, so no more distractions.
Junko: Fine fine, guess we should probably step away then. Don't want Sayaka's underwear to be a distraction.
Kazuichi: Wait, Sayaka's going to be singing in her underwear?
Sayaka: Stop telling everyone that!
Mahiru: Hey, would you other teams keep it down.
Nekomaru: Yeah, Angie needs complete concentration to work!
Sayaka: Ugh, let's just give up already there's no way Miu's invention is going to work without me being utterly embarrassed.
Miu: It could if you could change faster.
Tsumugi: And how do you suppose we do that. Hide her from plain sight everytime you shoot her.
Himiko: Sounds like you could use a little magic then.
Rantaro: Hey, Himiko's back. You feeling better?
Junko: Oh Staci, I knew you wouldn't let your team down.
Himiko: Nyeh…I didn't really want to do it for you but I'd feel awfully ashamed if I could've helped and didn't. So what's going on?
Miu: Well Shimplette, Pop Princess here is going to be zapped by my clothes cannon. It'll make it easier to change into a new outfit, but she's worried about everyone seeing her pink little panties.
Himiko: So you need a distraction to allow you time to change, huh? Okay, I can do that, just follow my lead.
Sayaka: Oh Himiko thank you so much, you're a lifesaver!
Kazuichi: Great you have your act figured out; now can we please have some room to practice?
[Confessional]
Kazuichi: It took a little bit of creative thinking but with Hiyoko, Gundham and Mukuro we finally had an idea. Mukuro is going to throw knives around Hiyoko's dance while Gundham's hamsters do some tricks on the knives that get stuck in the backdrop. Pretty brilliant, right. I bet Miss Sonia thinks so!
[End]
Kazuichi: Hiyoko, are you ready to begin?
Hiyoko: I was born ready, dummy. This is my talent after all. [She begins dancing]
Kazuichi: Okay Mukuro, now aim carefully as not to hit Hiyoko and strike the backdrop with the knives.
Mukuro: Sure, no problem. [Starts throwing knives around Hiyoko]
Hiyoko: Eeee! [She jumps a little every time a knife whizzes past her, stabbing into the backdrop making little platforms]
Kazuichi: Alright Gundham, you're up!
Gundham: Hmph, while this may be a mockery of your power, for the good of our team do not disappoint me my Dark Devas of Destruction! To the left San-D. The right Maga-Z. Jum-P, the high one. And of course Cham-P, harness all your power and get to the low one there. [They each take a knife pedestal] Now switch it up! [They begin leaping from knife to knife timing it to Hiyoko's dance]
Kazuichi: Yes, this is working. Now Mukuro, just a few more knives to bring home the finale. Just aim true; you've got this.
Mukuro: Aim true, right…
[Confessional]
Mukuro: I'm supposed to play dirty, right? I've never been more confident in my accuracy…and yet.
[End]
Hiyoko: Just throw it already, my dance is almost over.
Mukuro: *deep breath* [she eyes a slit through the backdrop and sees Kaede and Makoto at the piano] HIYAH!!!
[The knife speeds past Hiyoko and she feels the motion] Hiyoko: Hey, watch where you're throwing you clumsy-
Sonia: Oh no, Octopi, watch out!
Ibuki: Harold, come on, it's just a simple pluck and strum like this.
Nagito: Like this [strums his bass guitar. Immediately a string breaks near the top and whips Makoto in the arm]
Makoto: Agh! [He falls from the piano bench in pain] What the heck was that for?!
[As he falls, the knife flies passed and ricochets off the piano]
Kaede: Woah! What the? Makoto, look out!
[The knife comes flying back towards the Rhinos]
Peko: I got this. [She take out her sword and deflects the knife away]
Yasuhiro: Watch where you're throwing that thing, you could've hurt someone.
Mukuro: Apologies, it must have hit a weak part of the backdrop. I'll be more careful nex-
???: AGGHHHHH NOOOOOOOOOO!!!
Peko: Uh oh…
Mahiru: My….my….my camera!!! [The knife finally came to a stop lodging itself directly into her camera lens]
Nekomaru: HEEEEYYY!!! What happened over here?
Mondo: Yeah, what the [bleep] did you just do?
Mukuro: Oh crap…
Kazuichi: L-listen it was an accident, alright. We just had a mishap with the knife throws.
Kaito: You took out one of our performers!
Mukuro: I deeply apologize. It won't happen again.
Byakuya: You're right it won't because you're sitting this one out now.
Mukuro: What?
Aoi: Byakuya, please it was an accident. Besides, we need her for this.
Byakuya: Do we? Every time we rely on this incompetent soldier we either come in last place or second to last place. You're clearly putting too much faith in her. I don't care if we are in the same class, she's only become a detriment to the team even more than the little loudmouth.
Hiyoko: Hey!
[Mukuro looks over to Junko who simply gives a dismissive smirk]
Sonia: Byakuya, we don't need to be so harsh. Maybe Mukuro just needs a little break, if we just-
Mukuro: No, it's fine. If you don't want me anymore, I won't try to help you guys. See you later.
Byakuya: Finally, the girl gets the memo.
Sonia: Mukuro please, you don't have to do this.
Leon: Well, that's just great, so now who do you expect to perform for our team?
Byakuya: Figure it out yourself, and stop relying on one person to solve all your problems. I bet the swordswoman could do just as well. She hasn't been pulling her weight that much.
Yasuhiro: Dude, you can't just call her fat like that!
Byakuya: How about it, Pekoyama? Knives are just like mini swords, right?
Peko: If this is really how you want this competition to go, I'll give it a shot.
Aoi: But just know if we lose, we're blaming you for this, Byakuya.
Byakuya: Typical peasants. Putting all your actions into your emotions rather than your logic.
Sonia: Byakuya, that is enough. Even I, as a woman of nobility, know this is not how you should treat your friends!
Byakuya: So the Princess finally has a backbone.
Sonia: That's right, and I intend to use it and not let my friends be bullied around by you.
Kazuichi: You tell him Miss Sonia!
Byakuya: Fine then bring back the soldier girl but you better hurry because your time is up.
Leon: What do you mean?
[Loudspeaker feedback]
Chris: Attention all campers. Your three hours of preparation are over! Please join us at the stage. Narwhals you're up first.
Peko: Looks like he's right. It's fine, I'll do my best. Just know we're not afraid of you.
Byakuya: The feelings are mutual.
[Confessional]
Sonia: Ooh, that Byakuya. First driving away Mukuro then thinking he can just boss us around. If I weren't trying to be so proper I'd call him a…call him… a [bleep] [bleep] [bleep] [bleep] with a [bleep] [bleep] in his [bleep] [be-
[End]
To be continued Ep 4- Part 3 > submitted by
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