Source: https://iphone-gratuit.net/blog/waiting-for-minecraft-2-2023-38/
More Memes at :
https://yamcode.com/breaking-news-update-1-06032023-003206
https://rextester.com/REEAP82915
https://youtube.com/live/3IvsSGpGeLE?feature=share

IP: play.LokoMC.com (1.8-1.19 Version Support) Bedrock IP: play.LokoMC.com Port:19132
🎮 Join LokoMC - Your Ultimate Minecraft Adventure! 🌍
Looking for an incredible Minecraft server that offers endless possibilities? Look no further than LokoMC, the community-oriented network server that will immerse you in a world of adventure, creativity, and excitement!
🌲 RPG Survival - Embark on a thrilling RPG survival journey like no other! With over 400 quests to complete, you'll never run out of challenges. Dive into a world enhanced with Slimefun, mcMMO, Pyrofishing & Pyromining, Jobs & Playershops economy, custom enchants, dynmap, graves, toggleable PvP, silk spawners, and countless other exciting features. Unleash your imagination and conquer the wilderness!
🎨 Creative Plots - Unleash your creativity on our expansive 150x150 plots! With worldedit access and a plethora of quality-of-life enhancements, our creative server is the perfect place to build and explore. Need to take your masterpiece to your private world? No problem! Simply use our convenient command to download your plot and transfer it to your own domain.
🏞️ Parkour Madness - Challenge yourself on our exhilarating Parkour server! With an ever-expanding collection of parkour schematics and various difficulty levels, you'll be hooked for hours. Compete with fellow players on the leaderboard and prove yourself as the ultimate parkour master.
🎉 Exciting Events & Giveaways - Experience the thrill of our Minigame and UHC events that will test your skills and keep you entertained. Plus, don't miss out on our incredible giveaways, including crate keys! Join our Discord server (https://discord.gg/lokomc) to stay updated on the latest announcements and be part of the action.
🌐 Explore our Website - Dive deeper into the LokoMC world on our website at http://web.lokomc.com. Discover more about our server, community, and upcoming features. Stay connected and engaged with the LokoMC community through our informative website.
🔥 Don't miss out on the adventure! Join LokoMC today and experience Minecraft like never before. Connect with fellow players, engage in epic quests, unleash your creativity, and compete for glory on our parkour server. The excitement awaits you at LokoMC! 🔥

Longtime Diablo 3 and Diablo 2 player here. I'm loving everything about this game and it would absolutely be the best game I've ever played at release IF I could use scroll wheel to move.
Anyone else want to see this small feature that would imo be a huge quality of life boost?
EDIT: You can do this! In Controls>Gameplay uncheck the bottom box for "Use Scroll to Zoom". Then you can bind the scrollwheel for force move.

I think the game needs a good gameplay update (new matches, modes, features) but recently it’s been avatar changes (the ai generated realism characters don’t fit a single thing in this game unless you’re making an entire Created wrestler brand) or the membership update. Just haven’t been using the game cause nothing is pulling me in (and I’m 15-16 years into a brand)

Are you on the hunt for a fun and welcoming SMP? Well, you've found the right place. Whether you're more technical, into redstone, or love creating majestic builds, you're bound to find the right thing for you on NutSMP. We are heavily inspired by hermitcraft and their community as a whole. We have datapacks that enrich the vanilla experience. Our map is divided into 10 distinct districts, similar to Hermitcraft Season 6. Each one of these has a distinct style that the player has to build in. You can find out more about the server in our discord.
FEATURES:

• Datapacks to improve and spice up gameplay
• Players have access to core inspect to detect and prevent stealing- We have multiple districts to allow people to build in specific styles and live next to like-minded people!
• Distinct discord channels for each district
• Dynmap that allows players to view our map and find a nice area to live
• We have a dedicated area for shopping and selling items to other players using diamonds as a currency.
• JUST RESET! We are whitelisted and we have a way to apply. We strive to be the best SMP one could ask for. With our expanding staff and playerbase, we're always looking for new friends. Join discord to apply! https://discord.gg/Hwb8mCQm7j

‘Spider-Man: Across The Spider-Verse’ is finally here. Find how to watch The Marvel film Spider-Verse 2 online for free. Sony Pictures! Here are options for downloading or watching Spider-Man: Across The Spider-Verse streaming the full movie online for free on 123movies & Reddit, including where to watch marvel's latest live-action adaptation movies at home. Is Spider-Verse 2 available to stream? Is watching Spider-Man: Across The Spider-Verse on Peacock, Disney Plus, HBO Max, Netflix or Amazon Prime? Yes, we have found an authentic streaming option/service.
Watch Now: Spider Man: Across the Spider Verse Movie Online
If you’re like just about everyone else on the planet who saw Spider-Man: Into the Spider-Verse in 2018 and loved it, you’ve probably been waiting for the sequel. You won’t be waiting long, as Spider-Man: Across the Spider-Verse is finally coming out.
After a grueling five-year-long wait, Marvel fans everywhere will finally be able to return to the animated multiverse with Spider-Man: Across the Spider-Verse. The upcoming sequel's predecessor requires no explanation, as Spider-Man: Into the Spider-Verse not only ensnared audiences and critics alike but also caught a prestigious Oscar win with a Best Animated Feature award. With "New York's one and only Spider-Man," Miles Morales (Shameik Moore), now becoming a household name, fans of the first film eagerly awaited the day they could see young Miles swing into the Spider-Verse again.
Where To Watch Spider-Man: Across the Spider-Verse Online:
As of now, the only way to watch Spider-Man: Across the Spider-Verse is to head out to a movie theater when it premieres on June 2, 2023. You can find a local showing on Fandango.
Watch Now: Spider-Verse (2023) Movie Online Free
Otherwise, you’ll just have to wait for it to become available to rent or purchase on digital platforms like Amazon, Vudu, YouTube or Apple, or become available to stream on Disney+.

Is Spider-Man: Across the Spider-Verse coming to Netflix?

Yes, Spider-Man: Across the Spider-Verse is coming to Netflix approximately in December 2023.
In 2021, Sony and Netflix signed a five-year deal that gave the latter exclusive first-pay-window U.S. streaming rights for Sony Pictures titles after their theatrical and home entertainment windows. Fans can expect to watch Spider-Man: Across the Spider-Verse on Netflix six months after the film’s theatrical release, thus in December 2023. The date seems reasonable considering that Spider-Man: Into the Spider-Verse dropped on Netflix on June 26, 2019, six months after its U.S. release on December 14, 2018. The pay-one window usually begins about nine months after a film’s theatrical release, but it might start earlier in particular cases.
This post will be updated once there is a 100% officially confirmed Spider-Man: Across the Spider-Verse Netflix release date.

When Will Spider-Man: Across The Spider-Verse Be Available On Netflix?

Regarding when the film will be available on Netflix, the answer is less definitive. The first film, Spider-Man: Into the Spider-Verse, began streaming six months after its theatrical release. Based on this, it is safe to assume Spider-Man: Across the Spider-Verse will see a similar gap between its cinematic and streaming releases. Given the film's theatrical release of June 2, 2023, Spider-Man: Across the Spider-Verse will likely begin streaming on Netflix in December 2023.
This tracks with some of Sony's bigger releases of 2022. Films like Uncharted and Bullet Train were released on Netflix six and five months respectively after their release in theaters. Of course, Spider-Man: Across the Spider-Verse could have other elements that see it release before or after this tentative six-month period, such as underperforming or exceeding expectations at the box office. Although, based on Sony's track record - including that of the first film - Spider-Man: Across the Spider-Verse can be expected on Netflix in the winter of 2023, likely December for a holiday release.

Is Spider-Man: Across the Spider-Verse coming to Disney Plus?

Yes, Spider-Man: Across the Spider-Verse is also coming to Disney Plus approximately in 2025.
Once the pay-one window runs its time and Netflix’s exclusive rights expire, Spider-Man: Across the Spider-Verse will be available on Disney Plus. The pay-one window might last as long as 18 months, which means it will be a while before Disney Plus subscribers can watch the much-anticipated sequel. Unlike in other countries, Spider-Man: Into the Spider-Verse isn’t yet available on the Disney-owned streamer in the U.S.
American fans will have to wait until 2024 to watch Spider-Man: Into the Spider-Verse and at least until 2025 for its sequel. We will update this post once there is an official Spider-Man: Across the Spider-Verse Disney Plus release date.
Spider-Man: Across the Spider-Verse comes from a joint effort of directors Joaquim Dos Santos, Kemp Powers, and Justin K. Thompson. The movie will swing into theaters on June 2, featuring the return of Shameik Moore as Miles Morales, Hailee Steinfeld as Gwen Stacy, and Jake Johnson as Peter B. Parker, among others.

Will Spider-Man: Across the Spider-Verse Be On HBO Max?

No, Spider-Man: Across the Spider-Verse will not be on HBO Max since it’s not a Universal Pictures movie. Last year, the company released its films in theaters and on the streamer on the same day. However, they now allow a 45-day window between the theatrical release and the streaming release.

Is Spider-Man: Across the Spider-Verse Available On Hulu?

Viewers are saying that they want to view the new animation movie Spider-Man: Across the Spider-Verse on Hulu. Unfortunately, this is not possible since Hulu currently does not offer any of the free episodes of this series streaming at this time. It will be exclusive to the MTV channel, which you get by subscribing to cable or satellite TV services. You will not be able to watch it on Hulu or any other free streaming service.

How to Watch Spider-Man: Across the Spider-Verse Online For Free?

Most Viewed, Most Favorite, Top Rating, Top IMDb movies online. Here we can download and watch 123movies movies offline. 123Movies website is the best alternative to Spider-Man: Across the Spider-Verse (2023) free online. We will recommend 123Movies is the best Solarmovie alternatives.
There are a few ways to watch Spider-Man: Across the Spider-Verse online in the U.S. You can use a streaming service such as Netflix, Hulu, or Amazon Prime Video. You can also rent or buy the movie on iTunes or Google Play. You can also watch it on-demand or on a streaming app available on your TV or streaming device if you have cable.

I just bought the 2022 Remaster, and had my first experience with the Radical Dreamers game. I very much enjoyed it. However, I didn't realize it had a save feature... and multiple endings... until after I quit out of the game, ready to set it down for the night to play Chrono Cross tomorrow. I noticed when I boot it up, I don't get the introduction with the journal... do I still have access to the other endings now? While I quite enjoyed it the first time through, it was almost all for the atmosphere and story. Not sure it's worth replaying for more, especially if I have to replay the base game a second time.
Will probably just move on to Chrono Cross itself tomorrow, but I'm curious about this regardless.

The Lenovo Legion T5 Gamer Desktop Computer is a powerful gaming machine that offers exceptional performance and cutting-edge features. With its sleek design and high-quality components, it's no wonder that this computer has gained popularity among gamers and tech enthusiasts alike. In this article, we will delve into the various aspects of the Lenovo Legion T5 and explore what makes it a top choice for gamers.

1. The Lenovo Legion T5 is powered by the latest generation Intel Core processors, which deliver lightning-fast speeds and seamless multitasking capabilities.
   
2. The computer features an NVIDIA GeForce graphics card, ensuring smooth and immersive gaming experiences with stunning visuals and realistic effects.
   
3. With a spacious storage capacity, the Lenovo Legion T5 provides ample space to store all your favorite games, movies, and files without worrying about running out of space.
   
4. The Legion T5 comes with a high-speed solid-state drive (SSD) that significantly improves boot times and reduces loading screens in games.
   
5. The desktop computer boasts a sleek and stylish design, with customizable RGB lighting that adds a touch of personalization to your gaming setup.
   
6. The Lenovo Legion T5 is equipped with a comprehensive cooling system that keeps the components running at optimal temperatures, even during intense gaming sessions.
   
7. The computer supports VR (virtual reality) gaming, allowing you to immerse yourself in virtual worlds and explore new dimensions of gameplay.
   
8. The Legion T5 features a multitude of connectivity options, including USB ports, HDMI, and DisplayPort, making it easy to connect your favorite peripherals and accessories.
   
9. The computer comes with a gaming keyboard and mouse that are specifically designed for enhanced precision and responsiveness.
   
10. Lenovo offers extensive customer support and warranty options, ensuring that you are well taken care of if any issues arise with your Legion T5.
    
11. The Legion T5 is highly customizable, allowing you to upgrade components such as the graphics card, RAM, and storage to meet your evolving gaming needs.
    
12. The computer runs on Windows 10, providing a familiar and user-friendly operating system for gamers of all levels.
    
13. The Lenovo Legion T5 utilizes advanced audio technology, delivering crystal-clear sound and immersive surround sound experiences.
    
14. The desktop computer supports dual monitors, enabling you to have a more expansive and immersive gaming setup.
    
15. The Legion T5 is equipped with a range of connectivity options, including Wi-Fi and Ethernet, ensuring a stable and reliable internet connection for online gaming.
    
16. The computer features a user-friendly interface that allows for easy customization of settings and optimization of gaming performance.
    
17. The Legion T5 is designed with future-proofing in mind, ensuring that it can handle the demands of upcoming games and technologies.
    
18. Lenovo offers regular software updates and driver releases, ensuring that your Legion T5 is always up to date with the latest features and improvements.
    
19. The computer comes with a variety of pre-installed gaming software, including Lenovo Vantage and the Lenovo Nerve Center, which provide additional features and optimization tools.
    
20. The Legion T5 is built with durability in mind, using high-quality components and robust construction to withstand the rigors of long gaming sessions.
    
21. The computer features a spacious and well-organized interior, making it easy to access and upgrade components as needed.
    
22. The Legion T5 is optimized for gaming performance, with features like high refresh rate support and low input lag to give you a competitive edge.
    
23. The computer supports streaming capabilities, allowing you to easily share your gameplay with friends and the online gaming community.
    
24. The Lenovo Legion T5 offers a seamless gaming experience, with minimal lag and fast response times that ensure smooth gameplay.
    
25. The computer comes with a range of ports and slots, making it easy to connect external devices such as gaming controllers, headphones, and micro
    

phones.

1. The Legion T5 is designed to be energy-efficient, helping you save on electricity costs while minimizing environmental impact.
   
2. The computer's compact form factor makes it ideal for those with limited desk space, as it can easily fit into smaller gaming setups.
   
3. The Lenovo Legion T5 is backed by positive reviews from users and experts alike, praising its performance, reliability, and value for money.
   
4. The computer offers extensive customization options, allowing you to personalize the lighting, effects, and settings to match your gaming style and preferences.
   
5. The Legion T5 is equipped with a high-quality display, providing vibrant colors and sharp visuals that enhance your gaming experience.
   
6. The computer features a robust and efficient power supply unit, ensuring stable and reliable power delivery to all components.
   
7. The Lenovo Legion T5 incorporates advanced gaming technologies, such as ray tracing and DLSS, to deliver lifelike graphics and realistic effects.
   
8. The computer comes with a dedicated gaming mode that optimizes system resources for maximum performance during gameplay.
   
9. The Legion T5 is designed to be upgradable, allowing you to easily swap out components and stay up to date with the latest hardware advancements.
   
10. The computer offers multiple audio outputs, enabling you to connect external speakers or headphones for an immersive audio experience.
    
11. The Legion T5 comes with a comprehensive set of ports and connectors, including USB 3.0, USB-C, and audio jacks, providing versatility for all your peripheral needs.
    
12. The computer features a robust security system, including password protection and encryption options, to keep your gaming data and personal information safe.
    
13. The Lenovo Legion T5 offers a smooth and responsive gaming experience, with minimal input lag and high frame rates.
    
14. The computer comes with a user-friendly setup process, allowing you to get up and running quickly and easily.
    
15. The Legion T5 is designed with efficient heat dissipation in mind, ensuring that the components remain cool even during demanding gaming sessions.
    
16. The computer supports multiple monitor setups, enabling you to have a more immersive and multitasking-friendly gaming experience.
    
17. The Legion T5 is compatible with a wide range of gaming accessories and peripherals, including gaming headsets, controllers, and VR devices.
    
18. The computer features a dedicated gaming button that allows you to quickly access gaming-related settings and features.
    
19. The Lenovo Legion T5 comes with a generous amount of memory, allowing for smooth multitasking and fast loading times.
    
20. The computer is designed to be quiet during operation, minimizing distractions and providing an immersive gaming environment.
    
21. The Legion T5 offers a range of pre-installed gaming software, including game launchers and optimization tools, to enhance your gaming experience.
    
22. The computer's powerful hardware ensures that it can handle resource-intensive tasks, such as video editing and 3D rendering, in addition to gaming.
    
23. The Lenovo Legion T5 comes with a reliable and responsive customer support team, ensuring that any issues or queries are promptly addressed.
    
24. The computer features a user-friendly BIOS interface, allowing for easy customization of settings and overclocking options.
    
25. The Legion T5 offers a range of connectivity options, including Bluetooth, allowing you to connect wireless peripherals and devices effortlessly.
    
26. The computer's compact size and portable design make it easy to transport for LAN parties or gaming events.
    
27. The Lenovo Legion T5 is built with high-quality components from reputable manufacturers, ensuring long-lasting performance and reliability.
    
28. The computer comes with a comprehensive warranty that covers parts and labor, providing peace of mind for your investment.
    
29. The Legion T5 is designed to minimize cable clutter, with strategically placed ports and cable management options for a clean and organized setup.
    
30. The computer's high refresh rate display provides
    smooth and fluid visuals, reducing motion blur and enhancing your gaming experience.
    
31. The Lenovo Legion T5 offers a variety of performance modes, allowing you to customize the computer's performance based on your specific needs.
    
32. The computer features a spacious and well-ventilated chassis, ensuring optimal airflow and cooling for the internal components.
    
33. The Legion T5 comes with pre-installed software that allows you to monitor system performance, temperatures, and fan speeds in real-time.
    
34. The computer supports fast charging technology, allowing you to quickly recharge your devices via USB ports.
    
35. The Lenovo Legion T5 offers a seamless online gaming experience, with reliable network connectivity and low latency.
    
36. The computer's RGB lighting system can be synchronized with other compatible peripherals and accessories, creating a cohesive gaming setup.
    
37. The Legion T5 is designed to be easily upgradable, allowing you to swap out components and stay ahead of the latest gaming trends.
    
38. The computer's ergonomic design and placement of ports and buttons ensure ease of use and accessibility.
    
39. The Lenovo Legion T5 comes with a range of pre-installed software and utilities, including antivirus protection and system optimization tools.
    
40. The computer's powerful processor and graphics card combination allow for smooth multitasking and seamless transitions between applications.
    
41. The Legion T5 supports multi-channel audio output, providing an immersive and realistic sound experience during gaming.
    
42. The computer's high-speed connectivity options enable lag-free online gaming and smooth streaming of gameplay to online platforms.
    
43. The Lenovo Legion T5 offers a variety of gaming modes, such as FPS (first-person shooter) and RTS (real-time strategy), optimizing the system for specific game genres.
    
44. The computer features a user-friendly interface that allows for easy customization of RGB lighting effects and other visual enhancements.
    
45. The Legion T5 is equipped with advanced thermal management technology, including multiple cooling fans and heat sinks, to ensure optimal performance.
    
46. The computer's high-quality display supports a wide color gamut, providing vibrant and accurate colors for a more immersive gaming experience.
    
47. The Lenovo Legion T5 offers extensive storage options, including both SSD and HDD configurations, giving you the flexibility to choose the storage solution that suits your needs.
    
48. The computer's powerful graphics card supports real-time ray tracing, delivering lifelike lighting and reflections for a more realistic gaming experience.
    
49. The Legion T5 comes with a dedicated gaming software suite, including features like game optimization and system performance monitoring.
    
50. The computer's high-performance components are carefully selected and tested to ensure compatibility and reliability.
    
51. The Lenovo Legion T5 offers a variety of gaming accessories and peripherals, such as gaming chairs and monitors, to complete your gaming setup.
    
52. The computer features a high-quality audio system, with support for advanced audio technologies like Dolby Atmos, for an immersive sound experience.
    
53. The Legion T5 is designed to run quietly, with noise-dampening materials and efficient cooling systems that keep fan noise to a minimum.
    
54. The computer's sleek and modern design makes it a stylish addition to any gaming setup, enhancing the overall aesthetics of your gaming area.
    
55. The Lenovo Legion T5 offers seamless integration with popular gaming platforms and services, allowing you to easily access and manage your gaming library.
    
56. The computer's high-resolution display delivers crisp and detailed visuals, allowing you to fully appreciate the graphics of your favorite games.
    
57. The Legion T5 is equipped with fast and responsive input devices, such as a gaming keyboard and mouse, to enhance your gaming performance.
    
58. The computer supports multi-display setups, enabling you to have a panoramic view of your games or multitask efficiently.
    
59. The Lenovo Legion T5 offers extensive customization options for the RGB lighting, allowing you to create dynamic and personalized lighting
    effects.
    
60. The computer's robust construction and durable components ensure long-term reliability and stability, even under heavy gaming usage.
    
61. The Legion T5's efficient power management features help minimize energy consumption, reducing your environmental footprint.
    
62. The computer's comprehensive software suite provides features like game recording, live streaming, and voice chat, enhancing your gaming and social experiences.
    
63. The Lenovo Legion T5 offers a wide range of connectivity options, including Bluetooth, Wi-Fi 6, and Ethernet, for seamless connectivity with peripherals and networks.
    
64. The computer's advanced networking capabilities prioritize gaming traffic, ensuring a smooth and lag-free online gaming experience.
    
65. The Legion T5's compact form factor and lightweight design make it easy to transport, allowing you to take your gaming rig on the go.
    
66. The computer's advanced cooling system includes features like liquid cooling and dust filters, ensuring optimal performance and longevity.
    
67. The Lenovo Legion T5 offers extensive software customization options, allowing you to fine-tune system settings and personalize your gaming experience.
    
68. The computer's high-speed memory ensures fast data access and smooth multitasking, minimizing lag and delays.
    
69. The Legion T5's intuitive software interface provides easy access to system information, performance monitoring, and optimization tools.
    
70. The computer's robust connectivity options enable seamless integration with external devices, such as VR headsets, gaming controllers, and external displays.
    
71. The Lenovo Legion T5's reliability is backed by rigorous testing and quality assurance processes, ensuring consistent performance and durability.
    
72. The computer's efficient power management features help optimize battery life for laptops, allowing for extended gaming sessions on the go.
    
73. The Legion T5's advanced graphics technology delivers high frame rates and smooth gameplay, even in demanding and graphically intensive games.
    
74. The computer's intuitive software ecosystem provides easy access to game libraries, updates, and social features, streamlining your gaming experience.
    
75. The Lenovo Legion T5's robust warranty and customer support services provide peace of mind, ensuring prompt assistance and resolution for any issues that may arise.
    

Source: https://iphone-gratuit.net/blog/true-minecrafters-2023-41/
More Memes at :
https://rextester.com/IDRY4534
https://yamcode.com/breaking-news-update-1-06032023-001650
https://youtube.com/live/2aLtkoj\_Kno?feature=share

Are you ready for a Minecraft experience like no other? Look no further than The Social Engineers server - where the boundaries of gameplay and social dynamics are pushed to their limits. Join us now and become part of a groundbreaking social experiment!
🌍 Unleash Your Inner Adventurer:
Step into a virtual world where civilization unfolds before your eyes. From isolated islands to cooperative settlements and fierce competitions, your actions will shape the destiny of our thriving Minecraft society.
👥 Forge Alliances or Wage Wars:
Collaborate with fellow players, negotiate alliances, and work together to conquer challenges. Alternatively, test your skills in epic battles and strategic conflicts as you engage in exhilarating PvP wars.
🗺️ Dynamic Proximity Voice Chat:
Immerse yourself fully with our custom mod, Simple Voice Chat! Communicate with players in real-time, using proximity-based voice chat during active fights, wars, and engaging social interactions. Get ready for an unparalleled level of immersion!
🏰 Evolving Gameplay:
No two days will be the same as the server evolves and adapts to the choices and actions of its inhabitants. Watch as civilizations rise and fall, economies flourish, and communities bond in unexpected ways.
📢 Engage in Community Discussions:
Voice your opinions, suggestions, and questions at our regular community events. Your input matters as we strive to create an inclusive and engaging environment for all participants.
🔒 Safe and Welcoming Community:
We have a zero-tolerance policy for harassment, discrimination, and toxic behavior. The Social Engineers server is a space where everyone is respected, valued, and encouraged to contribute positively.
🌟 Join Us Today:
Ready to embark on an extraordinary Minecraft adventure? Join The Social Engineers server now and be part of our vibrant and ever-evolving community. Prepare to witness the emergence of a civilization like no other!
🔗 Connect with Us:
🌐 https://discord.gg/SWjfutwRZ7
Note: The Social Engineers server is scheduled to open soon. Stay tuned for updates and announcements on our Discord server and subreddit!
---
Come join us and experience Minecraft in a whole new light. We can't wait to see you in The Social Engineers server!

GigaTux Who We Are! We are a Minecraft Role-Playing Game Community for Play Station, Xbox, Android/IOS and PC Here at GT we strive to give the best service. We are growing fast and we are inviting YOU to be a part of us.
We have many features that allow us to have great RPG Patrols on Minecraft !
Features
🛡 Supportive and Active Staff 🌐 Range of Timezones We Patrol Around! 🗺 Map Patrols 💰 An Economy 🙋 Active Community Members 📆 Daily Patrols 😄 Seeking New Members 🚓 Looking For Staff Members
Discord link:

I'm a director who has spent the past 2 years writing a slew of ideas that I can't get myself to greenlight. It's been very difficult to read my own stuff and not hate it, which has led me to want to pause and seek out some other writers in the hopes that a collaboration might help get the ball rolling again. My goal with this post is to seek out writers who may have work they are dying to have made but don't have the resources. During my time in which I've been attempting to write, I've actually gained a lot of experience directing a variety of different projects. Primarily commercial and branded doc work, but with music videos and one experimental short film. The last project I worked on was a 2 minute web piece for Apple. these experiences have earned me a decent sized network peers and colleagues who I trust. Enough so that I think I could build a really strong team of creatives (producer, casting director, DP, editor, composer, colorist, G&E, etc.) to pull just about anything together with the right concept. I can't promise anything, but I have some free time right now to dive in on something I'm passionate about and am hitting road blocks in my own writing. Coming from a broken home, I love stories of addiction, alcoholism specifically. I'm constantly writing things related to my time growing up in a small town riddled with addiction, nothing to do, and only trouble to get into. I also love small towns with large wealth gaps of those that own the land and those who work on it. I would be interested to see anyone else's spin on these settings/themes specifically. However, I'm not unwilling to read anything else. That's just where I've tended to go in my own writing. The Logline for my short that I wrote myself is: A scattered mother struggling with her addiction kidnaps her 12 year old boy seeking one last good memory before she gives him up The problem I find is very quickly it can become too "on the nose" as a short, and more meant to be a feature. I want something that isn't a proof of concept, but rather something that fits and works on it's own as a short film. All that being said, I'm open to read just about anything and am really just hoping to click with something that feels right. Films I love that inspire me: Honey Boy, Florida Project, Aftersun, Tree of Life, Punch-Drunk Love, Queen & Slim, C'mon C'mon.

Are you ready for a Minecraft experience like no other? Look no further than The Social Engineers server - where the boundaries of gameplay and social dynamics are pushed to their limits. Join us now and become part of a groundbreaking social experiment!
🌍 Unleash Your Inner Adventurer:
Step into a virtual world where civilization unfolds before your eyes. From isolated islands to cooperative settlements and fierce competitions, your actions will shape the destiny of our thriving Minecraft society.
👥 Forge Alliances or Wage Wars:
Collaborate with fellow players, negotiate alliances, and work together to conquer challenges. Alternatively, test your skills in epic battles and strategic conflicts as you engage in exhilarating PvP wars.
🗺️ Dynamic Proximity Voice Chat:
Immerse yourself fully with our custom mod, Simple Voice Chat! Communicate with players in real-time, using proximity-based voice chat during active fights, wars, and engaging social interactions. Get ready for an unparalleled level of immersion!
🏰 Evolving Gameplay:
No two days will be the same as the server evolves and adapts to the choices and actions of its inhabitants. Watch as civilizations rise and fall, economies flourish, and communities bond in unexpected ways.
📢 Engage in Community Discussions:
Voice your opinions, suggestions, and questions at our regular community events. Your input matters as we strive to create an inclusive and engaging environment for all participants.
🔒 Safe and Welcoming Community:
We have a zero-tolerance policy for harassment, discrimination, and toxic behavior. The Social Engineers server is a space where everyone is respected, valued, and encouraged to contribute positively.
🌟 Join Us Today:
Ready to embark on an extraordinary Minecraft adventure? Join The Social Engineers server now and be part of our vibrant and ever-evolving community. Prepare to witness the emergence of a civilization like no other!
🔗 Connect with Us:
🌐 https://discord.gg/SWjfutwRZ7
Note: The Social Engineers server is scheduled to open soon. Stay tuned for updates and announcements on our Discord server and subreddit!
---
Come join us and experience Minecraft in a whole new light. We can't wait to see you in The Social Engineers server!

WILD MAN: Saint or Sinner Posted on May 2, 2021by Dana Rehn The Representation of Wild Folk During the German Renaissance The wild man was inspired in part by pagan hybrid woodland creatures like the satyr, however, much of the mythology of the wild man stems from barbarians of Europe.[i] For much of the Middle Ages, they were considered the antithesis of the civilised Christian society. They were cannibalistic, sexually deviant predators whose many characteristics were related to monstrous races as well as the insane. Despite the wild folk’s outsider status and the antithesis of Christian morality, the wild man and woman nevertheless became an icon of German nationalism. The image of the wild man and woman became a pervasive figure throughout the German Renaissance, depicted on a vast range of media from stained glass, woolen tapestry, playing cards (fig. 3), and ordinary household objects. The wild man and woman transitioned from a demonic brute beast to a romanticised image of the noble savage. They recall a simpler time in German history and became a part of the image of a united and strong German people. They also posed as an affront to the court culture of Rome and became associated with the virtues of the natural wilderness. Cleric, Johann Geiler von Kaysersberg, associated them with the image of the hairy saints who found redemption in the wilderness by categorising them as a type of wild man in Die Emeis.[ii] The German forests that the Wild Man was thought to reside were starting to be romanticised. Geographer, Johannes Rauw, praised the ancient forests that had long been demonised by Italians as a place of barbarians.[iii] From rapists of damsels, wild men were depicted with the virtues of the nuclear family in the Garden of Eden before ‘The Fall’ (Genesis 3). In this way, the wild man and woman became increasingly mythologised, merged with ancient Germans, ascetic saints as well as Adam and Eve. Although there were a growing number of romanticised images of the wild man and woman during the sixteenth century, negative representations persisted. Their depiction was not a simple shift from demonic woodland creature to the image of holy saints; many possessed both contradictory notions of sinner and sainthood. The multifaceted representation of wild folk reflected many of the contradictions of German Renaissance society. Man or Animal The reputation of the wild man stems from antiquity. Aristotle believed that people who lived outside the civilising influence of the urban city lacked the ability to reason.[iv] In this way, they were considered closer to animal than man, subjected to their impulses.[v] The wild man and woman were also believed to lack speech, used primitive tools such as the club, and lived away from civilisation.[vi] Even the food that the wild folk would eat – berries and uncooked food – was a mark of uncivilisation and thus associated them more with animals than man.[vii] Many were also thought to crawl on all fours, which is illustrated by the often bare knees of wild men and women.[viii] The wild man as well as the woman were characterised for their violence and unhinged rage. They both shared a love of combat and have even been depicted jousting against one another.[ix] It is not just appearance, but also behaviour that made someone bestial like peasants who were described with animal qualities. The wild man has also been associated with bears and mythology exists with bears who were able to transform into wild men.[x] Their unbridled sexuality was also more associated with animals. Wild men were thought to abduct pretty maidens, while the wild woman would transform herself into a beautiful woman and attempt to seduce men with her true ugliness only to be revealed during intercourse.[xi] In this way, they were also associated with other pagan and hairy woodland hybrid creatures from antiquity including satyrs and centaurs, who were also known for their immoral behaviour and insatiable sexual appetite.[xii] Albrecht Dürer combined classical mythology with German folklore in the engraving of the Abduction of Proserpine on a Unicorn (1516) (Fig. 1). The print recounts the mythology of the abduction of the goddess of fertility by Pluto (Hades), God of the underworld – the pagan equivalent to the Devil.[xiii] In place of the classical god is a wild man on the back of a unicorn. Although this wild man is not covered in think body hair, he has wild hair on top of his head and a large bushy beard. He is identified as a wild man by his riding of a unicorn where the wild man was believed to be the only creature strong enough to overpower it by force.[xiv] Unicorns were originally regarded as ferocious beasts who used their horn as a weapon.[xv] Tales and visual art from the fourteenth century tell of wild men who become tamed by love after abducting a woman.[xvi] Yet this print illustrates man’s sexuality was thought to reduce them to a brute beast. Fig 1. Albrecht Dürer, Abduction of Proserpine on a Unicorn, 1516, Etching, 30.8 x 21.3cm, The Institute, Chicago. During the Middle Ages, many people concluded that wild man and woman were degenerative humans. They became an irrational beast in the same way that the insane were believed to be a form of wild people. Medieval romances frequently described people who suffered a crisis and lost their mind and ran into the forest living as semi-human wild people.[xvii] In Hartmann von Aue’s (c. 1160/70- c. 1210/20) Iwein, the protagonist who has broken a promise to his wife and is rejected, roams around in the forest until he is discovered by a lady who saves him from his insanity.[xviii] The wilderness in part created the state for wildness as it was away from civilisation and rationality.[xix] Like many monsters during the period, the wild man and woman were defined by their nudity. In this way, they were symbolically outside civilisation – both physically and behaviourally.[xx] Even those who have become temporary wild men through madness and fled into the forest shed their clothes and only returned to civilisation by again putting their garments back on. While in the forest they begin to grow hair all over their body to signify their move away from the human realm and into the animal one.[xxi] The wild man and woman encapsulated the fears of Europeans and what happens to one if they abandon civilisation.[xxii] The theme of civilising the wild man was popular during the Middle Ages. It was knowledge and acceptance of the one true faith that inevitably brought the wild man back to civilisation.[xxiii] In a thirteenth-century Bavarian epic poem, republished in the sixteenth-century German collection of stories, Das Heldenbuch mit synen figuren (‘The Book of Heroes’), recounts a wild woman called Raue Else (‘Rough Else’). The woman who was hairy all over and walked on all fours approached the knight, Wolfdietrich, who questioned if she was an animal. [xxiv] The wild woman demanded the love of the knight and upon his refusal turned him into a crazed wild man who crawled on all fours for half a year until God commanded her to disenchant him. In return, Wolfdietrich offered to marry the wild woman so long as she was baptised. She took him back to her kingdom at Troy and after bathing in the fountain of youth she was transformed into her former self, the beautiful princess, Sigeminne (‘Love’s victory’).[xxv] Wild Man as Noble Savage Although the wild man and woman were frequently represented in literature during the Middle Ages, they were rarely depicted in visual art until the fifteenth century.[xxvi] Therefore, their most ferocious reputation left little mark in visual culture. Instead, the wild man and woman were frequently represented in Renaissance art as the image of purity, with their family representing the virtues of parenthood and a companion or as a saint. Lynn Frier Kaufmann argues that the idea of chivalry and courtly love during the Middle Ages influenced the way wild men and women were depicted during the Renaissance.[xxvii] Larry Silver on the other hand interpreted their new role as cultural emblems brought by the rise in Germanic nationalism, which inspired the new translation of Tacitus’s Germania, describing wild people who only wore a cape of animal’s hide, as the first proud inhabitants of the Germanic lands (for example, fig. 2) .[xxviii] In this way, Tacitus’s Germania transformed the wild man into the romanticised version of the noble savage during the German Renaissance.[xxix] They lived a simple and virtuous life. They needed no written laws because they had good morals and rejected the habits of outsiders.[xxx] The nobility and urban elite began to romanticise the wild man for their strength and freedom from the rules of society.[xxxi] Conrad Celtis described a counterpart to early Germans in the Lapps. He described them as speechless but also that they had not been corrupted with luxury, fame, or wine. ‘Here no jurist twists the law, no doctor accumulates his blood money, and no tonsured man plagues the people’.[xxxii] Fig. 2. Nicolaes van Geelkerken after Clüver in Philipp Clüver, Germaniae antiquae libri tres, Leiden: Louis Elzevir, 1616, Engraving, London, The Wellcome Library. Source: archive.org On a playing card by Master ES printed in c. 1461, a wild woman is depicted with a unicorn (fig. 3). While wild men overpower the unicorn with their bold ferocity, it was the wild woman’s sexual purity that allowed her to get close to the unicorn. A tale of the unicorn captured only by pure virgin maidens arose during the Middle Ages. This led to the unicorn being represented as a sign of purity and thus underscores the image of the wild woman as epitome of the noble savage.[xxxiii] A sense of innocence accompanies their ignorance of the civilized world. Playing cards usually consisted of four suits with illustrations of plants, animals, and heraldic symbols. The wild woman with the unicorn is one of four cards surviving in the animal suit by Master ES.[xxxiv] Richard Bernheimer suggests that the images on the cards represent a hierarchy.[xxxv] Therefore, it places the wild man and woman in the realm of animals.[xxxvi] This is plausible since this wild woman represents the Queen of the Animals. However, her clasping grip of the unicorn who is dwarfed by the wild woman shows her dominate position in nature. Fig. 3. Master ES, Wild Woman and Unicorn (Queen of Animals from the Small Playing) c. 1461, Engraving on Playing Card, 10.5 x 7.3cm (Sheet); 9.8 x 6.cm (Plate), New York, Metropolitan Museum of Art. The wild man also featured in more than 200 coat-of-arms across Europe, most of which were in German lands.[xxxvii] They were particularly popular during the second-half of the fifteenth century.[xxxviii] Interestingly, the wild man was illustrated beside coats-of-arms of popes and kings as their protector or guardian of the coat-of-arms despite the wild man’s history as a heretical being.[xxxix] Roundel prints of coat-of-arms were likely used as templates for goldsmiths or glassmakers who would fill in the family crest.[xl] It has also been suggested that these roundels were used by the middle class to emulate the coat-of-arms of the nobility. The templates were used as a substitute for commissioned coat-of-arms.[xli] In Wild Woman and Heraldic Shield, c. 1490 (fig. 4), a wild woman suckling her baby is reminiscent of the Madonna and child. This image reveals the redemption of women through childbirth for their responsibility for Original Sin (Genesis 3.16). She also serves as an emblem for fertility for the family whose shield she holds to ensure the family line. Fig. 4. Martin Schongauer, Wild Woman and Heraldic Shield, Colmar, c. 1490, Engraving, 7.7 diam. New York, The Metropolitan Museum of Art. Return to the Garden of Eden The image of the noble savage in turn influenced the idyllic images of the wild family. Master bxg’s Wild Folk Family (c. 1475) parallel Adam and Eve in the Garden of Eden. Adam and Eve who were portrayed in animal skins after ‘The Fall’ are akin to the hairiness of the wild family.[xlii] In Master bxg’s print stands the tree of knowledge, overlooked by an owl in the background, symbolising potential danger as owls served as a symbol for evil.[xliii] A rabbit bounds towards a forest in the top left. Rabbits were used as a symbol for fertility and has been depicted in images of Adam and Eve during ‘The Fall’ and thus can symbolise carnal knowledge. The wild woman’s long hair symbolises her fertility and thus her unbridled sexuality and parallels with the depiction of Eve in the Garden of Eden with long, loose flowing hair.[xliv] Although the representation of the wild family references Original Sin, they are still in a state of nature and innocence and their ignorance of God therefore cannot constitute sin.[xlv] However, it also provides a mirror of the tensions between good and evil within German Renaissance society – between temptation and godliness.[xlvi] The wild family not only recall Adam and Eve in the Garden of Eden, but also the image of the Holy Family who were often represented against the backdrop of the wilderness.[xlvii] In a comparative print in Hans Leonhart Schäufelein’s, Wild Man and Wild Woman originally printed in c.1520 (fig.5), the wild family are still hairy and naked, although they wear fig leaves to help preserve their modesty. The fig leaves allude to after ‘The Fall’ in the Garden of Eden once they have eaten from the tree of knowledge and realise their nakedness and feel shame. In this way, the sins of the past are not completely forgotten. However, the image lies in opposite to the unbridled sexuality of the earlier idea of the wild man and woman. One son attempts to place a leash around a domesticated dog, which further symbolises a new domesticity to the wild family.[xlviii] Despite its clear reference to Original Sin, it illustrates an idyllic family scene, away from the corrupting influences of ‘civilised life’.[xlix] Fig. 5. After Hans Schäufelein, Klag der wilden Holtzleüt, uber die ugetrewen Welt, verse by Hans Sachs, printed by Hans Guldenmundt, Augsburg, 1560 Coloured woodcut, 20.2 x 24.2cm (sheet), 20.2 x 15.2 cm (borderline) The British Museum, London. This image was later copied with an addition of a poem written by Hans Sachs in 1530. In the poem the wild folk lament against the corruption and evils of society such as the lust for wealth, flesh, and violence. The wild folk in Sachs’ verse have chosen to discard worldly pleasures to live the simple and pure life in nature. The verse ends with the wild folk declaring that they will be happy to return to civilisation once the world ‘see the light’.[l] This verse parallels the wild man with ascetic monks whose wildness is a temporary state and who seek redemption away from civilisation. Wild Man as Saints The tales of saints who found redemption in the wilderness by discarding worldly pleasures, growing hair on their body and then returning to civilization and shedding their hair once more became co-opted with the image of wild men and women during the Renaissance. Many stories of anchorites parallel with others, to the point that they can become indistinguishable.[li] Onuphrius is one of the better-known ascetic saints who lived during the fourth century. Paying penance, he lived in a cave for sixty years, as wild men and women were thought to do. His clothes wore away and he grew a thick coat of hair to protect his body against the elements (fig. 6).[lii] Saint John Chrysostom similarly went into the wilderness to pay penance and vowed to crawl on all fours until he found favour with God.[liii] Ascetic saints were similarly depicted with bare knees as wild men and women were also believed to crawl on all fours like an animal, wearing away the hair. In Leben der Heiligen (1499), where Saint John Chrysostom is depicted as covered in thick hair and crawling on all fours in the forest is described as an ‘abominable animal,’ despite being depicted with a halo around his head.[liv] Ascetic saints were therefore reduced to a beast just as the wild men and women had traditionally been as they are seen as degenerating into an animal who grow hair on their body and ate raw food.[lv] In this way, the figure of the hairy monstrosity was able to find redemption, at least in part, cast as the model of repentance. Fig. 6. Anonymous, Saint Onuphrius, c. 1480-1500, woodcut, 14.6 x 11.4cm, New York, The Metropolitan Museum of Art. During the German Renaissance, Saint Mary Magdalene, who was regarded for her beauty,[lvi] was frequently represented covered in hair like a wild woman. Her hairy image found wide devotion through the southern Germanic region.[lvii] In a tale originating in the tenth century, Mary was set adrift by non-believers and by divine guidance found her way to the south of France where she preached and converted the locals. She lived in a cave in Saint-Baume, Provence, paying penance for her former sinful life.[lviii] The name Magdalene means manens rea or ‘remaining in guilt’.[lix] She grew hair all over her body in the same way as a wild woman. In her cave she remained silent and when a hermit approached her, she had trouble speaking after being secluded for so long, not unlike the wild man and woman.[lx] Every hour, angels would ascent her to the heavens where she would gain nourishment as she was so remote that there was no food or water.[lxi] Mary’s ascension into the heavens as a hairy wild woman was a theme in German Renaissance prints and is illustrated in a print by Hans Baldung Grien (c.1484-1545) in c.1512 (fig. 7 ).[lxii] Her ascent represents her body’s transcendence from both worldly pleasures and the wilderness. Fig. 7. Hans Baldung Grien, St Mary Magdalen, c.1512, Woodcut, Sheet: 13 × 8.7 cm Metropolitan Museum of Art, New York. The image and identity of Mary Magdalene during the Renaissance is believed to be conflated with the story of Saint Mary of Egypt who lived in the fifth century. Mary has long been thought to be a prostitute. She travelled to Jerusalem where she became aware of her sins when she could not enter a Church as she was held back by a spiritual ‘force’. She saw the image of the Virgin Mary staring back at her and realised why she could not enter. Mary of Egypt, the antithesis to the Virgin prayed to her for forgiveness and renounced her life of sin.[lxiii] Mary went to live alone in the desert to repent for forty-seven years.[lxiv] The desert was a place to be tested against sins, for punishment, but also for contemplation and redemption.[lxv] Both Mary of Egypt and Mary Magdalene have both similarly been depicted covered by hair that represents their place outside of civilization and discarding worldly possessions. It was also used to provide modesty to discern from their previous occupation of the flesh.[lxvi] As seen in the print by Lucas Cranach the Elder, The Ecstasy of St. Mary of Egypt (1506) (fig. 8) who was thought to levitate in prayer,[lxvii] is similar to the composition of prints of Mary Magdalene being accented by angels. The naked saints signified the return to nature before ‘The Fall’ in the Garden of Eden.[lxviii] Despite this earlier legend, Mary Magdalene was not depicted in art as covered in hair until the mid-fifteenth century but was rather naked with her long hair covering her modesty. The image of the hairy Mary Magdalene was therefore believed to originate in fifteenth-century Germany.[lxix] The detail of the hairy Mary Magdalene was also not included in the popular thirteenth century The Golden Legend by Jacobus de Voragine (c.1230-1298) that combined the tales of Magdalene. Her nudity was implied as the hermit who visited her passed her a garment to wear.[lxx] The hair covering Mary of Egypt was also a later addition to the story and also does not appear in The Golden Legend.[lxxi] She similarly does not seem to appear in art until the fifteenth-sixteenth centuries.[lxxii] The same can be said of other saints who turn into a wild man, at least temporarily such as Saint John Chrysostom.[lxxiii] This suggests ascetic saints who grew hair over their body was a contemporary idea that arose at the same time that the wild man and woman were popular in Renaissance prints. However, as Bartra notes, the idea of the hairy ascetic saint derived from Ancient Egypt when long haired hermits sought solitude in the desert.[lxxiv] Fig. 8. Lucas Cranach the Elder, The Ecstasy of St. Mary of Egypt, 1506 Woodcut, 24.4 × 14.2 cm, The Met, New York, Wild Man in Reformation Propaganda The image of the wild man was also co-opted into the Protestant Reformation in Germany and has been used by both Protestants and Catholics in contradictory ways. The engraving of The Pope as a Wild Man was created by Melchior Lorck (c.1526/7-1583) in 1545. This wild man with characteristic thick body hair with bare knees is a hybrid with long rat-like tail. Perched on top of his head is the three-tiered crown of the pope, but the last tier is a tower of excrement. Beneath his crown are ass ears, which represent folly and dishonesty. The ass’s ears allude to the myth of Apollo who made Midas grow the ears of a donkey to tag him for his dishonesty.[lxxv] On his back appears to be a bat with stretched out wings, which is a symbol for the Devil.[lxxvi] The wild man carries his characteristic wooden club, but this one has three cross branches at the end to represent the papal cross. He holds onto the papal key that is shattered at the end, which is a sign that the temporal powers of the papacy have been broken.[lxxvii] From his mouth pours a stream of toads and reptiles. This appears to reference the beast, the dragon, and the false prophet who release four foul spirits. A version of this image was discovered cast on a canon of Protestant troops captured during the Schmalkaldic War.[lxxviii] Melchior Lorck, The Pope as Wild Man, c. 1545, Etching, 22.9 × 19.4 cm, Staatliche Museen zu Berlin, Kupferstichkabinett Conclusion In Renaissance Germany, complexity existed in people’s relationship with the wilderness. It both conjured up images of the Garden of Eden before ‘The Fall’ as well as the dangers that may lurk beyond. The wild man and woman were just as complex and represented sinfulness, but also redemption and innocence. As Merry Wiesner-Hanks concludes ‘beast, saint, or hero? the wild man was all three’.[lxxix] A closer look at images of the wild man reveals their complexity. There was not a simple evolution between a demonised creature associated with cannibalism and rape to the holy saint. In the age of the apocalypse, the wild man and woman provide a reminder of Original Sin and the need for repentance at a time of social reform. In this way, the hairy woodland creature is not entirely absolved. Further Reading: Abulafia, David, The Discovery of Mankind: Atlantic Encounters in the Age of Columbus, New Haven: Yale University Press, 2008 Bartra, Roger, Wild Men in the Looking Glass: The Mythic Origins of European Otherness, trans. Carl T. Berrisford, Ann Arbor: The University of Michigan Press, 1994. Bernheimer, Richard, Wild Men in the Middle Ages: A Study in Art, Sentiment, and Demonology, Cambridge: Harvard University Press, 1952. Colin, Susi, ‘The Wild Man and the Indian in Early 16th Century Book Illustration,’ in Christian F. Feest (eds.), Indians and Europe: An Interdisciplinary Collection, Lincoln: University of Nebraska Press, 1999, pp. 5-37. Husband, Timothy, The Wild Man: Medieval Myth and Symbolism, exh. cat., New York: The Metropolitan Museum of Art, 1980. Kaufmann, Lynn Frier, The Nobel Savage: Satyrs and Satyr Families in Renaissance Art, Ann Arbor, Michigan: UMI Research Press, 1984. Moseley-Christian, Michelle, ‘From Page to Print: The Transformation of the “Wild Woman” in Early Modern Northern Engravings’, Word & Image: A Journal of Verbal/Visual Enquiry, vol. 27, no. 4, 2012, pp.429-442. Schama, Simon, Landscape and Memory, London: HarperCollins, 1995. Wiesner-Hanks, Merry, The Marvelous Hairy Girls: The Gonzales Sisters and their Worlds, New Haven: Yale University Press, 2009. [ii] Simon Schama, Landscape and Memory, London: HarperCollins, 1995, p. 97; Timothy Husband, The Wild Man: Medieval Myth and Symbolism, exh. cat., New York: The Metropolitan Museum of Art, 1980, p. 12. [i] Bartra, Roger, Wild Men in the Looking Glass: The Mythic Origins of European Otherness, trans. Carl T. Berrisford, Ann Arbor: The University of Michigan Press, 1994, p. 79. [iii] Schama, 1995, pp. 95-6. [iv] Bartra, 1994, p. 9. [v] Richard Bernheimer, Wild Men in the Middle Ages: A Study in Art, Sentiment, and Demonology, Cambridge: Harvard University Press, 1952, p. 11. [vi] Joyce E. Salisbury, The Beast Within: Animals in the Middle Ages, New York: Routledge, 1994, p. 151; David Abulafia, The Discovery of Mankind: Atlantic Encounters in the Age of Columbus, New Haven: Yale University Press, 2008, pp.16-7. [vii] Susi Colin, ‘The Wild Man and the Indian in Early 16th Century Book Illustration,’ in Christian F. Feest (eds.), Indians and Europe: An Interdisciplinary Collection, Lincoln: University of Nebraska Press, 1999, p.8. [viii] Abulafia, 2008, pp.16-7. [ix] Colin, 1999, p.6 [x] Bernheimer, 1952, pp.165, 59. [xi] Colin, 1999, p.8. [xii] Husband, 1980, p. 11. [xiii] Walter L. Strauss (ed.), The Complete Engravings, Etchings and Drypoints of Albrecht Dürer, Courier Dover, 2013, p. 178. [xiv] Bernheimer, 1952, p. 135. [xv] Anne Clark, Beasts and Bawdy, London: Dent, 1975, p. 46 [xvi] Lynn Frier Kaufmann, The Nobel Savage: Satyrs and Satyr Families in Renaissance Art, Ann Arbor, Michigan: UMI Research Press, 1984, p. 34. [xvii] Salisbury, 1994, p. 152. [xviii] Classen, Albrecht (ed.), Meeting the Foreign in the Middle Ages, New York: Routledge, 2002, p. xx. [xix] Colin, 1999, p. 9. [xx] Danielle Régnier-Bohler, ‘Imagining the Self’, in Georges Duby (ed.), A History of Private Life: vol. II Revelations of the Medieval World, trans. Arthur Goldhammer, Cambridge, Mass.: Harvard University Press, 1988, p. 368. [xxi] Régnier-Bohler, 1988, p. 369. [xxii] Colin, 1999, p. 9. [xxiii] Colin, 1999, p.6. [xxiv] Husband, 1980, p. 62; Merry Wiesner-Hanks, The Marvelous Hairy Girls: The Gonzales Sisters and their Worlds, New Haven: Yale University Press, 2009, p. 42. [xxv] Husband, 1980, p. 64; Bartra, 1994, p. 101; Bernheimer, 1970, p. 37. [xxvi] Gilmore-House in Husband, 1980, p. 139. [xxvii] Kaufmann, 1984, pp.32-4. [xxviii] Michelle Moseley-Christian, ‘From Page to Print: The Transformation of the “Wild Woman” in Early Modern Northern Engravings’, Word & Image: A Journal of Verbal/Visual Enquiry, vol. 27, no. 4, 2012, p. 431; Tacitus, Cornelius, Agricola and Germany, trans. Anthony Birley, Oxford: Oxford University Press, 1999, p. 46. [xxix] Schama, 1995, p. 96. [xxx] Caspar Hirschi, The Origins of Nationalism: An Alternative History from Ancient Rome to Early Modern Germany, Cambridge: Cambridge University Press, 2011, p. 169. [xxxi] Colin, 1999, p. 23-4. [xxxii] Lewis W. Spitz, Conrad Celtis: The German Arch-Humanist, Cambridge: Harvard Universtiy Press, 1957, p. 100-101. [xxxiii] Anne Clark, 1975, p. 46. [xxxiv] Gilmore-House in Husband, 1980, p. 168. [xxxv] Gilmore-House in Husband, 1980, p. 167. [xxxvi] Gilmore-House in Husband, 1980, p. 168. [xxxvii] Wiesner-Hanks, 2009, p. 35. [xxxviii] Bernheimer, 1952, p. 180. [xxxix] Husband, 1980, p. 4. [xl] Wiesner-Hanks, 2009, p. 44. [xli] Husband, 1980, p. 187. [xlii] Moseley-Christian, 2012, p. 438. [xliii] George Ferguson, Signs & Symbols in Christian Art, Oxford: Oxford University Press, 1959, p. 22. [xliv] Christa Grössinger, Picturing Women in Late Medieval and Renaissance Art, Manchester: Manchester University Press, 1997, p. 82. [xlv] Husband, 1980, p. 15. [xlvi] Husband, 1980, p. 17. [xlvii] Kaufmann, 1984, pp. 36-7. [xlviii] Schama, 1995, pp. 97-8. [xlix] Colin, 1999, pp. 23-4. [l] Husband, 1980, p. 133. The full translation is found in Appendix B of Husband, 1980, pp. 202-4. [li] Husband, 1980, p. 97. [lii] Husband, 1980, p. 95. [liii] Husband, 1980, p. 102. [liv] Husband, 1980, p. 105. [lv] Bartra, 1994, pp. 83-4. [lvi] Roberta Milliken, Ambiguous Locks: An Iconology of Hair in Medieval Art and Literature, Jefferson, North Carolina: McFarland and Company, 2012, p. 189. [lvii] Wiesner-Hanks, 2009, p. 41. [lviii] Joana Antunes, ‘The Late-Medieval Mary Magdalene: Sacredness, Otherness, and Wildness’, in Peter Loewen and Robin Waugh (eds.), Mary Magdalene in Medieval Culture: Conflicted Roles, New York: Routledge, 2014, p. 117; Wiesner-Hanks, 2009, p. 38; Husband, 1980, p. 100. [lix] Husband, 1980, p. 100. [lx] Antunes, 2014, p. 118. [lxi] Milliken, 2012, p. 189. [lxii] Wiesner-Hanks, 2009, p. 38; Husband, 1980, p. 100; Milliken, 2012, p. 189. [lxiii] Michelle Erhardt and Amy Morris, ‘Introduction’ in Michelle Erhardt and Amy Morris (eds.), Mary Magdalene: Iconographic Studies from the Middle Ages to the Baroque, Leiden: Brill, 2012, p. 9; Else E. Friesen, ‘Saints as Helpers in Dying: The Hairy Holy Women Mary Magdalene, Mary of Egypt, and Wilgefortist in the Iconography of the Late Middle Ages,’ in E.E. DuBruck and B.I. Gusick, Death and Dying in the Middle Ages, New York: Peter Lang, 1999, pp. 240, 242; Milliken, 2012, p. 204. [lxiv] Erhardt and Morris, 2012, p. 9; Friesen, 1999, pp. 240, 242. [lxv] Bartra, 1994, pp.47-8. [lxvi] Erhardt and Morris, 2012, p. 9; Friesen, 1999, pp. 240, 242. [lxvii] Milliken, 2012, p. 206. [lxviii] Friesen, 1999, p. 242 [lxix] Husband, 1980, p. 100. [lxx] Jacobus de Voragine, The Golden Legend: Readings on the Saints (c.1260), ed. Eamon Duffy, Princeton: Princeton University Press, 2012, p. 381. [lxxi] Virginia Burrus, The Sex Lives of Saints: An Erotics of Ancient Hagiography, Philadelphia: University of Pennsylvania Press, 2011, p. 149. [lxxii] Voragine, 2012, p. 228; Milliken, 2012, p. 205. [lxxiii] Husband, 1980, p. 102. [lxxiv] Bartra, 1994, pp. 74-5. [lxxv] Hélène A. Guerber, The Myths of Greece and Rome, New York: Cosimo, Inc., 2007, p. 57. [lxxvi] Russell, 1986, p. 232. [lxxvii] Robert W. Scribner, For the Sake of Simple Folk: Popular Propaganda for the German Reformation, Cambridge: Cambridge University Press, 1981, pp. 135, 80 [lxxviii] Scribner, 1981, pp. 163, 164. [lxxix] Wiesner-Hanks, 2009, p. 35. Share this: Click to share on Twitter (Opens in new window)Click to share on Facebook (Opens in new window)Click to share on Pinterest (Opens in new window)Click to share on Pocket (Opens in new window) Related Wild Men and Heraldry February 20, 2022 In "wild folk" Representations of Monsters in German Renaissance Prints September 5, 2021 In "cynocephali" Monstrous Women: Hair, Gender, and Sexuality in Early Modern German Prints June 6, 2021 In "Human-Animal Relations"

Since I doubt that 2K will do any further groundbreaking updates other than the glitches and bugs being fixed here are somethings I’d like to see in 2k24

1. The return of chain grappling, rest holds, and Irish whips without grappling I mean if your game is a simulation game and it’s supposed to mimic real wrestling then why would you take this feature out?
   
2. The return of tired pin animations honestly I think it was stupid for them to take this out in 2k22 the tired pin animations along with the tired finishers made the game feel like I was going through a hard fought match and it felt very immersive
   
3. The return of promos in universe mode honestly I enjoyed doing promos in universe mode universe mode is supposed to be like your very own sandbox and feel like you’re in control of everything while also feeling like an actual show and the addition of the promo feature debuted in 2k17 helped with this
   
4. The return of show intros in universe mode honestly I liked the show intros when they had the pyro and graphics while the commentary team welcomes viewers to the show and them talking about the match card this is another thing that made things feel more immersive
   
5. Squash match return honestly I just want some stars to look strong it makes no sense how Undertaker struggles to put away a 40 overall in a match
   
6. Return of create a finisher do I need to even explain it?
   
7. Bigger backstage I have no problem with the backstage area honestly I would’ve had the one from 19/20 and added the new one in as another area you could travel to
   
8. Return of omg moments although yes they got old and repetitive I still enjoyed it because doing it made the match have that epic moment
   
9. Story customization from 2k15’s universe mode this was in universe mode once but it was a great idea you could choose what storylines would play out they’d have tag team forming, breaking up, title feuds, and what if storylines and I’d like to see it return because I’m ngl the rivalry thing in universe mode doesn’t feel as “free” as the storyline collector did in 15
   
10. Regular updates in their nba 2K games 2K would regularly update player on a new team, overall changes, haircuts, jerseys so why not do the same here? I honestly think it’s stupid on how outdated this game feels we’re in 2023 yet the game is in 2022 I wish that when WWE would update areas and ppvs that 2k would put it into the game whenever a superstar is in a new gimmick or tag team update it etc put more detail into it
    

-honorable mention because I doubt that this is possible but I’d like to see it-
Have us be able to import music from our Spotify account for our caws rather than us use generic theme music you could do this on last Gen and I don’t think they could get copyrighted since they’re using the app rather than the music